Alumni

The Undergraduate Research & Creativity Showcase is Undergraduate Research Week’s main event. Hundreds of students will gather here on the Undergraduate Research Week website to share their work on student-initiated and faculty-led research and creative projects in livestreamed panels on May 19, 2026, and as recorded presentations and multimedia throughout the week.

#Undergraduate #FacultyStaff #Alumni #Educational #Research

The Diabetes Prevention Program (DPP) is offered for UCLA staff, faculty, students, and retirees. UCLA DPP follows the guidelines for National Diabetes Prevention Programs, using a CDC approved curriculum, trained lifestyle coaches, and group support over the course of a year. UCLA DPP provides education, encouragement, and the tools necessary to help individuals reach their health goals. The hour-long classes are held once a week for the first three months, biweekly for month four, and monthly for months five through twelve. Interested? Fill out the intake form for the May 2026 cohort: Thursdays 12-1p, starting 5/21/26.

#GraduateProfessional #FacultyStaff #Alumni #Health #Wellness

Join us for the virtual Undergraduate Research Week Awards Ceremony, where we will celebrate the close of Undergraduate Research Week and honor winners of the Dean’s Prize and Faculty Mentor Award! Join Us on Zoom https://ucla.in/4rpBgS9

#Undergraduate #FacultyStaff #Alumni #Educational #Research

This training sesson will show instructors how to create and grade assignments and discussions, utilize time saving features in the Gradebook, and provide student extensions and accommodations. Join us to improve your teaching skills and simplify your life in Bruin Learn. Audience: Faculty, TAs

#FacultyStaff #Alumni

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! May: A Long Way Gone by Ishmael Beah. Please email bkronbeck@social.rr.com to be added to the waitlist for the South Bay Book Club.

Come join us for UC Alumni Trivia Night and see how much of that lecture hall knowledge, late-night cramming, and exam-season survival instinct is still tucked away in your brain. Alumni from UC Berkeley, UC Irvine, UCLA, and UC San Diego are coming together for a fun night of trivia, teamwork, and UC pride. Whether you were a front-row note taker, a study-group regular, or someone who somehow always pulled it together by finals week, this is your chance to put that college knowledge to use. Grab some friends, form a team, and compete for prizes, bragging rights, and the satisfaction of knowing those tuition dollars taught you something. We’ll have light food and drinks to keep everyone fueled between rounds. Come ready to think fast, laugh a lot, and represent the best of the University of California alumni community.

"Against Abandonment: Repertoire of Solidarity in South Korean Protest" (Stanford University Press, 2025) offers insight into the utility and futility of protesting precarity under neoliberal capitalism. Based on long-term ethnographic research and in-depth interviews with key labor and social movement activists, the book follows the protests of minoritized workers, especially women employed in precarious jobs, as they contend with what it means to be treated as disposable and what it takes to resist.

#Educational #Research

UCLA Latino Policy and Politics Institute (LPPI) will host the 2nd annual Latino Policy Day at UCLA, “Building Systems for the New Normal: Data-Driven Solutions When Crisis Becomes Constant,” a convening of students, staff, faculty, alumni, and community members, to highlight groundbreaking LPPI-supported research. For the complete program, visit: https://latino.ucla.edu/events/2nd-annual-latino-policy-day-2026/

#Educational #Research

Join UCLA Financial Aid & Scholarships for a one-hour interactive workshop designed to help newly admitted students and their families better understand their financial aid offer and estimated net cost of attendance. During this hands-on session, a UCLA financial aid expert will walk you through the key parts of your Bruin Financial Aid Letter, explain the different types of aid offered, and demonstrate how to calculate what attending UCLA may actually cost after grants, scholarships, and other support. Please complete the RSVP form below to join us!

Are you considering studying abroad this Summer? The International Education Office and UCLA Financial Aid & Scholarships will be hosting a Q&A session to ensure all of your questions are answered! Please complete the RSVP form below to receive the Zoom details, thank you!

The UCLA Department of World Arts Cultures/Dance proudly presents WACD Senior Projects 2026: SONDER, a landmark showcase featuring the graduating senior class and their capstone performances, presentations, and exhibitions. The event will take place at the Glorya Kaufman Dance Theater, Room 200, with two performances, and at Glorya Kaufman Hall, Room 208, which will feature gallery exhibitions and WAC senior presentations, opening at 6:00 PM and 12:30 PM BEFORE each performance. Performance Dates and Times: Friday, May 15th – Exhibition in Room 208: 6:00-7:15 PM & Performance in Room 200 at 7:30 PM Saturday, May 16th – Exhibition in Room 208: 12:30-1:45 PM & Performance in Room 200 at 2:00 PM Featured Artists: WAC Majors – Geary Aubert, Katie Fang, Dina Ryen Gregg, Adam Nadifi, Gabriela Moncerrath Valdes, Sanjeev Varma Dance Majors – Erin Co, Maia Driz Diaz, Mikayla Knestrick, Kylee Miller Tickets are FREE upon reservation.

#Arts #Dance

Join with fellow Bruin book lovers (and a few Cal Bears too) as we discuss this compelling work by Omar El Akkad that won the National Book Award for non-fiction in 2025. This is sure to challenge our assumptions and push us out of our comfort zone as we assess America's role in the world through the eyes of this award-winning novelist and journalist. Newcomers are always welcome!

Bruin Family Socials are events that bring UCLA to neighborhoods around the world. Providing an opportunity for attendees to engage with one another on a regional level, Bruin Family Socials foster connections and relationships within the greater Bruin community. Historically, Bruin Family Socials have taken place over the course of one weekend each year. During spring 2023, these events transitioned to a year-round model that accommodates a variety of activities and locations, ultimately allowing for added flexibility and more opportunities to build community than ever before. We hope you will join us at an event near you!

This workshop provides an overview on the various forms of academic dishonesty regarding plagiarism. Participants will learn when, where, and why it is important to cite properly. Students will also learn how to avoid plagiarism and the information presented will stress the need to attribute work to the original author and the potential outcomes for plagiarizing. Additionally, paraphrasing, and direct quoting will be discussed. ZOOM. Register through MyUCLA by going to Campus Life> Calendar> Event Reservations> Find Events.

The Undergraduate Research & Creativity Showcase is Undergraduate Research Week’s main event. Hundreds of students will gather here on the Undergraduate Research Week website to share their work on student-initiated and faculty-led research and creative projects in livestreamed panels on May 19, 2026, and as recorded presentations and multimedia throughout the week.

#Undergraduate #FacultyStaff #Alumni #Educational #Research

The Millennial Leadership course provides practical skills and builds confidence in key leadership areas, including effective delegation, managing former peers, conflict resolution, mitigating impostor syndrome, and navigating ambiguity.

California’s economy is navigating a period of heightened uncertainty shaped by geopolitical conflict, energy market volatility, shifting trade conditions, evolving labor market dynamics, and continued investment in artificial intelligence and related technologies. This program will provide a timely overview of the key forces influencing the state’s economic outlook and the implications for California’s industries, institutions, and workforce. Dr. Somjita Mitra ’00, Chief Economist for the California Department of Finance, will discuss several of the major developments affecting the economic environment in 2026. These may include the effects of global instability on inflation and energy prices, California’s exposure to trade and supply chain disruption, the relationship between business investment in AI and labor market adjustment, and the outlook for employment and growth across the state. Particular attention will be given to how these developments may affect sectors that are central to California’s economy, including technology, logistics, higher education, public finance, and innovation-driven industries. The discussion will place recent events in broader economic context and consider how national and international shifts may translate into state-level impacts. The program will conclude with an open question-and-answer session, providing attendees with the opportunity to engage directly on the economic issues most relevant to their work, studies, and communities. About the Speaker: Dr. Somjita Mitra serves as Chief Economist at the California Department of Finance, where she oversees the Economic Research Unit responsible for preparing the state’s economic forecasts and advising on policy developments. She also guides the Governor’s Council of Economic Advisors and provides analysis to the Director of Finance, the Governor’s administration, and other state and local agencies. Before joining the Department of Finance, she was Director of the Institute for Applied Economics at the Los Angeles County Economic Development Corporation, where she led regional and industry studies across California. Earlier in her career, she worked as an economist and consultant specializing in market analysis, economic damages, and strategic research for public and private clients. She is also a member of the Public Policy Institute of California’s Economic Policy Center Advisory Council. Open to alumni, students, faculty, staff, and guests across the UC community.

Come join the Conejo Valley Bruins at the Stonehaus in Westlake Village. Enjoy pizza, salad, and great conversation with fellow Bruins in a beautiful setting. We’d love to see you—reserve your spot while tickets are available.

Are you looking for a safe and supportive space to practice your English conversation skills? Check out Dashew Center's English Language Circle (ELC)! Here you will have an opportunity to practice your English with other language learners. The circle is led by a native English speaker, who will help you become more confident in your speaking skills and who can answer your language and grammar questions. All of our ELC sessions will take place on Zoom this spring 2026. Space is limited to 20 participants per session. Participants are welcome to enjoy their lunch during these sessions. The Zoom link will be shared via email upon registering. Please email us at intlprograms@saonet.ucla.edu with any questions.

#Cultural #Multicultural

"Want to build your leadership skills, grow your network, and make a difference in the Mixed Bruin community? Join the UCLA Mixed Alumni Association Board! We will be hosting a board Info Session via Zoom on Wednesday, May 20 at 7:00 p.m. Come to learn more about our Association, our open positions, and the board elections process. Our current board will be available to answer your questions. We look forward to seeing you there!"

(Sesión en Español!) Únase a Ayuda Financiera y Becas de UCLA para un taller interactivo diseñado para ayudar a los estudiantes recién admitidos y a sus familias a comprender mejor su oferta de ayuda financiera y el costo neto estimado de asistencia. Durante este taller práctico de una hora, un experto en ayuda financiera de UCLA le guiará a través de las partes clave de su Carta de Ayuda Financiera, explicará los diferentes tipos de asistencia financiera ofrecidos y le enseñará cómo calcular de forma más precisa cuánto podría costarle a su familia asistir a UCLA después de tomar en cuenta subvenciones, becas y otros apoyos.

Join us at 20's Talk—a weekly space for meaningful conversations about your 20's. Gain expert insight from special guests, form community, and enjoy free snacks!

The Diabetes Prevention Program (DPP) is offered for UCLA staff, faculty, students, and retirees. UCLA DPP follows the guidelines for National Diabetes Prevention Programs, using a CDC approved curriculum, trained lifestyle coaches, and group support over the course of a year. UCLA DPP provides education, encouragement, and the tools necessary to help individuals reach their health goals. The hour-long classes are held once a week for the first three months, biweekly for month four, and monthly for months five through twelve. Interested? Fill out the intake form for the May 2026 cohort: Thursdays 12-1p, starting 5/21/26.

#GraduateProfessional #FacultyStaff #Alumni #Health #Wellness

Join us for the virtual Undergraduate Research Week Awards Ceremony, where we will celebrate the close of Undergraduate Research Week and honor winners of the Dean’s Prize and Faculty Mentor Award! Join Us on Zoom https://ucla.in/4rpBgS9

#Undergraduate #FacultyStaff #Alumni #Educational #Research

Join us! The UCLA Mixed Alumni Association is organizing a social event at Guildhall in Burbank, where alums can meet and chat with other Mixed Alumni in the area.

Bruin Family Socials are events that bring UCLA to neighborhoods around the world. Providing an opportunity for attendees to engage with one another on a regional level, Bruin Family Socials foster connections and relationships within the greater Bruin community. Historically, Bruin Family Socials have taken place over the course of one weekend each year. During spring 2023, these events transitioned to a year-round model that accommodates a variety of activities and locations, ultimately allowing for added flexibility and more opportunities to build community than ever before. We hope you will join us at an event near you!

Please join our third wellness walk of the year! We will be walking the Greenbriar Trail in Topanga Canyon. It is a 3 mile out and back trail which means you can walk as much or as little as you want. Wear your Bruin gear and don't forget your water. https://www.alltrails.com/trail/us/california/greenbriar-trail 

The Millennial Leadership course provides practical skills and builds confidence in key leadership areas, including effective delegation, managing former peers, conflict resolution, mitigating impostor syndrome, and navigating ambiguity.

TEDx proudly returns to UCLA, celebrating UCLA students, alumni, staff, faculty, community, and impact. Please stay tuned for further details on the event!

#Educational

TEDx proudly returns to UCLA, celebrating UCLA students, alumni, staff, faculty, community, and impact. Please stay tuned for further details on the event! #Educational

#Educational #CampusCommunityConversations

Join UCLA Financial Aid & Scholarships for a one-hour interactive workshop designed to help newly admitted students and their families better understand their financial aid offer and estimated net cost of attendance. During this hands-on session, a UCLA financial aid expert will walk you through the key parts of your Bruin Financial Aid Letter, explain the different types of aid offered, and demonstrate how to calculate what attending UCLA may actually cost after grants, scholarships, and other support. Please complete the RSVP form below to join us!

Careers and academic interests often evolve over time, and many people choose to pursue graduate education after gaining experience in the workforce or further exploring their fields. Whether you are considering a master’s or PhD, in an academic or professional program, graduate school can be a powerful step toward advancing your goals, shifting career paths, or deepening your expertise. This UCLA Alumni webinar will explore what it takes to apply to graduate school across a range of disciplines. The application process can differ significantly from other advanced degrees and depends on your individual goals and motivations. You will gain an overview of the process and timeline, hear from a representative from the UCLA Division of Graduate Education, and learn how to evaluate programs such as those offered through the UCLA Fielding School of Public Health. A UCLA Career Center representative will also share insights on how graduate education can help unlock future career opportunities. Whether you are actively preparing an application or just beginning to consider graduate school, this session will help clarify the process and available pathways. ### **The panel of speakers includes:** * * *  ****Johanna Arias, M.Ed.**** _**Student Affairs Officer for the Executive Master of Public Health (EMPH) Program,** **Executive Programs, Department of Health Policy & Management,** **UCLA Fielding School of Public Health**_ A higher education professional, Johanna Arias is passionate about empowering the next generation of healthcare leaders. Johanna holds a Master of Education in Educational Counseling from the USC Rossier School of Education and a Bachelor of Arts in Public Policy from the University of California, Riverside. Working closely with EMPH Program Director Dr. Isomi Miake-Lye, Johanna offers guidance to EMPH applicants and is the first point of contact for anyone with inquiries about the program or the admissions process. She works closely with EMPH faculty and students and is currently taking 1:1 meetings with prospective applicants to discuss their academic and career goals. UCLA's Executive Master of Public Health is a two-year graduate program in Health Policy and Management designed to equip working professionals with the essential knowledge, skills, and resources to navigate the complexities of the modern healthcare environment. This in-person, cohort-based program features a full-time curriculum that meets on the UCLA campus every other weekend, allowing students to balance rigorous academic training with their professional careers. With one start per year in the Fall, the program emphasizes leadership in health policy and management and provides students the opportunity to develop a practical business plan through their coursework. For the capstone project, all students conduct an applied consulting project beginning in the summer following their first academic year; working in two-person teams, students address policy development issues, management consultations, or mentored problem resolutions in coordination with sponsoring organizations or other health-related entities. Upon graduation, students earn an MPH degree and gain access to a robust and active alumni network, ensuring continued professional support and collaborative opportunities. For more information, please visit:https://www.exechpm.ucla.edu/ * * *  ****Maria José (MJ) Hidalgo Flores, M.S. (she/her/ella)**** _**Assistant Director, Undergraduate Career Education and Development**_ Maria José (MJ) is a two-time alumna of Mount Saint Mary’s University, Los Angeles, where she earned her M.S. in Counseling Psychology and B.A. in Psychology. As a first-generation Latina, her experiences shaped her passion for guiding others in finding their path. She is currently the Assistant Director of Undergraduate Career Education and Development at the UCLA Career Center, where she supports Humanities and Social Science students and collaborates with the First To Go and Transfer Student Center offices. MJ is dedicated to helping students build confidence and navigate their careers, grounded in her belief that self-awareness is key to fulfillment. * * *  ****Jenna Mendoza, MA**** _**Student Affairs Officer for the Online Master of Healthcare Administration Program,** **Executive Programs, Department of Health Policy & Management,** **UCLA Fielding School of Public Health**_ Jenna Mendoza holds a Master’s in Clinical Psychology from Pepperdine University and a Bachelor of Arts in Psychology from Loyola Marymount University. Jenna began working in student affairs at UCLA in 2020, where she utilized the counseling skills she developed during her graduate studies and the experiences she gained while working with first-year students at LMU. Jenna has been working with the UCLA Fielding School of Public Health online MHA program since 2021 and is committed to assisting MHA students from around the globe in achieving their academic and professional goals. UCLA's online MHA program is designed to equip working professionals with the leadership skills to implement effective, value-based care strategies guided by both data and compassion. The program offers a fully online curriculum with asynchronous learning accessible from anywhere, supplemented by two intensive on-campus immersions. To accommodate diverse professional schedules, the program provides four start dates per year—Fall, Winter, Spring, and Summer—with both full-time and part-time tracks available. With a core emphasis on healthcare management, the degree requirements include a comprehensive capstone project that allows students to apply their knowledge to real-world challenges. Graduates earn an MHA degree and gain entry into a robust and active alumni network, ensuring long-term professional connectivity and support. For more information, please visit:https://www.exechpm.ucla.edu/ * * *  ****Tiara Wair**** _**Assistant Dean, Recruitment, Outreach & Admissions, UCLA Division of Graduate Education**_ With more than 18 years of experience in higher education, Tiara is committed to expanding educational access and advancing student success. She holds a B.A. in Communication and an M.A. in Higher Education and Student Affairs Administration from Saint Louis University. In her current role as Assistant Dean for Recruitment, Outreach, and Admissions at the University of California, Los Angeles, she leads campus-wide strategies to recruit, admit, and enroll exceptional graduate students across more than 130 master’s and doctoral programs. A proud first-generation college graduate, Tiara has guided countless students and families through the complexities of the college search and admissions process. * * *

Come to discuss this month's free read, a book you choose to read and share with us to formulate our next booklist.

Are you looking for a safe and supportive space to practice your English conversation skills? Check out Dashew Center's English Language Circle (ELC)! Here you will have an opportunity to practice your English with other language learners. The circle is led by a native English speaker, who will help you become more confident in your speaking skills and who can answer your language and grammar questions. All of our ELC sessions will take place on Zoom this spring 2026. Space is limited to 20 participants per session. Participants are welcome to enjoy their lunch during these sessions. The Zoom link will be shared via email upon registering. Please email us at intlprograms@saonet.ucla.edu with any questions.

#Cultural #Multicultural

As the academic year closes, we're hosting a panel discussion to support students navigating life's next chapter - whether that's entering the workforce, pursuing grad school, or returning home to serve their communities. This event celebrates their journey while providing practical guidance for the transitions ahead. Join us as we close out the year!

UCLA Alumni Affairs, the UCLA Department of Economics, and the Academies for Social Entrepreneurship invite you to the UCLA Social Enterprise Academy Venture Showcase. Three student teams representing local community organizations will pitch business ventures to a panel of industry experts, angel investors, and prominent members of the UCLA community.

The Graduate Student Association, UCLA Graduate Career Services, and the UCLA Alumni Association invite you to the Graduate Student and Alumni Networking Night. Connect with alumni and graduate students who share your area of study and build your network with Bruins in industry. This event offers alumni an opportunity to network among themselves from 5-6 p.m., then with current graduate students from 6 p.m. onward. Appetizers and drinks will be served. **Date:** May 28, 2026 **Alumni Time:** 5-8 p.m. **Student Time:** 6-8 p.m. **Location:** James West Alumni Center, UCLA Campus **Alumni RSVP:** [https://docs.google.com/forms/d/e/1FAIpQLScASDM5mL0prfKiYOTLz\_dygRTXu1WYa\_kGpWL3xGapqEpOUQ/viewform?usp=sharing&ouid=108131488390618152229](https://docs.google.com/forms/d/e/1FAIpQLScASDM5mL0prfKiYOTLz_dygRTXu1WYa_kGpWL3xGapqEpOUQ/viewform?usp=sharing&ouid=108131488390618152229) **Student RSVP:** https://ucla.joinhandshake.com/edu/events/1934655

Join the UCLA Bay Area Bruins for an unforgettable night of WNBA action as the Golden State Valkyries take on the Indiana Fever! After an incredible inaugural season that ended with a historic playoff appearance, Asian Pacific Alumni (APA) of UCLA, in partnership with the UCLA Bay Area Bruins, are excited to host an even bigger UCLA group night this year.  Why This Game? \* EXCLUSIVE POST-GAME CHALK TALK WITH COACH NATALIE NAKASE, UCLA Class of 2003! Golden State Valkyries Head Coach Natalie Nakase is known for her rise from a walk-on to a three-year starter and three-time team captain. After UCLA, she built an impressive coaching career, first overseas and then in assistant coaching roles with the NBA Los Angeles Clippers and the WNBA Las Vegas Aces, and is now the first Asian American head coach in WNBA history. \* EXCLUSIVE DISCOUNTED GROUP PRICING: Tickets are $98 each, approximately 50% below public pricing, with no additional taxes, surcharges, or fees through our UCLA group link \* STAR POWER ON THE COURT: This matchup features the Indiana Fever and rising phenom Caitlin Clark, known for her deep three-point range and electrifying performances. The Fever also features UCLA alum Monique Billings (UCLA Class of 2018), whom we cheered on last season as a member of the Valkyries \* ELECTRIC, HIGH-ENERGY ATMOSPHERE: Chase Center, dubbed “Ballhalla” by fans during Golden State Valkyries games, sold out nearly every home game last season. The vibe has been compared to the legendary “Roaracle” era of Golden State Warriors basketball Additional details about the meetup and other logistics will be shared with registered attendees a few days prior to the event.

Joing the Daily Bruin Alumni Network for a casual mixer at the Boomtown Brewery in Los Angeles. In addition to their taproom offerings, the brewery hosts different food trucks daily. This is a great opportunity for local Daily Bruin alumni to make new friends and expand their network!

10:00–11:30 AM - Sound Rezistance Session Gregg Deal + Native Audio 11:30–1:00 pm - Lunch and Pedal Demo 1:15–2:15 - Rez Metal-Indigenous Punk Session 3:00 PM - Reception in the Courtyard 5:00 PM - Rez Metal Pop up show

#Arts #Music

Join UCLA Financial Aid & Scholarships for a one-hour interactive workshop designed to help newly admitted students and their families better understand their financial aid offer and estimated net cost of attendance. During this hands-on session, a UCLA financial aid expert will walk you through the key parts of your Bruin Financial Aid Letter, explain the different types of aid offered, and demonstrate how to calculate what attending UCLA may actually cost after grants, scholarships, and other support. Please complete the RSVP form below to join us!

Join the Lambda LGBTQ+ Alumni Association for an informative webinar exploring the evolving impact of artificial intelligence on today’s job market. This session will cover: • AI’s impact on hiring practices and job security • Navigating AI in the application and interview process • Strategies for positioning yourself in a rapidly shifting professional landscape

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office will open one hour before the event. Introduction by Archive Director May Hong HaDuong. Q&A with writer J. E. Franklin. Screening 1 of 2 Hearst Metrotone News: "Porgy & Bess Opening" (excerpt) Year: 1959 Country: U.S. Runtime: 2 min. Digital. B&W. Silent. Screening 2 of 2 Black Girl Year: 1972 Country: U.S. Language: English Runtime: 97 min. Digital. Color. West Coast Premiere of New Restoration Named by Film Comment as one of the best restorations of 2025, director Ossie Davis’ third feature is finding its audience more than 50 years after its original release. The play on which the film is based, Black Girl, by J. E. Franklin, who wrote the screenplay, was already a landmark of Black theater after a record-setting off-Broadway run in 1971 that earned Franklin the Drama Desk Award for Most Promising Playwright. Actor-turned-director Davis was coming off the box office success of his Cotton Comes to Harlem (1970), an adaptation of Chester Himes’ politically charged detective novel that helped spark the Blaxploitation wave of the 1970s. In a contemporaneous interview, civil rights icon Davis nevertheless lamented the lack of films about the “trials and tribulations of the Black middle class.” For the family in Black Girl, the personal and cultural politics of upward mobility are central to the conflicts among three generations of Black women. The youngest, Billie Jean (Peggy Pettitt), strives to become a dancer, earning taunts from her half-sisters (Gloria Edwards, Lorette Greene). Their mother, Rose (Louise Stubbs), still stinging from her own mother’s indifference, has seemingly given up on her own children, placing her hopes in Netta (Leslie Uggams), a neighborhood girl she took in now studying for law school. Every member of the ensemble cast — including a swaggering Brock Peters as Rose’s ex — rises to the occasion as their characters clash in a cramped Venice, California, home, prompting Variety to declare Black Girl the best depiction of Black family life “since Lorraine Hansberry’s A Raisin in the Sun.” The film’s distributor, however, gave it an exploitation-style release, booking it in action houses with posters promising the same, leading the trade paper to complain the strategy would “keep away serious filmgoers who would have been rewarded by the fine directing and acting.” Black Girl now stands ready for rediscovery.—Paul Malcolm DCP. Production: Marconlee. Distribution: Cinerama Releasing. Producer: Robert H. Greenberg. Director: Ossie Davis. Screenwriter: J. E. Franklin. Based on the play by J. E. Franklin. Cinematographer: Glenwood J. Swanson. With: Brock Peters, Claudia McNeil, Leslie Uggams, Louise Stubbs, Peggy Pettitt. Restoration funding provided by the Hobson/Lucas Family Foundation. Restored by the UCLA Film & Television Archive and The Film Foundation from 35mm acetate original picture and track negatives. Laboratory services by illuminate Hollywood, Audio Mechanics, Simon Daniel Sound, Fotokem. Special thanks to J. E. Franklin, Malika Nzinga.

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office will open one hour before the event. Introduction by Josslyn Luckett, Associate Professor, Cinema Studies Tisch School of the Arts, New York University ...& Beautiful Year: 1969 Country: U.S. Language: English Runtime: 60 min. Digital. Color. World Premiere of New Preservation With original commercials Hosted by comedian Redd Foxx, …& Beautiful was the first syndicated television special produced for African American audiences to be sponsored by a Black-owned company (Johnson Products, makers of Afro Sheen). Directed by trailblazer Mark Warren, the first African American to win an Emmy Award in a directing category (for his work on Laugh-In), the groundbreaking music-variety special offered viewers a rare primetime showcase foregrounding Black excellence and pride. Dynamically stylized with Afrocentric and psychedelic designs and costuming, the vibrant production represents an invaluable late-’60s audiovisual time capsule documenting the joy, liberation and empowerment of the Black Is Beautiful movement.—Mark Quigley DCP. Syndicated. Production: Western Video Production. Executive Producer: Richard Gottlieb. Producer: Mark Warren. Director: Mark Warren. Writer: Cal Wilson. With: Redd Foxx, Della Reese, Donald McKayle Dancers. Preservation funding provided by the John H. Mitchell Television Preservation Endowment. Preserved by the UCLA Film & Television Archive from an original 2 in. videotape. Engineering services by CBS Media Exchange.

#Arts #MovieFilm

Join the UCLA Alumni Seattle Network for an intimate dinner designed to bring Bruins together over great food, thoughtful conversation, and new connections. Whether you are new to Seattle, looking to expand your alumni circle, or simply want a fun night out with local Bruins, this dinner is a chance to meet 11 other alumni in a welcoming and casual setting! This event will include light guided conversation and a simple networking activity: GAN — Give, Ask, Network.

Katharina N. Piechocki, Associate Professor in the Department of French, Hispanic and Italian Studies at The University of British Columbia, Vancouver, presents "Somatmospheres: Atoms, Ambiance, and Nascent Sky Bodies in the Work of Athanasius Kircher, María de Jesús de Ágreda, and Sor Juana." This Zoom talk brings into a Transatlantic dialogue three seventeenth-century writers who explored sky bodies through the joint lens of science, poetic thought, and religion, recurring to what was then a relatively new vocabulary, such as “atmosphere” or “ambiance”.

#Educational #Academic

Join the UCLA School of Theater, Film and Television for an engaging look at the future of vertical storytelling. This event features an industry panel on the creative and business dimensions of vertical content, from evolving audience engagement to new storytelling approaches in a mobile-first world and showcases the verticals made by UCLA TFT students as part of the Dean’s PICTURE START initiative, which touches new genres with our signature approach of independence, innovation and impact. Be part of the conversation shaping the next generation of content. 6:30 PM PANEL 1: THE BUSINESS OF VERTICALS Moderated by Celine Zen, RealReel Speakers: ALEX MONTALVO/Co-founder & CCO – GAMMATIME JOHN LEWIS/Founder – MUVPIX TOMMY HARPER/Founder & CEO – VEYOU 7:30 PM PANEL 2: THE CREATIVE OF VERTICALS Moderated by Dean Celine Shimizu, Dean UCLA School of Theater, Film and Television Speakers: HAN CHOI – Us Content Lead – VIGLOO ROBIN TANG – Adviser, Content & Strategy – COL GROUP DJ AZUL – Writer – DRAMA BOX, REELSHORTS ASHLIN YU – Head of Development, SHORTIES STUDIOS 8:30 PM PANEL 3: STUDENT SHOWCASE – VERTICAL PILOTS Screening of 3 student Vertical pilots with discussion Moderated by George Huang, UCLA FTVDM 9:30 PM Reception

#Arts #MovieFilm

The Bruin Underground Scholars (BUS) End of Year Celebration is a gathering to honor and celebrate the accomplishments, resilience, and leadership of formerly incarcerated and system-impacted scholars at UCLA. This event brings together students, campus partners, families, and community members to recognize the journeys and achievements of our scholars throughout the academic year.

#Educational #Academic

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Head of Preservation Jillian Borders and Women’s Film Preservation Fund co-chair and restoration consultant Kirsten Larvick. Q&A with co-director Gini Reticker. the heart of the matter Year: 1994 Country: U.S. Language: English Runtime: 56 min. Digital. Color. West Coast Premiere of New Restoration Shot on 16mm by an all-women crew, the heart of the matter is a tender portrait of AIDS activist Janice Jirau and a landmark in feminist documentary history. The film traces Jirau’s transformation from devoted wife to fearless public health advocate after she contracts HIV from a husband who refused to practice safer sex, a story told with devastating clarity. Her journey is braided with a Greek chorus of HIV-positive women from diverse backgrounds whose testimonies dismantle the comforting myth that only “certain kinds” of women are at risk. In a pivotal scene, Jirau delivers a poignant account of surviving abuse from the pulpit of a Black church, and directors Gini Reticker and Amber Hollibaugh linger on the congregation’s embrace — an image that cuts through the stigma and stereotypes that defined the era. Completed at the edge of feature length, the production itself was a political struggle, shaped by a protracted fundraising battle in a culture that routinely devalued women’s stories, and people with AIDS. That tension gives the film its palpable urgency. It is direct and unafraid to ask viewers to reflect on their own relationship to HIV transmission risk, a conversation the filmmakers also carried into public screenings. The collaboration brought together a remarkable team, including cinematographers Ellen Kuras and Maryse Alberti early in their careers, whose camera work gives the film both tenderness and resolve. Premiering at Sundance, where it won the Freedom of Expression Award, and later broadcast on PBS in 1994, the heart of the matter ultimately helped change policy through a grassroots impact campaign — and became a model for activist filmmaking for generations to come.—Beandrea July Directors: Gini Reticker, Amber Hollibaugh. Producers: Gini Reticker, Amber Hollibaugh. Cinematographers: Ellen Kuras, Maryse Alberti. Editor: Ann Collins. With: Janice Jirau. Restoration funding provided by Women’s Film Preservation Fund of New York Women in Film & Television and the UCLA Film & Television Archive. Restored by Women’s Film Preservation Fund of New York Women in Film & Television and the UCLA Film & Television Archive from 16mm A/B original negative rolls, D2 and U-Matic tapes. Laboratory services by Colorlab, Endpoint Audio Labs. Special thanks to Gini Reticker, Kirsten Larvick.

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. The box office will open 30 minutes before the screening. Seats will not be assigned. Introduction by animation historian Jerry Beck and Senior Film Preservationist Miki Shannon. Screening 1 of 3 The Mouse of Tomorrow Year: 1942 Country: U.S. Runtime: 6 min. Digital. Color. World Premiere of New Restoration Riffing off Fleischer Studios’ successful feature-length animation Superman (1941), Terrytoons Studio debuted the first film in the Mighty Mouse series, The Mouse of Tomorrow, the following year. While Terrytoons was known as the “budget” studio or the “Woolworths” of animation, Mighty Mouse lifted the studio into Oscar-nominated status. The animation earned a “swell” from the Showmen’s Trade Review upon debut. While many saw Mighty Mouse’s first flick on black-and-white, 8mm home reels from Castle Films or on CBS television reruns, the Festival presents a restoration of the beautiful color original.—Jackie Forsyte DCP. Production: Terrytoons. Distribution: 20th Century Fox. Producer: Paul Terry. Director: Eddie Donnelly. Writer: John Foster. Restoration funding provided by ASIFA-Hollywood. Restored by the UCLA Film & Television Archive from 35mm nitrate successive exposure positive and nitrate print. Laboratory services by Roundabout Entertainment, Inc., Audio Mechanics, Simon Daniel Sound. Special thanks to Paramount Pictures Archive. Screening 2 of 3 Copy Cat Year: 1941 Country: U.S. Runtime: 6 min. 35mm. World Premiere of New Restoration Although a pioneer in the animation field, here Dave Fleischer played the role of the smaller “copycat” to MGM’s Hanna-Barbera team, creators of another cat-and-mouse duo first seen in Puss Gets the Boots (1940). Copy Cat was distributed by Paramount Pictures in the Animated Antics series, just a year before Paramount bought Fleischer Studios. On display is Fleischer’s characteristic rotoscoping technique, patented by Max Fleischer in 1915. The lively technique of painting over motion pictures, frame by frame, creates smooth and compelling movements. When the patent expired in 1934, competitor animation studios, including Disney, adopted the process.—Jackie Forsyte Production: Fleischer Studios. Distribution: Paramount Pictures. Director: Dave Fleischer. Animation: Myron Waldman, Willian Henning. Writer: Bob Wickersham. Restoration funding provided by ASIFA-Hollywood. Restored by the UCLA Film & Television Archive from 35mm nitrate original picture negative and 35mm safety prints. Laboratory services by the PHI Stoa Film Lab, Roundabout Entertainment, Inc., Audio Mechanics, Simon Daniel Sound. Special thanks to Paramount Pictures Archive. Screening 3 of 3 Adventures of Casanova Year: 1948 Country: U.S. Runtime: 83 min. Digital. B&W. West Coast Premiere of New Restoration Who do you call when you want to liberate Sicily? Who else but Casanova? Spanish-English-language cross-market leading man Arturo de Córdova and Lucille Bremer of Meet Me in St. Louis (1944) star in this swashbuckling B-movie that has extraordinarily little to do with the real-life Giacomo Casanova. Summoned by a band of insurgents to lead a Sicilian rebellion against the Austrian Empire, Casanova seduces, swordfights and twists romantic complications into revolutionary intrigue. You can expect plenty of adventure, high romance, some light cross-dressing, production design that rivals major Hollywood studios, and George Tobias’ unmistakable thick Brooklyn accent. From a historical perspective, Adventures of Casanova is more than the sum of its rather shlocky parts. The film represents a major step in collaboration between the Mexican and American film industries at the height of their respective power and prestige, a level of partnership possibly unmatched until the Nuevo Cine Mexicano movement of the 1990s and 2000s. Adventures of Casanova was also among the first films to make use of Mexico City’s Estudios Churubusco, one of the last legacy Mexican production studios still operating today. Although critics at the time cited budget outlay as the motivation behind the partnership, Adventures of Casanova does stand in contrast to the Mexploitation usually served up to the Anglo-American audiences of the period. Roberto Gavaldón, an icon of Mexican cinema, was perhaps the first Mexican director hired to lead an American crew outside the United States. Gavaldón would go on to make one more English-language feature, The Littlest Outlaw (1955), before returning fully to Mexican cinema. His film Macario, another work shot at Estudios Churubusco, would compete at Cannes in 1960 alongside La Dolce Vita and earn a nomination for Best Foreign Language Film at that year's Academy Awards.—Noah Brockman DCP. Production: Bryan Foy Productions. Distribution: Eagle-Lion Films. Producers: Bryan Foy, Leonard S. Picker. Director: Roberto Gavaldón. Screenwriters:

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Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Eddie Muller, founder and president of the Film Noir Foundation. Si muero antes de despertar (If I Should Die Before I Wake) Year: 1952 Country: Argentina Language: Spanish with English subtitles. Runtime: 72 min. Digital. B&W. A complex father-son relationship is at the center of this Argentine film noir directed by Carlos Hugo Christensen. Originally meant to be included in a noir trilogy with No abras nunca esa puerta (Never Open That Door, 1952), previously restored by UCLA, the Grimm’s fairy-tale-like Si muero antes de despertar was instead released as a stand-alone feature. In this suspenseful adaptation of a Cornell Woolrich short story, the disappearance of several young girls, presumed to be victims of a sexual maniac, has the local population on edge. Police inspector Santana (Floren Delbene, a popular leading man in Argentina through the 1950s) is stymied by a lack of clues, while his wife (Blanca del Prado) simply says, “Those monsters ... They should leave them to us mothers.” Unknown to either parent, their obstreperous son, Lucho (Néstor Zavarce, who for an earlier Christensen film had earned the title of a “Child Prodigy of Venezuelan Cinema”), has vowed to keep a secret that might be of vital importance. Plagued by guilt, Lucho suffers through a feverish nightmare, courtesy of production designer Gori Muñoz, as surreal as the one concocted by Salvador Dalí in Hitchcock’s Spellbound (1945). The climax of the film, eerily lit by cinematographer Pablo Tabernero (a German émigré), with aspects too strong for North American censors, is nothing short of terrifying and was likely responsible for many sleepless Argentine nights. Archivist Fernando Martin Peña, responsible for finding the original complete version of Metropolis (1927), has championed Argentine films for decades. In 1969, a large fire destroyed most of the country’s nitrate negatives, and it is hoped that a cinematheque can be built to house their remaining treasures. We have Peña, our collaborators at the Film Noir Foundation and Eddie Muller to thank for this restoration made from scant surviving materials nearly lost to decomposition.—Miki Shannon DCP. Production: San Miguel Studios. Distribution: San Miguel Studios. Director: Carlos Hugo Christensen. Writer: Alejandro Casona. Adapted from a short story by Cornell Woolrich. Cinematographer: Pablo Tabernero. With: Néstor Zavarce, Blanca del Prado, Floren Delbene, Homero Cárpena. Restoration funding provided by the Film Noir Foundation and Eddie Muller. Restored by the UCLA Film & Television Archive from a 35mm acetate composite print. Laboratory services by Roundabout Entertainment, Inc, Audio Mechanics, Simon Daniel Sound. Special thanks to Argentina Sono Film, Luis Scalella; Malba Museo de Arte Latinoamericano de Buenos Aires; Fernando Martin Peña.

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Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by animation historian Jerry Beck and Senior Film Preservationist Miki Shannon. Screening 1 of 3 Way Back When a Triangle Had Its Points Year: 1940 Country: U.S. Runtime: 8 min. Digital. B&W.  West Coast Premiere of New Restoration Way Back When a Triangle Had Its Points was the first of 12 in Fleischer Studios’ Stone Age cartoons. It features a fabulous Betty Boop-style, Stone Age working girl on the hunt for a typist job. Paramount Pictures announced the series in the Miami News in June 1939, saying, “it will be based on the absurdity of modern life and modern inventions.” A rock-solid attempt, it wasn’t quite the smash the studio was looking for. However, Dan Gordon, one of the Fleischer animators on the project, later joined Hanna-Barbera and was a key creator of The Flintstones.—Jackie Forsyte DCP. Production: Fleischer Studios. Distribution: Paramount Pictures. Director: Dave Fleischer. Animation: David Tendlar, Thomas Golden. Writer: William Turner. Restoration funding provided by ASIFA-Hollywood. Restored by the UCLA Film & Television Archive from 35mm nitrate original picture and track negatives. Laboratory services by Roundabout Entertainment, Inc., Audio Mechanics. Special thanks to Paramount Pictures Archive. Screening 2 of 3 The Nutty Network Year: 1939 Country: U.S. Runtime: 6 min. Digital. Color. World Premiere of New Restoration Just a year earlier, the 1938 radio broadcast of H. G. Wells’ The War of the Worlds stunned the public, convincing many that Martians were invading Earth. Terrytoons’ The Nutty Network cleverly spoofs the radio play, transforming public anxiety into slapstick comedy. The short exemplifies animation’s ability to respond quickly to contemporary culture with a playful critique of mass communication at a time when radio dominated American media. Although Terrytoons adopted Technicolor later than other studios, this short’s vibrant use of color showcases the expressive power of the technology, even in humorous satire.—Jackie Forsyte DCP. Production: Terrytoons. Distribution: 20th Century Fox. Producer: Paul Terry. Director: Mannie Davis. Writer: John Foster. Restoration funding provided by ASIFA-Hollywood. Restored by the UCLA Film & Television Archive from 35mm nitrate successive exposure positive, acetate track negative and track positive. Laboratory services by Roundabout Entertainment, Inc., Audio Mechanics. Special thanks to Paramount Pictures Archive. Screening 3 of 3 Merrily We Live Year: 1938 Country: U.S. Runtime: 95 min. Digital. B&W. World Premiere of New Restoration Debuting near the end of the screwball comedy trend, Merrily We Live is one of the zaniest. When novelist and ladies’ man Wade Rawlins’ (Brian Aherne) car breaks down he seeks help at a mansion inhabited by a family of eccentrics. Mistaken for a tramp by the well-meaning matron of the house, Mrs. Kilbourne (Billie Burke), Rawlins finds himself hired as the family chauffeur. His protests fall on deaf ears, and the handsome young man soon becomes embroiled in romantic encounters and family crises. Throw in a large white rabbit, reproducing goldfish, a raucous parrot and two rambunctious Great Danes, and you have another hit from Hal Roach Studios, “Laugh Factory to the World.” Based on the 1924 novel The Dark Chapter: A Comedy of Class Distinctions and often compared to My Man Godfrey (1936), this spoof of social conventions never takes itself seriously; as one reviewer wrote, “Insanity runs rampant!” Roach, director Norman Z. McLeod and cast members Burke, Constance Bennett and Alan Mowbray from the hit Topper (1937) team up once again and, as a poster proclaimed, Merrily We Live “tops Topper by a hundred howls!” Best known for short comedies starring Laurel and Hardy and the Our Gang kids, Hal Roach Studios earned accolades when this film was nominated for five Academy Awards, including Best Actress in a Supporting Role for Burke, Best Cinematography, Best Art Direction, Best Music, Original Song, and won for Best Sound Recording. Roach would further prove his prowess the next year, receiving critical acclaim for Of Mice and Men (1939). Cinematographer Norbert Brodine and art director Charles Hall give the film a stunning look with depth of focus, shades of gray and an overall visual style not often seen in a comedic production. And we’d all like to know how many takes were needed to film the opening ensemble song!—Miki Shannon DCP. Production: Hal Roach Studios. Distribution: MGM. Producer: Milton H. Bren. Director: Norman Z. McLeod. Screenwriters: Eddie Moran, Jack Jevne, E. J. Roth. Cinematographer: Norbert Brodine. With: Constance Bennett, Brian Aherne, Alan Mowbray, Billie Burke, Patsy Kelly. Restoration funding provided by the Century Arts Foundation. Restored by the UCLA Film & Television Arch

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Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Head of Preservation Jillian Borders. The Magnificent Matador Year: 1955 Country: U.S. Language: English Runtime: 95 min. Digital. Color. World Theatrical Premiere of New Restoration Trained as a matador in Mexico, director Budd Boetticher frequently returned to the topic of bullfighting in his films, from his start in Hollywood as a technical advisor on Rouben Mamoulian’s Blood and Sand (1941) to his first major film, The Bullfighter and the Lady (1951). Unsatisfied with the final editing of that film, Boetticher revisited his toreador past with The Magnificent Matador. In Boetticher’s words, “the story … isn’t just bulls. It’s really a love drama about a man on top who falters through fear, and an American woman who restores his faith in himself.” Mexican-born star Anthony Quinn was a natural to play “El Numero Uno,” having prior experience portraying matadors in Blood and Sand and The Brave Bulls (1951). Maureen O’Hara plays opposite him as his wealthy pursuer who becomes a possible means to his redemption. Acclaimed cinematographer Lucien Ballard (The Wild Bunch, 1969) brought his well-trained eye to the striking vistas and big action in the ring. Filming entirely on location, Ballard utilized the large CinemaScope format in its full width to capture Mexico’s countryside, bustling Mexico City and its giant arena in vibrant Eastmancolor. Legends of Mexican bullfighting are featured in the corrida, including Jesús “Chucho” Solórzano, Antonio Velásquez and Jorge “El Ranchero” Aguilar. Action sequences were staged to avoid any gore (to man or bull) to satisfy the Production Code, with ballet-like choreography and masterful passes that Variety called “some of the best bullfight scenes yet captured on film.” Prominent matador Carlos Arruza offered technical advice as well as the shooting location of Pastejé, his bull-breeding ranch. Boetticher would later direct the documentary Arruza (1971), narrated by Quinn, chronicling the matador’s life and tragic death.—Jillian Borders DCP. Production: National Pictures Corporation. Distribution: 20th Century-Fox. Producer: Edward L. Alperson. Director: Budd Boetticher. Screenwriter: Charles Lang. Based on a story by Budd Boetticher. Cinematographer: Lucien Ballard. With: Maureen O’Hara, Anthony Quinn, Manuel Rojas, Richard Denning. Restoration funding provided by the Hobson/Lucas Family Foundation. Restored by the UCLA Film & Television Archive and The Film Foundation from the 35mm color separation master positives and a 35mm Cinemascope print. Laboratory services by Roundabout Entertainment, Inc., FotoKem, Audio Mechanics, DJ Audio, Inc. Special thanks to George Eastman Museum, Ignite Films.

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Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Associate Motion Picture Curator Steven K. Hill. Screening 1 of 4 Hearst Metrotone News: “Famous Wind-jammer Wrecked on British Coast” Year: 1936 Country: U.S. Language: English Runtime: 30 sec. Digital. Screening 2 of 4 Hearst Metrotone News: “U.S. Ambassador Has John Bull All Excited” Year: 1938 Country: U.S. Language: English Runtime: 1 min. Digital. Screening 3 of 4 Hearst Metrotone News: “??Town Criers’ Championship” Year: 1953 Country: U.S. Language: English Runtime: 1 min. Digital. Screening 4 of 4 Lorna Doone Year: 1922 Country: U.S. Language: English Runtime: 81 min. Digital. B&W and tinted/toned. Silent. World Premiere of New Restoration French-born director Maurice Tourneur’s adaptation of R. D. Blackmore’s 19th-century novel Lorna Doone offered audiences a romantic drama of love and revenge set amid the picturesque landscapes of Exmoor in southwest England. Influenced by his background in painting and illustration, Tourneur approached filmmaking with a pronounced sensitivity for pictorial design, treating the frame as a carefully organized visual field that could convey mood and meaning. After moving to the United States in 1914, he firmly established his reputation through works such as The Wishing Ring (1914), The Poor Little Rich Girl (1917), The Blue Bird (1918) and The Last of the Mohicans (1920), all admired for their visual sophistication and cinematic storytelling. Lorna Doone is supported by a cast aligned with Tourneur’s preference for naturalistic, non-theatrical performances. Madge Bellamy’s spirited portrayal of Lorna proved to be one of the defining roles of her career and showcased her distinctive, luminous presence, earning her the nickname “the exquisite Madge.” She would later star in the John Ford epic The Iron Horse (1924) and the cult-classic White Zombie (1932), the latter of which has been restored by UCLA. John Bowers, one of the top leading men in early 1920s Hollywood, imbues the hero John Ridd with a quiet physicality and sincerity. Anchoring the drama are strong supporting turns by Frank Keenan as the fallen-nobleman-turned-outlaw Sir Ensor Doone, and Donald MacDonald as the brutal Carver Doone, whose menacing physique and explosive intensity lend weight to the film’s central conflict. While much of the production was shot at the Thomas H. Ince Studio in Culver City (reportedly with four cameras, instead of the customary two), Tourneur supplemented the studio-bound sets with outdoor location photography to heighten the film’s sense of authenticity. A critical success when released, Lorna Doone remains one of the most visually and dramatically accomplished American silent films of the early 1920s.—Steven K. Hill. DCP. Production: Thomas H. Ince Corp. Distribution: Associated First National Pictures. Producer/Director: Maurice Tourneur. Screenwriters: Katherine Reed, Cecil G. Mumford, Wyndham Gittens. Based on the novel by R. D. Blackmore. Cinematographer: Henry Sharp. With: Madge Bellamy, John Bowers, Frank Keenan, Donald MacDonald, May Giracci. Restoration funded by the Hobson/Lucas Family Foundation. Restored by the UCLA Film & Television Archive and The Film Foundation from a 35mm dupe picture negative, 35mm nitrate fine grain sections and 16mm prints. Laboratory services by Roundabout Entertainment, Inc., FotoKem. Special thanks to Academy Film Archive, Kevin Brownlow, Dan Bursik, Jere Guldin, National Film Preservation Foundation.

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Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by UCLA Distinguished Professor Chon Noriega, School of Theater, Film and Television, and Processing Conservator Yesenia Perez. Co-presented by the UCLA Chicano Studies Research Center. World Premiere of New Preservations In his piece Destructivism: A Manifesto (1962), artist and filmmaker Raphael Montañez Ortiz states: “The art that utilizes the destructive processes will purge, for as it gives death, so it will give to life.” A key figure in the Destruction in Art movement of the 1960s, Ortiz is best known for his object-based work and performance art, most notably his piano destruction concerts. However, his expansive oeuvre of time-based media art also merits revisiting. Ortiz experimented with film starting in the late 1950s, creating found-footage films that deconstruct/reconstruct conventional Hollywood, newsreel and instructional films as a means of combating the xenophobia, classism and repression manifested within them. Decades later, Ortiz revisited this practice of partition and random reassembly; 1984 to 1997 was a fruitful period resulting in over 50 works Ortiz termed “computer-laser-videos.” The rise of consumer video formats and new technologies brought renewed opportunities for deconstruction — this time, in a realm that merged analog and digital. These videos were made by using films on laserdiscs (mainly titles from the 1930s to 1940s), selecting segments ranging from one to 10 seconds, editing and distorting clips via computer, and using joysticks to move footage back and forth at various speeds. Once it was finalized, Ortiz would transfer the footage to 3/4 in. videotape. This practice resulted in a new visual landscape of disjointed movement that was further heightened by the use of a wave-form generator to alter sound, creating a cacophony of words, music and disembodied noises. In expanding the length of these clips, Ortiz dissects and scrutinizes the whiteness, hegemony and gendered behaviors presented on-screen, reconstructing them as satire, performativity and artifice. These four selected works are Ortiz’s final computer-laser-videos, marking a significant point in his career as an interdisciplinary artist and pioneer of the Destructivism movement.—Yesenia Perez Screening 1 of 4 That's Too Much Year: 1996 Country: U.S. Language: Swedish with English subtitles Runtime: 6 min. Digital. B&W. DCP. Director: Raphael Montañez Ortiz. Source: Dollar (1938), directed by Gustaf Molander. Preservation funding provided by the Andrew W. Mellon Foundation. Digitally preserved by the UCLA Film & Television Archive and UCLA Chicano Studies Research Center from the director’s Betacam master. Laboratory services by The MediaPreserve. Special thanks to Raphael Montañez Ortiz, Chon Noriega. Screening 2 of 4 Ring Ring Ragtime Year: 1996 Country: U.S. Language: Italian with English subtitles Runtime: 12 min. Digital. B&W and color. DCP. Director: Raphael Montañez Ortiz. Sources: unidentified Italian film, undated footage from the Olympics. Preservation funding provided by the Andrew W. Mellon Foundation. Digitally preserved by the UCLA Film & Television Archive and UCLA Chicano Studies Research Center from the director’s Betacam master. Laboratory services by The MediaPreserve. Special thanks to Raphael Montañez Ortiz, Chon Noriega. Screening 3 of 4 Busy Bodies Year: 1997 Country: U.S. Runtime: 9 min. Digital. B&W and color. DCP. Director: Raphael Montañez Ortiz. Sources: A Night at the Opera (1935), directed by Sam Wood; Gone With the Wind (1939), directed by Victor Fleming. Preservation funding provided by the Andrew W. Mellon Foundation. Digitally preserved by the UCLA Film & Television Archive and UCLA Chicano Studies Research Center from the director’s Betacam SP master. Laboratory services by The MediaPreserve. Special thanks to Raphael Montañez Ortiz, Chon Noriega. Screening 4 of 4 It's Coming Up Year: 1997 Country: U.S. Runtime: 5 min. Digital. B&W and color. DCP. Director: Raphael Montañez Ortiz. Sources: unidentified exercise video, c. 1930s; The Bride of Frankenstein (1935), directed by James Whale; unidentified footage of a volcano eruption. Preservation funding provided by the Andrew W. Mellon Foundation. Digitally preserved by the UCLA Film & Television Archive and UCLA Chicano Studies Research Center from the director’s Betacam SP master. Laboratory services by the UCLA Film & Television Archive. Special thanks to Raphael Montañez Ortiz, Chon Noriega.

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World premiere of new preservations! Part of the 2026 UCLA Festival of Preservation led by the UCLA Film and Television Archive. These four selected works are Ortiz’s final computer-laser-videos, marking a significant point in his career as an interdisciplinary artist and pioneer of the Destructivism movement. Introduction by UCLA distinguished professor Chon Noriega, School of Theater, Film and Television, and processing conservator Yesenia Perez.

#Arts #MovieFilm

Join us for a chill morning walk along Folsom Lake near Lake Natoma Inn! The “hike” is honestly more of a stroll — mostly flat and totally family-friendly. You don’t need to be a hardcore hiker to join, and little ones are more than welcome! The entire loop takes less than half an hour (we could probably go twice!). There’s an optional coffee hang after for anyone who wants to stick around, but we’ll aim to hit the trail around 10ish before it gets too hot. It’s an awesome ~1-mile loop right by the water, mostly shaded and mostly paved. Hope to see you there!

Friends, family, alumni! Tinig Choral invites YOU to Mga Munting Tinig: our Spring Recital! Our recital will take place on SUNDAY, May 31 from 11 a.m. to 2 p.m. at James West Alumni Center, UCLA! Doors will open at 10:30 a.m. It will be a fantastic culmination of the year and a great way for current members, alumni, and friends/family to (re)connect. Expect refreshments, yummy Filipino food, and plenty of performances and karaoke! If you are interested in performing as a solo or a group act, please fill out the [Performer Interest form](https://forms.gle/KoWUNS6WDWUfWMYn9) as well. Acts can range from rehearsed covers to spontaneous originals.

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. The box office will open 30 minutes before the screening. Seats will not be assigned. Introduction by Film Preservationist Brian Belak. Screening 1 of 2 Doctor Cupid Year: 1911 Country: U.S. Runtime: 14 min. 35mm. B&W and tinted. Silent. World Premiere of New Restoration Alice Linton and poet Percy Primrose (Carlyle Blackwell) are in love, against her father’s (John Bunny) wishes. When Alice falls ill with grief over the forbidden relationship, Percy disguises himself as “Doctor Cupid” to trick Alice’s father into approving the marriage. Celebrated stage actor and comedian John Bunny starred in over 150 short films for the Vitagraph Company, often paired with Flora Finch in a series of “Bunnyfinch” comedies, from 1910 to his untimely death in 1915. Despite Bunny’s popularity, only a portion of his work survives.—Brian Belak Production: Vitagraph Company of America. With: John Bunny, Carlyle Blackwell. Preservation funding provided by Louis B. Mayer Foundation. Preserved by the UCLA Film & Television Archive from a 35mm tinted nitrate print. Laboratory services by the PHI Stoa Film Lab. Special thanks to the Irish Film Institute. Screening 2 of 2 Trailin' Year: 1921 Country: U.S. Runtime: 56 min. 35mm. B&W and tinted. Silent. Los Angeles Premiere of New Restoration In the early decades of American cinema, few figures loomed as large, or rode as boldly across the silver screen, as Tom Mix. As an actor, the former frontier lawman and Wild West show performer brought genuine horsemanship and the ability to do his own stunts to his film roles. He also cultivated an instantly recognizable identity punctuated by a white 10-gallon Stetson, ornate costumes and a confident grin, establishing a colorful vision of the American cowboy that captivated audiences throughout the 1920s. This persona reflected both the mythologizing of the Old West and the desires of a modern, urban audience seeking escapism in the aftermath of World War I. Based on the Max Brand novel, the mystery-melodrama Trailin’ was helmed by Mix’s favorite director, Lynn Reynolds, and co-starred Eva Novak in one of her 10 feature film appearances opposite Mix. Novak was a popular actor in her own right, appearing in 48 films from 1921 to 1928, and reportedly learned to perform many of her own stunts from Mix himself. In order to play the wealthy young hero Anthony Woodbury, Mix shed his familiar flamboyant Western regalia in favor of the refined garments of an aristocrat-in-training. Dissatisfied with his privileged position in life, Anthony longs to discover the identity of his mother — a secret that his father refuses to reveal. When his father is killed in a mysterious duel, Anthony embarks on a quest for justice and self-discovery, confronting danger, intrigue and the charms of the spirited Sally Fortune (Novak). As expected, the film performed well at the box office, and contemporary reviews were generally enthusiastic. Wid’s Filmdom hailed it as “a different Tom Mix and a different Mix picture,” while Moving Picture World declared, “Mix at his best. A splendid Western that has the thrills and plenty of action.”—Steven K. Hill Production: Fox Film Corp. Director: Lynn F. Reynolds. Screenwriter: Lynn F. Reynolds. Based on the novel by Max Brand. With: Tom Mix, Eva Novak, J. Farrell MacDonald, Sid Jordan. Preservation funding provided by the National Film Preservation Foundation. Preserved by the UCLA Film & Television Archive from a 35mm nitrate print. Laboratory services by the PHI Stoa Film Lab.

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Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Archive Research and Study Center Officer Maya Montañez Smukler. Lela Swift began her career in television during the early 1940s as an assistant to the chief television engineer at CBS, where she was at the forefront of an evolving broadcast industry. By 1945, she had moved into production as a writer and studio assistant floor manager, and in 1950, she was promoted to director. During a decades-long career, Swift directed a variety of genres, including early 1950s television anthologies such as CBS’ prestigious Studio One, ABC’s Wide World of Mystery and NBC’s Purex Specials for Women, and won three Emmy Awards for directing the daytime series Ryan’s Hope. Swift’s prolific creative output traces television’s history of innovation, imagination and changing audience taste.—Maya Montañez Smukler Screening 1 of 2 The Web: “Time For Hate” Year: 1953 Country: U.S. Language: English Runtime: 30 min. Digital. B&W. World Premiere of New Preservation With original commercials As a pioneering staff director at CBS Television in New York, Lela Swift helmed episodes of the live anthology mystery The Web on alternating weeks, trading duties with series producer Herbert Hirschman. In this Swift-directed installment, a mysterious man (John Baragrey) seemingly returns from the dead to upend the lives of a domineering mother (Jessie Royce Landis) and her tormented daughter (Marian Russell). Punctuated by close-ups and a gently foreboding atmosphere, this early effort by Swift anticipates her later innovative work directing hundreds of episodes of the cult-classic gothic soap opera Dark Shadows (1966–71).—Mark Quigley DCP. CBS. Production: A Mark Goodson-Bill Todman Production in association with the CBS Television Network. Producer: Herbert Hirschman. Director: Lela Swift. Writer: Art Wallace. With: Jessie Royce Landis, John Baragrey, Marian Russell. Preservation funding provided by the John H. Mitchell Television Preservation Endowment. Digitally preserved by the UCLA Film & Television Archive from a 16mm kinescope. Laboratory services by Endpoint Audio Labs. Screening 2 of 2 Justice: “House of Hatred” Year: 1955 Country: U.S. Runtime: 30 min. Digital. B&W. World Premiere of New Preservation Produced live, this Dragnet-style series explored social justice cases adapted from the files of the Legal Aid Society of New York City. Lela Swift directs this tense installment starring Gary Merrill (All About Eve, 1950) as an earnest lawyer attempting to help an innocent family being unfairly persecuted following the murder conviction of their son. At a time when the Hollywood Blacklist dictated many hiring practices in the film and television industry, the episode, written by Anne Howard Bailey (The Adams Chronicles, 1976), boldly examines the immorality of “guilt by association” and prejudice.—Mark Quigley DCP. NBC. Production: Talent Associates-John Rust Production. Producer: David Susskind. Director: Lela Swift. Writer: Anne Howard Bailey. With: Gary Merrill, Glenda Farrell, Frank McHugh. Preservation funding provided by the John H. Mitchell Television Preservation Endowment. Digitally preserved by the UCLA Film & Television Archive from a 16mm kinescope. Laboratory services by Endpoint Audio Labs.

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by producer-director José Luis Ruiz and John H. Mitchell Television Curator Mark Quigley. Special thanks to our community partner: UCLA Chicano Studies Research Center The Unwanted Year: 1975 Country: U.S. Language: English Runtime: 50 min. Digital. Color. World Premiere of New Restoration “They come in search of the American Dream, only to find they have become the unwanted,” begins this groundbreaking television documentary on the troubles faced by Latino immigrants in the United States. Amid calls for broader governmental reform of the immigration process, the film focuses on human roles in the everyday drama, casting immigrants’ plight as powerless political pawns in a game that exploits undocumented migrants’ labor while criminalizing them at the same time. As Pablo, Gabriel and Yolanda Lopez and the Garcia family seek to improve their livelihood in a new country, away from economic troubles at home, they face repeated profiling, raids and deportation by border patrol and immigration enforcement officers, creating a revolving door of frustration for all involved. Producer-director José Luis Ruiz produced programs for KABC, KNBC and KCET throughout the 1970s, establishing a Latino presence in film and television, and was later executive director of the National Latino Communications Center (NLCC) and a founding board member of the National Association of Latino Arts and Culture (NALAC). Writer Frank del Olmo was the first Latino listed on the masthead of the Los Angeles Times, where he worked as a reporter for decades covering issues of illegal immigration and the Latino community, earning a Pulitzer Prize in 1984. The Unwanted won an award for Current Affairs Special at the 1975 Los Angeles Area Emmy Awards after its primetime airing on KNBC Channel 4. Praised at the time by the Los Angeles Times for the choice to “minimize statistics, to humanize stereotypes,” the documentary and the discussion around who gets the privilege to be American is as relevant as ever 50 years later, as immigration policy remains hotly debated and deportations continue. This revolving door has yet to stop spinning.—Brian Belak DCP. KNBC. Producer: José Luis Ruiz. Director: José Luis Ruiz. Writer: Frank del Olmo. Cinematographer: Larry Mitchell. With: Barry Newman. Restoration funding provided by the John H. Mitchell Television Preservation Endowment. Restored by the UCLA Film & Television Archive from multiple 16mm reversal prints, a 16mm work print and a 35/32mm track negative. Laboratory services by Prasad Corp. and Endpoint Audio Labs. Special thanks to José Luis Ruiz.

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Research and Public Access Coordinator Nicole Ucedo. California glows on- and off-screen as our warm home and the dreamy backdrop to countless Hollywood and independent films from the 20th century. The Archive is honored to house and restore hundreds of productions set in California, including UCLA student work, news programs and home movies. This program features short films and excerpts filmed by and about Californians around the Golden State from the 1920s to the 1990s.—Nicole Ucedo Screening 1 of 10 California Scenics Presents Hollywood (excerpt) Year: circa 1920s Country: U.S. Runtime: 10 min. Digital. Tinted. Silent. Take a trip through Hollywood in this travelogue from the latter half of the 1920s. Documenting architectural relics, some still standing, some gone, the footage guides us through Los Angeles history at the height of the studio system. Featuring the Carthay Circle Theatre, Mary Helen Tea Room, Hollywood Storage Company Building and other historic sites. DCP. Digitally preserved by the UCLA Film & Television Archive from a 16mm print in The Packard Humanities Institute Collection at the Archive. Laboratory services by the UCLA Film & Television Archive. Special thanks to The Packard Humanities Institute. Screening 2 of 10 A Southland Scenic: “Fairyland Trails” Year: circa 1920s Country: U.S. Runtime: 9 min. 35mm. B&W and tinted. Silent. The “Switzerland of California,” as the film phrases it, Clear Lake and its surrounding parks and towns were the ideal vacation location for the San Franciscan family of the 1950s. In this travelogue we cruise through Northern California’s redwoods, lakes and clear skies. The magical allure of California is captured in these images, many of the natural phenomena still existing today. Production: Richard P. Young Studios. Preserved by the UCLA Film & Television Archive from a 35mm nitrate print. Laboratory services by Film Technology Company, Inc. Screening 3 of 10 Sylvia Ashley’s Home Movies (excerpt) Year: 1937–1939 Country: U.S. Runtime: 3 min. Digital. Color. Silent. The Lauretta Edlund Home Movies collection was donated to the UCLA Film & Television Archive by Lauretta Edlund. Her aunt, the 1930s socialite Sylvia Ashley, was married five times, one of them to Douglas Fairbanks Sr. The home footage was taken during their married years. Compiled out of chronological order, the 16mm film documents the couple lounging poolside with friends at their Pacific Coast Highway home as well as some travel footage. A brief scene shows Fairbanks walking on a hillside within the Edmund Goulding estate in Palm Springs. Guests to the Fairbanks home included Charlie Chaplin, Gloria Swanson, Fay Wray and many others. DCP. Director: Sylvia Ashley and friends. Digitally preserved by the UCLA Film & Television Archive from a 16mm original picture reversal. Laboratory services by the UCLA Film & Television Archive. Special thanks to Lauretta Edlund and Kerry Edlund Morris. Screening 4 of 10 Hearst Metrotone News: “California Gets Famed Estate” Year: 1957 Country: U.S. Language: English Runtime: 1 min. Digital. B&W. Hearst Corporation founder William Randolph Hearst’s palatial castle in San Simeon opens up to tourism after his passing. DCP. Screening 5 of 10 Hearst Metrotone News: “Rocket Town U.S.A.!” Year: 1948 Country: U.S. Language: English Runtime: 2 min. Digital. B&W. A small town near Death Valley, dedicated to the research and production of rockets, gets its news camera close-up. DCP. Screening 6 of 10 Popular Science: “Frozen TV Dinners; Mechanical Brain at UCLA (The World’s First Mechanical Computer); The Flying Wing Northrop Jet” (excerpt) Year: 1947 Country: U.S. Language: English Runtime: 4 min. Digital. Color. This segment of Popular Science shows campus life at UCLA in 1947 as students lounge outdoors while studying an early computer design. Two decades later on this same campus, another group of students and faculty would launch the first messages sent via the internet. DCP. Production: Paramount Pictures. Writer: George Brandt. Digitally restored by The Packard Humanities Institute from an original nitrate 35mm print at the PHI Stoa Film Lab. Screening 7 of 10 Ifé Year: 1993 Country: U.S. Language: English Runtime: 5 min. Digital. B&W. West Coast Premiere of New Restoration Ifé is an ode to the city of San Francisco in the 1990s as well as to the women in the narrator, Ifé’s, life. Ifé cruises around San Francisco in her car, admiring the city, her new home. Through a relaxed, diaristic monologue, Ifé pays tribute to the freedom and joy the city offered for queer life in the ’90s. DCP. Distribution: Frameline. Director/Screenwriter: H. Len Keller. With: Celine Allouchery, Nsomeka Gomes. Restoration funding provided by Rachael Reiley and the UCLA

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Archive Director May Hong HaDuong and television writer-producer and author David Stenn. Screening 1 of 4 Hearst Metrotone News: “The Wellesley Crew!” Year: 1947 Country: U.S. Language: English Runtime: 1 min. Digital. B&W. Screening 2 of 4 Hearst Metrotone News: “Wellesley Girls Crew Race” (excerpt) Year: 1957 Country: U.S. Runtime: 30 sec. Digital. B&W. Silent. Screening 3 of 4 Hearst Metrotone News: “Water Skiing In Mountain Resorts, Lake Arrowhead, Calif.” (excerpt) Year: 1936 Country: U.S. Language: English Runtime: 1 min. Digital. B&W. Screening 4 of 4 Eight Girls in a Boat Year: 1934 Country: U.S. Language: English Runtime: 85 min. Digital. B&W. World Premiere of New Restoration At an all-girls school in Switzerland, Christa Storm (Dorothy Wilson) is a star pupil and stroke seat on the rowing team, but her clandestine affair with young chemist David Perrin (Douglass Montgomery) from another college leads her into trouble when she discovers she’s pregnant. As Christa’s attention in school slips, she incurs the discipline of the team’s steely coach, Hannah (Kay Johnson), who removes her from the boat and threatens expulsion. Worse, Christa’s businessman father (Walter Connelly) objects to marriage between Christa and David over concerns that David’s studies doom him to a life of poverty. How will Christa and her coming baby keep an even keel through all this choppy water? This pre-Code film was a remake of a 1932 German original (Acht Mädels im Boot) and billed as “America’s daring reply to Mädchen in Uniform (1931).” Paramount’s advertising played up the salacious suggestion of a female-only school where men are forbidden. Most of the cast members were selected through a nationwide beauty contest aimed at filling out the ensemble with new faces to Hollywood, including Jean Rogers of Flash Gordon (1936). Silent film star Peggy-Jean “Baby Peggy” Montgomery (also known as Diana Serra Cary), now a teenager, appears as one of the students. Mostly filmed on location at Lake Arrowhead in the San Bernardino Mountains, Eight Girls in a Boat shines during its rowing scenes as sunlight dapples on the water. The New York Times praised director Richard Wallace’s “considerable delicacy and tact” around the illicit motherhood theme and Dorothy Wilson’s “genuinely and shyly touching” portrayal of “the girl’s loneliness, her sense of ostracism and shame.” Wilson, known for being cast as the lead in The Age of Consent (1932) while working as a secretary at RKO, eventually married Eight Girls screenwriter Lewis R. Foster and largely retired from film roles just a few years later.—Brian Belak Production: Charles R. Rogers Productions, Inc. Distribution: Paramount Pictures. Producer: Charles R. Rogers. Director: Richard Wallace. Screenwriters: Helmut Brandis, Lewis R. Foster, Casey Robinson. Cinematographer: Gilbert Warrenton. With: Dorothy Wilson, Douglass Montgomery, Kay Johnson, Walter Connelly, Peggy-Jean “Baby Peggy” Montgomery. Restored by the UCLA Film & Television Archive and The Packard Humanities Institute from the 35mm original nitrate picture negative, acetate composite fine grain positive and nitrate print. Laboratory services by The PHI Stoa Film Lab, Audio Mechanics, Simon Daniel Sound. Special thanks to the Library of Congress, NBCUniversal, David Stenn.

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Screening 1 of 5 Hearst Metrotone News: “Now They're Mr. and Mrs. Dick Powell” Year: 1936 Country: U.S. Language: English Runtime: 30 sec. Digital. B&W. Screening 2 of 5 Hearst Metrotone News: “That ‘New Look’ In Men's Hats!” Year: 1948 Country: U.S. Runtime: 1 min. Digital. B&W. Silent. Screening 3 of 5 Hearst Metrotone News: “Those He-Men Are Here Again!” Year: 1948 Country: U.S. Runtime: 30 sec. Digital. B&W. Silent. Screening 4 of 5 Hearst Metrotone News: “Police Test TV — Cops Play Robbers” Year: 1954 Country: U.S. Language: English Runtime: 1 min 30 sec. Digital. B&W. Screening 5 of 5 Pitfall Year: 1948 Country: U.S. Language: English Runtime: 86 min. Digital. B&W. World Premiere of New Restoration Described as “tight, swift and sexy” by the Los Angeles Daily News, Jay Dratler’s 1947 novel The Pitfall was a perfect vehicle for Hungarian émigré and hard-hitting genre director André de Toth. Despite jettisoning the novel’s more salacious moments due to Hays Code restrictions, screenwriter Karl Kamb and an uncredited William Bowers perfectly capture the trappings of infidelity, larceny and obsession, played out in sun-drenched post-war Southern California (as opposed to the rainy back alleys typical of the noir genre). The Regal Films production was shot at General Service Studios in Hollywood by longtime RKO cinematographer and frequent noir contributor Harry J. Wild. Iconic Los Angeles locations such as Santa Monica Bay, the downtown May Co. Building and the Hall of Justice were also utilized. Former Warner Bros. song and dance man Dick Powell had already proven his noir chops as hard-boiled private detective Philip Marlowe in 1944’s Murder, My Sweet, and he is impeccably cast as bored, married insurance man John Forbes, whose life is about to spiral out of control after meeting the alluring Mona Stevens, played by Lizabeth Scott. Raymond Burr had mostly been relegated to bit parts in the nine films he completed in 1948; Pitfall provided a breakout co-starring role, as private investigator J. B. MacDonald, which he plays with subversively kinky malice. Aided by a script that flips the traditional femme fatale archetype, Scott’s luminous portrayal reveals a more textured and sympathetic victim of circumstance, given that her character is the target of three wildly different and problematic men. The New York Times heralded Scott as “provocative, and acting better than she has ever done before,” and the performance is now considered one of her greatest. Despite some of its atypical attributes, Pitfall is a deftly executed meditation on the degeneration of mid-century masculinity, and it stands as one of the great entries in the noir genre.—Todd Wiener Production: Regal Films, Inc. Distribution: United Artists. Producer: Samuel Bischoff. Director: André de Toth. Screenwriter: Karl Kamb. Based on the novel by Jay Dratler. Cinematographer: Harry Wild. With: Dick Powell, Lizabeth Scott, Jane Wyatt, Raymond Burr. Restoration funding provided by the Century Arts Foundation. Restored by the UCLA Film & Television Archive from acetate dupe picture negatives and track negatives. Laboratory services by Roundabout Entertainment, Inc., Audio Mechanics.

#Arts #MovieFilm

Part of the 2026 UCLA Festival of Preservation. Free admission. No advance reservations. Ticketing is on a first come, first served basis. Seats will not be assigned. Introduction by Head of Preservation Jillian Borders. The Other Love Year: 1947 Country: U.S. Language: English Runtime: 99 min. Digital. B&W. World Premiere of New Restoration Based on an unpublished short story by Erich Maria Remarque, The Other Love explores the existential themes of love and death that recur throughout his novels, such as Three Comrades and Arch of Triumph. The plot concerns a concert pianist, Karen Duncan (Barbara Stanwyck), convalescing from tuberculosis in the Alps, who is tempted by a short, adventure-filled life as opposed to the sedate existence in the sanatorium that offers her a chance at a future. She must choose between two lovers: her doctor (David Niven) and an impetuous race car driver (Richard Conte). Director André de Toth, though better known for helming gutsy and tense low-budget Western and film noir projects than for high-fashion “woman’s pictures,” guides his stellar cast, as well as cinematographer Victor Milner and composer Miklós Rózsa, to deliver a moody and melodramatic gem. An early feature from Enterprise Productions, The Other Love was released to significant fanfare with an equally large marketing pitch. The independent production company was founded as an alternative to the vertically integrated major studios, with the egalitarian hope that talent partnerships would yield larger profit participation for all involved. The rollout for The Other Love spared no expense, with months of advance print and radio advertising, extensive promotional tie-ins and a U.S. premiere aboard a DC-6 airliner. Unfortunately, Enterprise’s bloated budgets took a toll, and the studio only lasted three years until its bankruptcy — though not before releasing such classics as Body and Soul (1947), Ramrod (1947) and Force of Evil (1949). After the premiere and preview screenings of The Other Love, the original longer ending was replaced with one deemed more palatable to American audiences for its general U.S. release. This original version, now restored, has not been seen by audiences since the 1940s.—Jillian Borders DCP. Production: Enterprise Productions, Inc. Distribution: United Artists. Producer: David Lewis. Director: André de Toth. Screenwriters: Ladislas Fodor, Harry Brown. Based on a story by Erich Maria Remarque. Cinematographer: Victor Milner. With: Barbara Stanwyck, David Niven, Richard Conte, Gilbert Roland, Joan Lorring. Restoration funding provided by the Century Arts Foundation. Restored by the UCLA Film & Television Archive from the 35mm original nitrate picture negative, nitrate fine grain positive and original nitrate track negatives. Laboratory services by Roundabout Entertainment, Inc., Audio Mechanics, Simon Daniel Sound. Special thanks to Paramount Pictures Archive, FotoKem, Deluxe Media Audio Services.

#Arts #MovieFilm

The UCLA Early Music Ensemble, joined by internationally renowned vielle player/fiddler, Shira Kammen, presents a new adaptation of Adam de la Halle’s Le Jeu de Robin et Marion (The Play of Robin and Marion, 1283) outdoors on the Clark Library's grounds. The English adaptation by Dr. Lawrence Rosenwald (Professor Emeritus, Wellesley College) tells the original tale of Maid Marion, Robin Hood, and their merry friends as they outsmart a cruel knight. Modern audiences of all ages will feel enchanted as actors and singers transport us to the thirteenth century with music performed on instruments from the Middle Ages. Pack a picnic basket and join us in our feast to celebrate the knight’s defeat! Visit the event webpage to learn more and register to attend this free event.

#Arts #Music

World premiere of a new restoration! Part of the 2026 UCLA Festival of Preservation led by the UCLA Film and Television Archive. “They come in search of the American Dream, only to find they have become the unwanted,” begins this groundbreaking television documentary on the troubles faced by Latino immigrants in the United States. Introduction by producer-director José Luis Ruiz and John H. Mitchell Television Curator Mark Quigley.

#Arts #MovieFilm

In this talk, Miki Chase (U of Wisconsin-Madison) explores how trajectories of illness and care, such as terminal cancer or anticipated cognitive decline, are reinterpreted through Jain doctrinal frameworks in the narratives of adult children of women who undertake the Jain ritual fast to death (sallekhana or santhara). Drawing on ethnographic accounts of women’s deaths in contemporary urban Jain households, Chase traces how narratives of bodily decline are reframed not as losses to be managed through medical intervention but as conditions of spiritual possibility that invite ascetic detachment and renunciation. Rather than resisting biomedical or bioethical paradigms outright, these narratives inhabit a complex zone of overlap where cognitive clarity is both a medical and religious ideal; the attenuation of pain is karmically elevated rather than clinically managed; and the logic of institutionalized care is subtly displaced not by the absence of obligation but by alternate forms of care. In tracing the limits of bioethical paradigms that presume the necessity of medicalization and institutional oversight, this talk describes how “illness narratives” and “santhara narratives” coalesce to challenge prevailing understandings of what it means to die well, and how suffering, pain, and the medicalized body is accounted for in the lives—and deaths—of Jain women.

#Cultural

The Bruin Professionals Annual Golf Tournament brings together business leaders, alumni, and community members for a day of golf, networking, and philanthropy - all in support of the BP Kyra Goldfarb Legacy Scholarship Fund. This scholarship was established to honor Kyra Goldfarb’s legacy by helping deserving students pursue higher education and achieve their academic and professional goals. Every sponsorship, registration, and donation directly contributes to expanding educational opportunities for students who might not otherwise have access to them. Held on June 1, 2026, at Mulholland Hills Country Club in Tarzana, the tournament offers a fun day of golf, community connection, and celebration of the Bruin Professionals network. Participants enjoy a premier golf experience alongside breakfast, lunch, and a cocktail reception, while sponsors gain meaningful visibility and the opportunity to support a cause that invests in the next generation of leaders. Most importantly, the event channels the strength of the Bruin community into something lasting - scholarships that help students build brighter futures. Click the link below to learn more about Kyra Goldfarb and the Kyra Goldfarb Legacy Scholarship Fund! https://www.bruinprofessionals.com/kyra-goldfarb-scholarship-fund

Reception for Senior students that have completed the requirements of the True Bruin Tradition Keeper

The Millennial Leadership course provides practical skills and builds confidence in key leadership areas, including effective delegation, managing former peers, conflict resolution, mitigating impostor syndrome, and navigating ambiguity.

Please join us for a casual happy hour at Cellar Dog!

Join the Alumni Scholars Club as we turn the James West Alumni Center into a study space for all students.

Take 20 minutes in your day to enjoy much-needed relaxation and calm. When registering, please enter "UCLA" under "organization." Monthly meditation is led by Michal Rinkevich (MBA '14) who has been practicing healing arts and meditation since 1995 and teaching since 2006.

In June, our book group turns to a work of award-winning fiction. We will discuss "James," by Percival Everett, which won the 2024 National Book Award for Fiction. A brilliant reimagining of Adventures of Huckleberry Finn—both harrowing and satirical—told from the enslaved Jim's point of view. When Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he runs away until he can formulate a plan. Meanwhile, Huck has faked his own death to escape his violent father. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and unreliable promise of the Free States and beyond. Brimming with nuanced humor and lacerating observations that have made Everett a literary icon, this brilliant and tender novel radically illuminates Jim's agency, intelligence, and compassion as never before. James is destined to be a major publishing event and a cornerstone of twenty-first-century American literature. (from GoodReads) Join us for a discussion on Zoom. Newcomers are always welcome.

Join the Bedari Kindness Institute and Initiative to Study Hate for an afternoon devoted to sharing research findings drawn from the study of hate and kindness—and to thinking of ways in which we can make a real difference in the world. The BKI Impact Symposium will explore some of the most critical issues in the world today, including navigating AI technologies, reducing political and social polarization, and building practices of compassion and community.

#Educational #Research

This workshop provides an overview on the various forms of academic dishonesty regarding plagiarism. Participants will learn when, where, and why it is important to cite properly. Students will also learn how to avoid plagiarism and the information presented will stress the need to attribute work to the original author and the potential outcomes for plagiarizing. Additionally, paraphrasing, and direct quoting will be discussed. ZOOM. Register through MyUCLA by going to Campus Life> Calendar> Event Reservations> Find Events.

A central figure in the literary and cultural spheres of the late nineteenth century, Oscar Wilde (1854–1900) was also the originator of Irish modernism. Still, literary scholarship has largely sidelined his powerful influence over this movement. Regarded by his contemporaries as an outstanding artist, critic, and public intellectual until his imprisonment in 1895, current research on Wilde tends to confine his leading presence within the late Victorian aesthetic and decadent movements. By highlighting this overlooked aspect of Wilde’s legacy, “Oscar Wilde’s Modernist Legacies” will raise critical and theoretical awareness of his influence over modernist innovation not only within the field of literary production but also in related artistic areas in Ireland and beyond.

#Educational #Academic

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Guest Speaker: Director Abdolreza Kahani (via video). Screening 1 of 2 Abraham Year: 2024 Country: Iran Language: Persian with English subtitles Runtime: 14 min. Digital. Color. Farhang Short Film Festival 2nd prize winner A visually striking story of a small town tragedy, Abraham follows a local policeman who stumbles into a family secret while investigating the murder of a young man whose body is found in a cave outside the city. DCP. Directors/Screenwriters: Elnaz Ghaderpour, Reza Gamini. With: Hamid Pour Azari, Sajad Afsharian, Safoora Khoshtinat. Screening 2 of 2 Mortician Year: 2025 Country: Canada Language: Persian with English subtitles Runtime: 95 min. Digital. Color. Winner of the audience-voted Sean Connery Prize at the Edinburgh International Film Festival, Mortician is set in Canada where a schlubby émigré, Mojtaba (Nima Sadr), performs Islamic ritual washing of the dead as a cultural service of the Iranian government. When he loses his job he wonders how he’ll continue to send money to his family back home until an enigmatic, exiled pop star (Gola), an outspoken opponent of the regime, hires him to help her with one last public protest. The oddest of couples, they find common ground amidst the cold Canadian winter until their secret is exposed in writer-director Abdolreza Kahani’s slow-burn thriller. DCP. Director/Screenwriter: Abdolreza Kahani. With: Nima Sadr, Gola, Pouya Razavi.

#Arts #MovieFilm

A central figure in the literary and cultural spheres of the late nineteenth century, Oscar Wilde (1854–1900) was also the originator of Irish modernism, though literary scholarship has largely sidelined his powerful influence over this movement. By highlighting this overlooked aspect of Wilde’s legacy, and drawing on the Clark Library’s imposing archive, the “Oscar Wilde and His Literary Circle Collection,” this conference will explore the dialogues that these figures established, and raise critical and theoretical awareness of Wilde’s influence over modernist innovation, not only within the field of literary production, but also in related artistic areas in Ireland and beyond.

#Educational #Academic

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 2 Inside Amir Year: 2025 Country: Iran Language: Persian with English subtitles Runtime: 103 min. Digital. Color. After his girlfriend emigrates to Italy with the expectation that he will soon follow, bike messenger Amir (Amirhossein Hosseini) is still neither fully committed to leaving nor fully clear on what the future holds if he stays in Iran. Instead, he spends his in-between days hanging with friends who have themselves settled into a life of drift, playing poker, cooking meals together and biking around the city and country. Nothing ever really happens, which is precisely the point of writer-director Amir Azizi’s warm and loving portrait of a generation that has learned to embrace simple freedoms and pleasures where they can find them in a world where even that can feel like an act of resistance. DCP. Director/Screenwriter: Amir Azizi. With: Amirhossein Hosseini, Hadis Nazari, Nader Pourmahin. Screening 2 of 2 Divine Comedy Year: 2025 Country: Iran Language: Persian with English subtitles Runtime: 98 min. Digital. Color. Iranian writer-director Bahram Ark (Skin, Animal) plays Bahram, an Iranian writer-director who has achieved fame on the international festival circuit but has yet to have one of his films screened in Iran. After his latest is again denied a permit, he and his producer Sadaf (Sadaf Asgari) set out on her moped determined to find a way to get it on screen with the help of a hodgepodge of decidedly eccentric characters. Bahram’s situation is all too familiar to co-writer-director Ali Asgari (Terrestrial Verses) and his regular collaborators here, who use romantic comedy tropes to illuminate the absurdities — and dangers — faced by filmmakers in Iran. DCP. Director: Ali Asgari. Screenwriter: Alireza Khatami, Bahram Ark, Bahman Ark, Ali Asgari. With: Bahram Ark, Sadaf Asgari, Hossein Soleimani.

#Arts #MovieFilm

Join us for the Collegiate Recovery Program End-of-Year Celebration on Saturday, June 6th from 5-7 PM in Tom Bradley International Hall, Room 300. This gathering is a chance to celebrate the close of the academic year, reflect on our collective growth, and honor our graduating CRP students as they reach this important milestone. ??? All CRP students are encouraged and welcome to attend. Graduating students will be recognized during the celebration. Please RSVP by Friday, May 8th! You can find additional details about the event in the form.

Bruin Family Socials are events that bring UCLA to neighborhoods around the world. Providing an opportunity for attendees to engage with one another on a regional level, Bruin Family Socials foster connections and relationships within the greater Bruin community. Historically, Bruin Family Socials have taken place over the course of one weekend each year. During spring 2023, these events transitioned to a year-round model that accommodates a variety of activities and locations, ultimately allowing for added flexibility and more opportunities to build community than ever before. We hope you will join us at an event near you!

You are an esteemed and valuable member of our community at UCLA. Your support for the Latinx community, all students, and your efforts have personally supported many of this year's Latinx grads to get to this incredible milestone. We are creating a space where all graduates — many of whom are Latinx, first-generation, low-income, undocumented and transfer students — can feel deeply seen, welcomed and celebrated alongside their familias. This event is completely FREE to all students and their familias. It is entirely dedicated to celebrating and honoring the achievements of our newest Latinx graduates (yet open and accepting of ALL grads and their families) — a vibrant, resilient group of students who represent the future of our community, especially here at UCLA. We cannot wait to personally welcome you to the UCLA Latino Alumni Association! Congrats class of 2026!

True Blue Bruins are making beautiful music in San Diego — and we're showing up to cheer them on! UCLA alumni Dr. Arian Khaefi conducts, and even more Bruins fill the ranks of the La Jolla Symphony & Chorus for their stunning season finale. This is our chance to rally around our own and experience world-class music made by people who bleed blue and gold. The program features Arvo Pärt's serene Berliner Messe, the world premiere of Akari Komura's Nee Commission, and Maurice Duruflé's transcendent Requiem — a powerful journey through reflection and renewal. Sunday, June 7 1 - 4 p.m. Schedule: 1 p.m. Pre-concert lecture by Dr. Khaefi + exclusive Bruin meet & greet 2 p.m. Concert Eight clap for our Bruins on stage — then sit back and let the music move you. Note: Parking info will be sent with your email confirmation directly from LJSC

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 3 Son Year: 2024 Country: Iran Language: Kurdish with English Subtitles Runtime: 15 min. Digital. Color. Farhang Short Film Festival Audience Choice Award winner In a village in remote Iranian Kurdistan, an old mother waits for her son to return from military service. When he doesn’t arrive as expected, she sets out to find him only to discover a truth about his identity that will change their lives forever. DCP. Director/Screenwriter: Saman Hosseinpuor. With: Maryam Boubani, Kurosh Ahmadi, Kianoosh Farzin. Screening 2 of 3 Between Dreams and Hope Year: 2025 Country: Iran Language: Persian with English Subtitles Runtime: 106 min. Digital. Color. A frequent collaborator with filmmaker Ali Asgari, writer-director Farnoosh Samadi centers the inequity and injustices faced by Iranian women in much of her work. In her second feature behind the camera, Samadi expands her frame to include Azad (Fereshteh Hosseini), a trans man, longing to start his life with his lover Nora (Sadaf Asgari), but who must confront his estranged father before he can. Hosseini and Asgar (another Asgari film regular) deliver deeply affecting performances in a story that is by turns tender and harrowing about the power of love over hate. DCP. Director/Screenwriter: Farnoosh Samadi. With: Fereshteh Hosseini, Sadaf Asgari, Hooman Rahnemoon. Screening 3 of 3 The Great Yawn of History Year: 2024 Country: Iran Language: Persian with English Subtitles Runtime: 93 min Digital. Color. Part adventure story, part mystical allegory, director Aliyar Rasti’s The Great Yawn of History begins with an eccentric job interview. Beitollah (Mohammad Aghebati) drops dollar bills with his contact information around the city, then interviews anyone who calls about their belief system. Answering that he believes in nothing, Shoja (Amirhossein Hosseini) gets the gig: following Beitollah deep into the Iranian desert to find a box of gold coins he saw in a vision. Rasti’s debut feature won the Special Jury Award in the Encounters section of the Berlin International Film Festival for its exploration of faith and greed set against the hardscrabble landscapes of a depopulated rural Iran. DCP. Director/Screenwriter: Aliyar Rasti. With: Mohammad Aghebati, Amirhossein Hosseini, Saber Abar.

#Arts #MovieFilm

Grab a coffee, lace up your walking shoes, and join the UCLA South Bay Network for one of our most popular traditions, the Pier to Pier Walk! We’ll stroll along the scenic. Strand from the Hermosa Beach Pier to the Manhattan Beach Pier, then make our way back to Hermosa Beach. Along the way, connect with fellow Bruins, enjoy lively conversation, and soak in the iconic ocean views that make the South Bay so special. All are welcome—bring friends, family, strollers, and pets! Please plan on gathering in front of the Kelly Lifeguard Memorial Statue by Hermosa Beach Pier at 9:15am so we can start walking close to 9:30am. After the walk, you’re welcome to join us for a casual brunch at a local spot (location TBD).

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! June: Daisy Jones and the Six by Taylor Jenkins Reid. It is suggested that you please listen to the audio book. Please email bkronbeck@social.rr.com to be added to the waitlist for the South Bay Book Club.

The Millennial Leadership course provides practical skills and builds confidence in key leadership areas, including effective delegation, managing former peers, conflict resolution, mitigating impostor syndrome, and navigating ambiguity.

Save the date for the official celebration of the Class of 2026. Gather your graduating friends and head over to the JWAC to eat, drink, dance, play games, take photos, receive your gift and relish the memories of your time at UCLA. More details to come.

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 2 Where the Winds Die Year: 2021 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. Farhang Short Film Festival 3rd prize winner A Kurdish city in western Iran, Sardasht was the target of a chemical weapons attack in 1987. Director Pejman Alipour captures the moment the city’s peaceful calm was shattered in this powerful, watercolor-style animated short. DCP. Director/Screenwriter: Pejman Alipour. Screening 2 of 2 Black Rabbit, White Rabbit Year: 2025 Country: Tajikistan/United Arab Emirates Language: Tajik, Persian and Russian with English subtitles Runtime: 139 min. Digital. Color. Tajikistan's submission to the Oscars for Best International Feature Film, Black Rabbit, White Rabbit finds writer-director Shahram Mokri working at the top of his cinematic game. On a film set for the remake of a classic Iranian film, the crew’s armorer worries that a prop gun may not be what it seems and a mysterious young woman arrives to demand an audition. Meanwhile, at a well-appointed villa, a woman recovering from a car accident discovers she may be the target of a murder plot. In Mokri’s inimitable style, long camera takes and elliptical editing blur time and space, visions and reality, history and fiction. DCP. Director: Shahram Mokri. Screenwriters: Shahram Mokri, Nasim Ahmadpour. With: Babak Karimi, Hasti Mohammaï, Kibriyo Dilyobova.

#Arts #MovieFilm

Join fellow UCLA Alumni San Diego Regional Network for a day of service, connection, and community as we beautify local trails! Promote canyon health while enjoying fresh air and connecting with your community. Volunteers will care for native plants, remove invasive plants, and remove trash/small-debris from restoration areas. **Role:** As stewards of the City Heights Canyons, you can make a lasting impact by coming prepared! We suggest wearing long sleeves, a hat, and bringing a reusable water bottle! (we provide the refills) **Pro Tips:** The address provided is the closest point of access to the trailhead. Please street park, and be respectful of the neighbors- be mindful to not block driveways. Be sure to bring a reusable water bottle and sun protection, a water jug will be available for refills. Recommended attire: long pants and a long sleeve shirt. **Required attire:** Closed-toed shoes. Gloves and tools will be provided. Upon arrival, check in with Canyonlands staff and sign the waiver. The phone number provided is not accessible the day of events, so please contact us with any questions prior to the day of the event. Any potential updates will be posted to our Instagram page @sdcanyonlands.

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: curators Arta Barzanji, Hadi Alipanah (via video) Cinema-ye Azad, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, Cinema-ye Azad consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, Cinema-ye Azad boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key Cinema-ye Azad figures, Nasib Nasibi and Behnam Jafari. Program curated by Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. Film notes written by Arta Barzanji. Screening 1 of 2 From Isfahan to Abarkooh Year: 1970 Country: Iran Language: Persian with English subtitles Runtime: 23 min. Digital. B&W. A report on historical buildings, legends and traditions along the route from Isfahan to Shiraz, passing through regions including Mahyar, Shahreza, Ziaratgah, Aminabad, and Izadkhast. The film mixes documentary observation with the poetic vision seen in Nasib Nasibi’s later works. DCP. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Bahram Ardabili. Screening 2 of 2 How Frightening Is the Darkness of the Soul! Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 60 min. Digital. B&W. How Frightening Is the Darkness of the Soul! is an avant-garde film poem about drowning in a world of madness in search of true liberation. It highlights the close connections between literary and theatrical circles and the filmmaker's approach to avant-garde cinema. Initially, the main character attempts to escape the monotony of daily life by immersing herself in a world of madness. The film is a journey through the path she takes. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Mahvash Bargi, Farhad Majd Abadi, Shokooh Najm Abadi.

#Arts #MovieFilm

Join us in celebrating 28 years of Lavender Extravaganza on-campus at Korn Convocation Hall on Saturday, June 13th from 1:00pm-3:00pm! Registration is open through May 22nd for all undergraduates, graduate, and professional students who would like to participate as a celebrant and be recognized for their achievements at UCLA. There is no limit to guest tickets for students who would like to invite family, friends, and loved ones to attend.

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: curators Arta Barzanji, Hadi Alipanah (via video). Cinema-ye Azad, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, Cinema-ye Azad consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, Cinema-ye Azad boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key Cinema-ye Azad figures, Nasib Nasibi and Behnam Jafari. Program curated by Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. Film notes written by Arta Barzanji. Screening 1 of 5 Abandoned Heights Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 18 min. Digital. B&W. Every day, a young man plays his trumpet from the top of a half-finished building while facing the city. Ambiguous happenings around him suggest the outlines of what may lurk below the peaceful surface of society. DCP. Director/Screenwriter: Behnam Jafari. With: Nematollah Gorji, Ahmad Amini, Hassan Seifi. Screening 2 of 5 Scream (Vol. 2) Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. This satirical collage of Iranian cinema stages a confrontation between the ethos of the commercial “Filmfarsi” and the artistic ambitions of the New Wave cinema. In a direct reference to Cinema-ye Azad, the film ends with the arrest and exile of young amateur filmmakers from professional cinema. DCP. Director/Screenwriter: Behnam Jafari. With: Khosrow Haritash, Said Oveissi, Zari Khoshkam. Screening 3 of 5 Let Us Live Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. This film follows the restless lives of two young pickpockets through the labyrinth of seedy streets and shadowy alleyways, in a world where every day ends in triumph or ruin. DCP. Director/Screenwriter: Behnam Jafari. With: Davood Teymouri, Naser Tarighat, Ghazal Irandoust. Screening 4 of 5 Tell the Watchmen Not to Let Sleep Deceive Year: 1970 Country: Iran Language: Persian with English subtitles Runtime: 20 min. Digital. Color. A social portrait of two young lovers that reflects the larger prejudices of society. DCP. Director/Screenwriter: Behnam Jafari. With: Farhad pour Azam, Shirin Jannesari, Behrouz Razavi. Screening 5 of 5 MirNasir and the Ill-Fated Genie Year: 1974 Country: Iran Language: Persian with English subtitles Runtime: 67 min. Digital. B&W. In his cinematic debut, Saeed Poursamimi plays a former inmate who frees a genie from a bottle. After thousands of years of captivity in the bottle, the genie finds himself in a world that has been completely transformed by its people’s beliefs. The two embark on a bitter journey to find the remnants of the forgotten magical realm. Director Behnam Jafari uses stark visuals and provocative metaphors to explore the impossibility of relying on traditional myths in the face of a new world. DCP. Director/Screenwriter: Behnam Jafari. With: Saeed Poursamimi, Hamid Taati, Mohammad Poursattar.

#Arts #MovieFilm

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: director Parviz Sayyad, actor Mary Apick. Screening 1 of 2 Checkpoint Year: 1987 Country: U.S. Language: English and Persian with English subtitles Runtime: 91 min. 35mm. Color. During the height of the 1979 Iranian hostage crisis, a busload of Iranian college students returning to the U.S. after a field trip in Canada are thrown into political and legal limbo when they’re refused entry at the border. A ripped-from-the-headlines urgency drives writer-director Parviz Sayyad’s Checkpoint as the students split along factional lines in their struggle to reclaim their rights and dignity. Executive producer Mary Apick also leads a committed ensemble cast that never loses sight of the fragile, individual humanity ever at risk amid grand ideological clashes. Director/Screenwriter: Parviz Sayyad. With: Mary Apick, Houshang Touzie, Parviz Sayyad. Screening 2 of 5 Dead End Year: 1977 Country: Iran Language: Persian with English subtitles Runtime: 95 min. Digital. Color. This provocative film stars Mary Apick as a young woman who is drawn to a mysterious suitor haunting the dead-end street where she lives, only to discover that he is not what he seems and she and her family may be in danger. A giant of Iranian cinema, writer-director Parviz Sayyad rose to fame as the star of the commercial Samad film and television series before producing some of the key works of the Iranian New Wave, including films by Sohrab Shahid Saless, Ebrahim Golestan and Dariush Mehrjui. Based on a short story by Anton Chekhov, Dead End plays with themes of voyeurism and surveillance in a society on the verge of radical transformation. DCP. Director: Parviz Sayyad. Screenwriter: Parviz Sayyad, Houshang Baharlou. With: Mary Apick, Parviz Bahador, Apick Yousefian.

#Arts #Fellowship

The Millennial Leadership course provides practical skills and builds confidence in key leadership areas, including effective delegation, managing former peers, conflict resolution, mitigating impostor syndrome, and navigating ambiguity.

Join us for our second book club event of the year! We will be reading "Island Queen" by Vanessa Riley. A remarkable, sweeping historical novel based on the incredible true life story of Dorothy Kirwan Thomas, a free woman of color who rose from slavery to become one of the wealthiest and most powerful landowners in the colonial West Indies.

Put your knowledge to the test (with other Bruins) at Trivia Night, hosted every Wednesday at UOB. Prizes are given to winning teams!

Come celebrate Juneteenth at the Hollywood Bowl with Chance the Rapper and your favorite Bruins! There will be picnicking beforehand, beginning at 6pm. Email host for details.

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Year: 2025 Country: Iran/U.S./France/Canada Language: Persian with English subtitles Runtime: 107 min. Digital. Color. Family secrets and betrayals explode in the most riveting video call you’ve ever seen. Writer-director Homayoun Ghanizadeh transforms the familiar stacked boxes of talking heads we all live with these days into a dazzling, high-wire act of storytelling and performance when three generations of an Iranian family are confronted by the son of a former family servant over the fate of the stately family home back in Iran. Ghanizadeh’s riveting, all-star ensemble — Golshifteh Farahani, Payman Maadi, Navid Mohammadzadeh, Ali Nasirian, Shirin Neshat — delivers an acting tour de force that deliberately transcends the bounds of the film’s form. DCP. Director/Screenwriter: Homayoun Ghanizadeh. With: Golshifteh Farahani, Shirin Neshat, Navid Mohammadzadeh, Ali Nasirian, Payman Maadi.

#Arts #MovieFilm

Join the UCLA Alumni Arizona Network for a casual networking dinner! This is a great opportunity for UCLA alumni in the Flagstaff area to meet and connect. Get to know the Arizona Bruin community! If you cannot attend this specific dinner, please reach out to Chey Tor and let him know that you would be interested in attending a future event in the Flagstaff area. Chey can be reached at chey@cheytor.com or 602.487.3975.

2026 UCLA Celebration of Iranian Cinema lease note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 2 The Granny and Fishes Year: 2025 Country: Iran Language: Persian with English subtitles Runtime: 27 min. Digital. Color. Farhang Short Film Festival 1st prize winner After ill-conceived irrigation projects and drought rendered Lake Hamun on the Iran-Afghanistan border a dust bowl, hundreds of villagers migrated away, except for an old woman whose solitary routine of gathering up dead fish is the subject of this quietly compelling documentary. DCP. PDirectors/Screenwriters: Maria Mavati, Ehsan Farokhi Fard. Screening 2 of 2 Woman and Child Year: 2025 Country: Iran Language: Persian with English subtitles Runtime: 131 min. Digital. Color. After the powerhouse family drama Leila’s Brothers (2023 UCLA Celebration of Iranian Cinema) led to a jail sentence in Iran, writer-director Saeed Roustaee returned to Cannes last year with this more diffuse but still devastating story about a woman seemingly under siege from all sides. Parinaz Izadyar stars as Mahnaz, a nurse and widow with two children, including a rebellious teenage son, looking forward to starting over with new partner Hamid (Payman Maadi) until a sudden tragedy and a shocking betrayal sets Mahnaz on a desperate course of revenge against the school system, the courts and her own family. DCP. Director/Screenwriter: Saeed Roustaee. With: Parinaz Izadyar, Payman Maadi, Soha Niasti.

#Arts #MovieFilm

Cost: $36.80 per ticket (located in Section 104) Link to purchase discounted tickets provided upon RSVP. Deadline to purchase at our group price is June 19th at 11:59 PM PST. Calling all Sacramento Bruins, UC alumni, Big Ten alumni, students, and fans! You're invited to watch our first-place A's take on the Los Angeles Angels for a very special Father's Day matchup. All dads are encouraged to come show their Bruin pride and bring the whole family while you're at it! Game day promotions: Exclusive group giveaway + if we bring 20+ we will get recognized on the scoreboard | 50+ and we get to take a photo on the field after the game! Father's Day Hawaiian shirt giveaway (early arrival, while supplies last) Kids 2 years old and younger get in FREE, 14 & under can run the bases after the game! Wear your blue, green and gold. Family members and friends from other schools are welcome. See you at the ballpark!

Join the Conejo Valley Bruins at the Stonehaus in Westlake Village for a relaxed evening of connection and community. Your ticket includes pizza and salad—come spend time with other Bruins.

This event is intended to help relaunch the UCLA alumni network in the Santa Clarita Valley through a casual happy hour mixer for local alumni. The goal is to create an easy, welcoming environment for Bruins living and working in the area to connect socially and professionally. The event will be held at Lucky Luke Brewing in Santa Clarita, which offers a relaxed setting with a covered outdoor space for mingling and conversation.

In person: chef and restaurateur Alice Waters. Director Alfonso Arua’s Like Water for Chocolate was an arthouse sensation when first released and still defines the evocative power of food in film. Based on Laura Esquivel’s novel, its sensuous tale of forbidden love unfolds in early 20th-century Mexico when Tita is bound by family tradition to remain unmarried to care for her mother. Prevented from acting on her love for the handsome Pedro, she pours her passion and heartbreak into her cooking which has a magical, intoxicating effect on those who consume it. The intimacy of the heart and the intimacy of the kitchen transform culinary preparation into a powerful expression of desire, rebellion and yearning.—Senior Public Programmer Paul Malcolm Director: Alfonso Arau. Screenwriter: Laura Esquivel. With: Lumi Cavazos, Marco Leonardi, Regina Torné. 35mm print courtesy of the Sundance Collection at the UCLA Film & Television Archive.

#Arts #MovieFilm

In person: Q&A with actor David Selby and historian Jim Pierson, editor of Dark Shadows Noir: Classic Black and White Photography From the Dan Curtis Productions Archive. Book signing with Pierson before the screening. Guest speaker Made possible by the John H. Mitchell Television Programming Endowment. Premiering on June 27, 1966, on ABC-TV, Dark Shadows (1966–71) represented an outré experiment in daytime television that became an unexpected breakout hit and evergreen cult classic. Created by horror-maestro Dan Curtis (The Night Stalker, Trilogy of Terror), the innovative soap opera, which initially struggled in the ratings, expanded greatly in popularity in its second year with the addition of a 175-year-old charismatic vampire character named Barnabas Collins (Jonathan Frid). As the eerily atmospheric series evolved to fuse gothic supernatural elements and romance into complex storylines, it developed a passionate youth following and became a pop culture phenomenon. In the process, the videotaped series earned the distinction of being the first soap to spawn a theatrical motion picture spin-off, House of Dark Shadows (1970), and several additional feature films and reboots. The beloved original series ran for over 1,200 episodes before its abrupt cancellation in 1971. In the ensuing decades, the aura surrounding Dark Shadows has only intensified, with the influential program enjoying nearly constant reruns in syndication, luring an influx of new viewers into the mysterious, shadow-drenched world of the wealthy Collins family of fictional Collinsport, Maine. Join us for a celebration of Dark Shadows, exactly 60 years to the day of its premiere, including the debut episode and rare archival footage. Before the screening, historian Jim Pierson will sign copies of Dark Shadows Noir: Classic Black and White Photography from the Dan Curtis Productions Archive. Following the screening, there will be a Q&A with Dark Shadows star, actor David Selby, and Jim Pierson. Programmed and note written by John H. Mitchell Television Curator Mark Quigley.

#Arts #MovieFilm

Join the Grupo Folklórico de UCLA Alumni Association for a fun evening of food, good conversation and Lotería! Whether you're a recent grad or looking to reconnect with old friends, this is the perfect chance to gather, share stories and celebrate. Enjoy a lively night filled with delicious bites, friendly competition and the chance to win fun prizes. Come for the game and leave with new memories — and maybe a full card!

Join us for a coastal hike/walk in Palos Verdes with stunning ocean views! We will meet at Pelican Cove Park in the parking lot at 8:45 a.m. We will walk the coastal path north past Point Vincente and then south past Terranea. For those who are interested, the group can explore the beach at Pelican Cove and Terranea and grab a coffee or snack at Terranea on the way back. Please make sure that you are prepared with appropriate footwear, sunscreen and/or a hat, and plenty of water.

In person: director Karen Arthur; editor Carol Littleton; Paula Chambers, daughter of screenwriter and actor Joan Hotchkis; Eric Morris, acting teacher and director of the theatrical production of Legacy. Guest speaker Legacy is the story of Bissie Hapgood, a woman unraveling under the pressures of a vapid and materialistic society consumed with dinner-plate settings, soap operas and sexual frustration. The material originated as a one-woman show in 1973, written and performed by Joan Hotchkis, a versatile talent celebrated for her roles on television series including The Odd Couple and The Life and Times of Eddie Roberts. Karen Arthur, a first-time filmmaker, saw Hotchkis on stage and convinced the actor to adapt the screenplay and star in the film. Independently produced and financed, Legacy, like its peers Wanda (1970) and A Woman Under the Influence (1974), confounds 1970s Hollywood’s expectations with the introduction of a new kind of cinematic woman. Bissie stuns audiences with her honesty that is confrontational, yet heartfelt and a vulnerability that is never sentimental and always surprising. Legacy features an exceptional crew at the start of what would become a set of accomplished careers. Arthur, who would go on to direct The Mafu Cage (1978) and become a prolific television director, winning an Emmy Award for Cagney & Lacey, collaborated with cinematographer John Bailey (Ordinary People, 1980, In the Line of Fire, 1993) and editor Carol Littleton (E.T., 1982, The Manchurian Candidate, 2004). Note written by Archive Research and Study Center Officer Maya Montañez Smukler.

#Arts #MovieFilm

Presented by UCLA Film & Television Archive and the Hammer Museum. The Billy Wilder Theater opens 15 minutes before each Family Flicks program.

#Arts #MovieFilm

This training sesson will show instructors how to create and grade assignments and discussions, utilize time saving features in the Gradebook, and provide student extensions and accommodations. Join us to improve your teaching skills and simplify your life in Bruin Learn. Audience: Faculty, TAs

#FacultyStaff #Alumni

Take 20 minutes in your day to enjoy much-needed relaxation and calm. When registering, please enter "UCLA" under "organization." Monthly meditation is led by Michal Rinkevich (MBA '14) who has been practicing healing arts and meditation since 1995 and teaching since 2006.

Since 2008, a team of University of California alumni, students and friends have participated in an annual 10K charity race through the heart of central London. Run, walk, or skip with UC Alumni UK this year to support student scholarships!

Presented by UCLA Film & Television Archive and the Hammer Museum. The Billy Wilder Theater opens 15 minutes before each Family Flicks program.

#Arts #MovieFilm

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! July: The Lost Daughter by Elena Ferrante. Please email bkronbeck@social.rr.com to be added to the waitlist for the South Bay Book Club.

In an era where nearly every job seeker is using AI to help with job applications, many candidates worry that their applications aren’t being seen or that they sound just like everyone else. This workshop teaches UCLA alumni how to use AI strategically to stand out, not blend in. Participants will learn how employers use AI in hiring, how to avoid generic AI-generated language and how to enhance their unique professional voice through smarter prompting. We’ll walk through practical tools for tailoring applications, strengthening LinkedIn visibility and using AI to accelerate—not replace—the human elements that make a candidate memorable. Participants will leave with three actionable steps they can take in the next month to elevate their job search using AI.

Join the Bay Area Bruins for the annual California Clásico - soccer match featuring the San Jose Earthquakes vs Los Angeles Galaxy at the Stanford Stadium, Saturday evening, July 25. The event commences with pregame ceremonies featuring fly overs and a precision team of skydivers landing on the field and delivering the "game ball". After the game all fans will be entertained with a spectacular drone show. This event sells out every year with the average Section 216 ticket face value being $40. Ticket purchasing opportunities will be announced in upcoming newsletters. Early purchases (until July 1) will offer preferred seating closer to the field, opportunities to win prizes, and discounted pricing at $34 per ticket. Tickets purchased after June 30 will be $37 each. A portion of each ticket sale will go to the Bay Area Bruins scholarship fund specifically benefiting students from the Bay Area. _Each ticket provides admission to Stanford Stadium for the Clásico match, ceremonies, and the post game drone show._

Join fellow Bruins and alumni from many other schools for an evening of conversation and connection at the UC Center Sacramento right in downtown. Participating schools include: Notre Dame, Santa Clara, Stanford, Yale, Berkeley, Georgetown, Harvard & more! Light food and beverages will be provided. Hosted by UC Davis Cal Aggie Alumni Association in collaboration with Sac Bruins and participating alumni networks across the Greater Sacramento Area!

This training session will demonstrate how to finalize your Bruin Learn gradebook and transfer Bruin Learn grades to MyUCLA. Audience: Faculty, TAs, Staff

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! August: The Body Keeps Score by Bessel van der Kolk. Please email bkronbeck@social.rr.com to be added to the waitlist for the South Bay Book Club.