Hammer Museum

Based on the bestseller by Andy Weir, Project Hail Mary stars Ryan Gosling as a high school science teacher thrust quite unwillingly into space as Earth’s last hope for survival. Followed by a conversation with directors Phil Lord and Christopher Miller. Learn more here: https://hmmr.buzz/C26PHM

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Depicting the remarkable chance encounter in Paris of a French nursing home director and a Japanese theater director facing terminal cancer, All of a Sudden is a moving testimony to the power of human empathy. Followed by a conversation with writer-director Ryûsuke Hamaguchi Learn more here: https://hmmr.buzz/C26AOAS

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Director Lee Chang-dong in person Winner of the Silver Lion Grand Jury Prize at the Venice Film Festival, Possible Love marks the long-awaited return of Lee Chang-dong (Burning, Poetry), whose infrequent releases make each new film a major—and always ravishing—cinematic event. The precarious existence of a laid-off factory worker and his wife is upended when an affluent documentary filmmaker chooses them as the subjects of her latest project. Featuring an extraordinary ensemble led by Jeon Do-yeon, winner of the Cannes Best Actress prize for Secret Sunshine, the film unfolds as a haunting, slow-burning examination of class disparity, lingering trauma, and the elusive quest for human connection. Probing the mysteries of human behavior, Lee exposes the quiet hypocrisies and unspoken desires that shape how we perceive—and exploit—one another. 2026. South Korea. Written and directed by Lee Chang-dong. With Jeon Do-yeon, Sul Kyung-gu, Cho Yeo-jeong, Zo In-sung. DCP courtesy Netflix. In Korean; English subtitles. 164 min. Learn more here: https://hmmr.buzz/C26PL

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Olivia Wilde out-Albees Edward Albee (and out-LaButes Neil LaBute) in this viciously funny four-hander about a couple who inadvertently spice up their marriage when they invite over their swinging neighbors for a casual dinner party. Deftly adapted by Will McCormack and Rashida Jones from the popular Spanish movie Sentimental, The Invite confirms Wilde as an uncommonly, if unsurprisingly, gifted director of actors, each of whom plays their parts to perfection: the put-upon neurotic wife (Wilde, paying homage to Diane Keaton), the half-hearted husband (Seth Rogan), the Tantric seeker (Ed Norton), and the free-spirited bohemian (Penelope Cruz). 2026. USA. Directed by Olivia Wilde. Screenplay by Will McCormack, Rashida Jones. With Wilde, Penelope Cruz, Edward Norton, Seth Rogen. DCP courtesy A24. 107 min. Learn more here: https://hmmr.buzz/C26TI

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Directors Javier Calvo and Javier Ambrossi in person Known as “Los Javis,” Javier Calvo and Javier Ambrossi have written, produced, and directed together some of the most sarcastic and provocative works in recent Spanish comedy, including Holy Camp (2017) and the hilarious TV series Paquita Salas (2016–2019). With La bola negra, they ambitiously deliver a cinematic epic inspired by Federico García Lorca’s homonymous unfinished work and Alberto Conejero’s play on the tragic destiny of Republican resistance fighter, actor, and footballer Rafael Rodríguez Rapún, a former lover of Lorca. With special appearances by Penélope Cruz and Glenn Close, and starring singer-songwriter Guitarricadelafuente, La bola negra audaciously looks at the past and present of Spanish history, the traumatic period of the Spanish Civil War, and its consequences for the sentimental lives of families and secret lovers shaped by tales of resistance and oppression. Learn more here: https://hmmr.buzz/C26LBN

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Join Hannah Feldman, Keith L. and Katherine Sachs Associate Professor of Contemporary Art at the University of Pennsylvania, for a lecture on Huguette Caland (1931–2019), the subject of the retrospective currently on view at the Hammer until February 28, 2027. In her talk, Feldman–the curator of the exhibition–will trace the artist's relationship to the line, both written and drawn, throughout her life and a career that spanned Beirut, Paris, and Los Angeles. As the line is called upon in Caland's work to express, delineate, define, and sometimes occlude, Feldman follows its curves and undulations to examine Caland's works' relationship to the body and community, as well as to identify the overarching concerns with autonomy and freedom that reverberate across her oeuvre, be it realized in painting, drawing, sculpture, writing, or fashion design. Learn more here: https://hmmr.buzz/HCturns

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Followed by a conversation with director David Greaves and producer Liani Greaves The great American filmmaker William Greaves, who in his illustrious career of more than 50 years documented the civil rights movement and historical figures like Muhammad Ali, Paul Robeson, Ida B. Wells, and Raphe Bunche, who executive produced the groundbreaking PBS news program Black Journal, and who wrote and directed the radically experimental fiction hybrid Symbiopsychotaxiplasm, had one last trick up his sleeve before his death in 2014: He left behind an extraordinary archive of unedited footage from a cocktail party he staged and hosted in 1972 at the home of Duke Ellington, an astonishingly vital and poignant gathering of luminaries from the Harlem Renaissance, many of whom had not seen each other for nearly a half century. Among those assembled were the artists Aaron Douglas and Romare Bearden, the composers Eubie Blake and Noble Sissle, the photographer James Van Der Zee, the poet Arna Bontemps, and the actor Leigh Whipper. Now, some 50 years later, Greaves’ son David, one of three cameramen filming that day, has shaped this never-before-seen material into the beautiful and indelible Once Upon a Time in Harlem, carrying on the work of Greaves’ wife and longtime partner Louise Archambault Greaves and collaborating with Greaves’ granddaughter Liani and Anne de Mare as producers. Learn more here: https://hmmr.buzz/C26OUTH

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As Clarissa (Sophie Okonedo) prepares a glamorous party at home, a young soldier (Fortune Nwafor) grapples with PTSD following his deployment in the fight against the Boko Haram insurgency in Nigeria. After their inaugural feature, Eyimofe: This Is My Desire, Nigerian twin brothers Arie and Chuko Esiri boldly adapt Virginia Woolf’s masterpiece, Mrs. Dalloway, to contemporary Lagos, turning it into a captivating, free-flowing journey that weaves past and present through the memories, affairs, and unfulfilled platonic dreams of close friends. Clarissa is a dazzling, meticulous exploration of privilege, lost time, and post-colonial heritage, graciously played by a formidable cast and complemented by an equally exceptional musical soundtrack. Learn more here: https://hmmr.buzz/C26C

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Join us for a special after-hours tour of Mavis Pusey: Mobile Images, featuring musician Miguel Atwood-Ferguson. Blending a gallery tour with a live mixtape, Atwood-Ferguson shares a curated selection of recorded music inspired by Pusey’s paintings and prints. The program explores the connections Pusey drew between her work and music, while considering how her art can spark new musical interpretations and inspirations. Come ready to look, listen, and experience the exhibition in a new way. Learn more here: https://hmmr.buzz/AHTLP

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Join us for a special after-hours tour of Mavis Pusey: Mobile Images, writer, storyteller and digital leader Gary Dauphin. Blending a gallery tour with a live mixtape, Dauphin shares a curated selection of recorded music inspired by Pusey’s paintings and prints. The program explores the connections Pusey drew between her work and music, while considering how her art can spark new musical interpretations and inspirations. Come ready to look, listen, and experience the exhibition in a new way. Learn more here: https://hmmr.buzz/AHTLPMP

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