Art

Join us for an exhibition walk-through of Fire Kinship. The show focuses on the important kinship ties that connect Indigenous communities to the land, and on the inextricable connection between ecological knowledge, spirituality, and creative expression.

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Need a break? Join us for a Paint & 'Sip to relax, create, and recharge. All materials provided-- just bring yourself and take a moment to breathe.

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Belongings: Changing Hands and Shifting Meanings in African Art explores the layered lives of African objects as they journeyed from their places of origin to the Fowler Museum. Rather than focusing solely on original use or function, this exhibition reveals the many transitions, hands, and histories these works have passed through from their early ownership in Africa to colonial collectors, European markets, and eventually UCLA. Together, we’ll consider how objects carry multiple meanings across time and space, and how museums can invite new voices and perspectives on the stories they tell. Erica P. Jones is the senior curator of African arts and manager of curatorial affairs at the Fowler Museum at UCLA. Her curatorial work has engaged such themes as the legacy of colonialism in Africa, historical royal arts, and resonances between Africa and its diasporas. Exhibitions she has curated or co-curated include: The House Was Too Small: Yoruba Sacred Arts from Africa and Beyond (2023); Inheritance: Recent Video Art from Africa (2019); On Display in the Walled City: The Nigerian Pavilion at the British Empire Exhibition 1924–1925 (2019); and Meleko Mokgosi: Bread, Butter, and Power (2018). Jones is on the board of African Arts journal; serves as a co-chair of the steering committee for the Collaboration, Collections, and Restitution Best Practices Working Group; and in 2024, led the Fowler Museum’s repatriation of seven looted objects to the Asante Kingdom in Ghana. Her publishing has been concentrated on colonial-era collecting, provenance, and the arts and museums of the Cameroon Grassfields. Jones holds a Ph.D. and an M.A. in art history from UCLA and a B.A. in art history and anthropology from the University of Pennsylvania.

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“Nada somos sí solos caminamos, todo seremos si nuestros pasos caminan junto a otros pasos dignos.” “We are nothing walking alone; we become everything walking alongside dignified steps.” – El Comité Clandestino (1994) Join the Fowler Museum and UCLA students for a community reading of the new publication, (in)visibility. This powerful book features critical essays and artworks by undoc+ artists—individuals exploring the complex realities of undocumentedness, immigration journeys, and hyperdocumentation. Together, participants will read aloud selected excerpts from (in)visibility, engaging in a shared reflection on identity, migration, healing, and solidarity. The reading will offer a collective space to listen, witness, and honor the voices of the undoc+ community. The editor of this volume is a formerly undocumented, first-generation, transnational, Japanese-Mexican immigrant and UCLA doctoral candidate. (in)visibility foregrounds the aesthetic achievements of undoc+ authors and scholars while centering care and protection for participants. This reading is part of a broader commitment to foster community connection through art and storytelling. This program is in partnership with Undoc+ Collective

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