Alumni

#FacultyStaff #Alumni

Do you have legal immigration questions, and want to get professional answers? The UCLA Legal Services partners with the Dashew Center on a monthly basis to offer free legal services. This is a free consultation with an immigration lawyer hosted via Zoom. No RSVP required. When? Wednesday, September 17. From 10am-12pm PT. Zoom Meeting ID: 98924654582 Passcode: 526311

#Undergraduate #GraduateProfessional #Alumni #Social #Community

Join our team of educators and help the Garden achieve its mission to inspire environmental and cultural appreciation of plants and their relationships to society. Garden Educators support K-12 education programs. Garden Guides lead public and private tours of the Garden. No experience is necessary, and all training will be provided! October 3, 2025 with two one-hour sessions: 10 am-11 am and 3 pm-4 pm. Email fieldtrips@ucla.edu with questions.

#Undergraduate #Alumni #Leadership #Volunteer

Join a Garden Guide for a free tour on December 6, 2025 at 10 am. Explore our living museum featuring collections of plants from around the globe! You’ll hear the stories of selected plants in the Garden and their relevance to human society. All ages are welcome. Tours meet at the La Kretz Garden Pavilion at the northern end of the Garden and are given a grace period of 5 minutes.

#Undergraduate #FacultyStaff #Alumni #Social #Community

Join us for the ULAA Philanthropy Series, an inspiring virtual panel spotlighting alumni who are making a difference through philanthropy. Hear from UCLA alumni about their motivations for giving, the stories behind their in-kind and endowment contributions, and the impact of supporting student success. This session will feature a moderated discussion, and personal reflections aimed at informing and empowering fellow alumni to create lasting change.

Meet your local Bay Area alumni volunteers at our bi-monthly planning meeting. On this Zoom call we will discuss past and future events taking place anywhere from Marin to Santa Cruz. Do you have event ideas you would like to co-lead with us? We're open to creating new ways for alumni and friends to connect. Go Bruins!

With more than 23,000 UCLA alumni living in the San Fernando Valley, imagine the impact we can make when we come together. Join us for a virtual informational session to learn more about the San Fernando Valley Alumni Network Board and how you can get involved. Whether you’re looking to expand your connections, give back, or help shape the future of our alumni community, this is a meaningful way to make a difference. As a board member, you’ll have the opportunity to: • Plan and host engaging events for our alumni community • Support scholarships for local students • Strengthen connections across Bruins at every stage of life Let’s continue building momentum together and showcase the strength of our Bruin network in the Valley!

Get ready to take the next big step—graduation is just around the corner! Your UCLA Alumni Association is here to cheer you on and support you as you launch your exciting career journey.  This Summer, **The Classroom** is here to offer a career-enhancing, twelve-week course created with _you_ in mind. Designed to help you navigate the challenges of starting your career, this program offers a wealth of opportunities to grow and succeed. From personalized one-on-one career coaching to an expertly crafted curriculum, you’ll gain the tools and insights to thrive in the professional world. Plus, you'll join a community of Bruins who are eager to support your journey.   Instructor Amy Rueda, a 25-year veteran of executive search, brings her wealth of experience and knowledge to the Classroom.

It seems like we always have too much to do at work in too little time. Join us as we explore innovative approaches to thinking and operating, while also engaging with proven best practices in time management and productivity. You’ll come away from this knowing how to prioritize competing tasks, manage email inboxes, minimize interruptions, and tame your to-do list. Be ready to share your winning strategies with others and learn new ones in this fast-paced, practical course. About the Speaker: Holly Hoeksema is a Career Engagement Specialist at UC Santa Cruz and the Owner of Ignite Consulting. With over 25 years of experience in leadership development, team building, and executive coaching, she has guided thousands nationwide—from extensive training sessions to one-on-one coaching—in helping them find their “why” to ignite purpose and excellence. Certified in life coaching, course management, and servant leadership, Holly is also skilled in personality assessments and vocational tools. Her background as a culinary instructor and wellness advisor adds a unique lens rooted in plant-based nutrition and holistic growth.

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! SEPTEMBER: James by Percival Everett  **Please email bkronbeck@socal.rr.com to be added to the waitlist for the South Bay Book Club.**

Learn about the UCLA Internship Alumni Network, a UCLA Alumni network which provides scholarships for students completing summer internships, what the UCLA Career Center is currently doing for our students professional development and ways to volunteer with our board.

Join Jessica Sanam Hekmat, MBA ’10, brand strategist, business consultant, and career exploration coach, for a conversation on redefining productivity and fulfillment. Forget the myth of work-life balance—this session will help you reframe how you manage your time, energy, and commitments in alignment with your evolving values and priorities. Learn how to navigate the seasons of your life and career with intentionality, ensuring that your efforts lead to both efficiency and fulfillment. This workshop will explore: \- Life Management vs. Time Management—why efficiency alone won’t make you feel fulfilled \- Redefining Success—integrating personal and professional wins for a sustainable, purpose-driven life \- The Power of Prioritization—focusing on what truly moves the needle \- Making Room for What Matters—simple shifts to reclaim energy and reduce overwhelm If you feel stretched thin, constantly busy but not necessarily fulfilled, or like you’re always chasing the next task—this session is for you.

Please join us for the UCLA Alumni Rentrée Happy Hour to celebrate “la Rentrée” together and reconnect with other Bruins.

Join UCLA Alumni and the Seattle Mariners for an unforgettable evening at T-Mobile Park as they take on the Los Angeles Angels! Cheer on your team alongside local Bruins while enjoying classic ballpark festivities and networking opportunities. Enjoy a day at the ballgame and connect with Seattle alumni! "Welcome to the City" is a series of events featuring iconic or touristy attractions that, even as a local, you’ve always wanted to experience but haven’t yet. This is a fantastic way to connect new Bruins — whether recent graduates or those who had just moved — to their local network.

Join us as we cheer on the UCLA football team! Reserved seating area. Happy Hour Pricing.

Join us as we cheer on the UCLA football team!

Join us as we cheer on the UCLA football team!

Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Long Goodbye U.S., 1973 In the opening shot of Robert Altman and screenwriter Leigh Brackett’s adaptation of Raymond Chandler’s 1953 hardboiled novel, Elliott Gould awakens as Philip Marlowe in 1970s Los Angeles like a gumshoe Rip Van Winkle. And he just rolls with it. Social mobility comes standard issue for the classic private eye and working an old school case of infidelity, theft and murder, Gould’s Marlowe moves confidently from dive bar to Malibu beach house. To this, the filmmakers add an easygoing adaptability to cultural change. This Marlowe’s Los Angeles abounds with nude yoga, political protest and other signs of an ascendent counterculture to which his nonchalant motto is “It’s okay with me.” 35mm, color, 112 min. Director: Robert Altman. Screenwriter: Leigh Brackett. With: Elliott Gould, Nina Van Pallandt, Sterling Hayden. California Split U.S., 1974 Elliott Gould and George Segal’s gamblers meet cute in a poker game, fall in with each other and seduce us into a subcultural world of heavy bettors that feels, in Robert Altman’s loose and open form, like a documentary that a couple of stars happened to have wandered into. When they’re on a roll, they spend their winnings with a pair of sex workers who provide a poignant note to the men’s highflying hustles. It’s almost disappointing when the vaguest story arc creeps in after Segal’s punter hits a cold streak but its (anti)climactic final scene is one of the unsung triumphs of the New Hollywood. DCP, color, 108 min. Director: Robert Altman. Screenwriter: Joseph Walsh. With: George Segal, Elliott Gould, Ann Prentiss. —Senior Public Programmer Paul Malcolm

#Arts #MovieFilm

As an English teacher, John Wooden developed a visual aid to teach his students the qualities and characteristics an individual or team would need to become successful. This workshop will teach the principles underlying the Pyramid of Success, habits of successful leaders, and quotes John Wooden used to trigger the habits. Teens, young adults, and parents are highly encouraged to attend together. Each guest will receive a laminated Pyramid of Success, including a version with the most recognized quotes and habits.

Join our New Bruin Send-off Celebration, where you will meet other incoming students, families and alumni. Send-offs are filled with Bruin pride and the beginning of lifelong friendships and lasting memories. Wherever you are, Send-offs are the perfect way to find your UCLA community before you begin your Bruin journey. Start building your network at the Send-off! For questions in advance of the event, contact the Future Bruin Initiatives at FutureBruin@alumni.ucla.edu. About New Bruin Send-off Celebrations: Hosted by regional, diversity and affinity alumni networks each summer, these celebratory and casual gatherings bring together students, parents and alumni for events ranging from backyard gatherings to picnics in community parks. Each event is unique, but one common theme always emerges: the strength and reach of the UCLA community.

Join our New Bruin Send-off Celebration, where you will meet other incoming students, families and alumni. Send-offs are filled with Bruin pride and the beginning of lifelong friendships and lasting memories. Wherever you are, Send-offs are the perfect way to find your UCLA community before you begin your Bruin journey. Start building your network at the Send-off! For questions in advance of the event, contact the Future Bruin Initiatives at FutureBruin@alumni.ucla.edu. About New Bruin Send-off Celebrations: Hosted by regional, diversity and affinity alumni networks each summer, these celebratory and casual gatherings bring together students, parents and alumni for events ranging from backyard gatherings to picnics in community parks. Each event is unique, but one common theme always emerges: the strength and reach of the UCLA community.

Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Thieves Like Us U.S., 1974 Like the camp announcements in M*A*S*H, a stream of radio broadcasts layer context and commentary into Robert Altman’s Depression-era period piece about a trio of small-time bank robbers in the rural south. They’re also an early clue that Altman here is more interested in exploring time, place and character than indulging in action set pieces. Indeed, despite a string of robberies, we don’t enter a bank with the gang until late in the film. In rustic hideouts and safe houses, a tender love story emerges instead between Keith Carradine’s criminal and Shelley Duvall’s ingenue, a chimera of hope in a country left to fate. 35mm, color, 123 min. Director: Robert Altman. Screenwriters: Robert Altman, Joan Tewkesbury, Calder Willingham. With: Keith Carradine, Shelley Duvall, John Schuck. Kansas City U.S., 1996 Robert Altman’s homage to Kansas City, Missouri, of the 1930s, where he was born and raised, brings its innovative jazz scene to rip-roaring life within a story about the improvisations of survival required during the Depression. When her small-time hood husband (Dermot Mulroney) falls into the hands of a vengeful gambler (a wickedly smooth Harry Belafonte), Jennifer Jason Leigh’s brassy manicurist kidnaps the wife (Miranda Richardson) of a prominent politician (Michael Murphy) on the eve of an election to force his intervention. It’s a desperate hustle in a city where some have to make it up as they go along while the wheels of power roll on. 35mm, color, 116 min. Director: Robert Altman. Screenwriters: Robert Altman, Frank Barhydt. With: Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte.

#Arts #MovieFilm

Join our New Bruin Send-off Celebration, where you will meet other incoming students, families and alumni. Send-offs are filled with Bruin pride and the beginning of lifelong friendships and lasting memories. Wherever you are, Send-offs are the perfect way to find your UCLA community before you begin your Bruin journey. Start building your network at the Send-off! For questions in advance of the event, contact the Future Bruin Initiatives at FutureBruin@alumni.ucla.edu. About New Bruin Send-off Celebrations: Hosted by regional, diversity and affinity alumni networks each summer, these celebratory and casual gatherings bring together students, parents and alumni for events ranging from backyard gatherings to picnics in community parks. Each event is unique, but one common theme always emerges: the strength and reach of the UCLA community.

Get ready to take the next big step—graduation is just around the corner! Your UCLA Alumni Association is here to cheer you on and support you as you launch your exciting career journey.  This Summer, **The Classroom** is here to offer a career-enhancing, twelve-week course created with _you_ in mind. Designed to help you navigate the challenges of starting your career, this program offers a wealth of opportunities to grow and succeed. From personalized one-on-one career coaching to an expertly crafted curriculum, you’ll gain the tools and insights to thrive in the professional world. Plus, you'll join a community of Bruins who are eager to support your journey.   Instructor Amy Rueda, a 25-year veteran of executive search, brings her wealth of experience and knowledge to the Classroom.

#FacultyStaff #Alumni

With appreciation to Stanford Alumni for extending the invitation, UCLA Alumni are invited to join their upcoming breakfast and parenting talk. Stanford alum and certified parenting coach Jeanine Mouchawar (’88) will share practical tools to help parents navigate tough moments with their teens - without losing their cool. Whether your child is 12 or 22, you'll gain insights to replace power struggles with calm, clarity, and connection.

As immigration dominates the headlines, join us for a timely discussion on "Soldiers and Kings: Survival and Hope in the World of Human Smuggling," winner of the 2024 National Book Award for non-fiction. The author, Jason De León, is Director of the Cotsen Institute of Archaeology, Loyd E. Cotsen Endowed Chair of Archaeology, Professor of Anthropology and Chicana/o and Central American Studies at UCLA.

Do you have legal immigration questions, and want to get professional answers? The UCLA Legal Services partners with the Dashew Center on a monthly basis to offer free legal services. This is a free consultation with an immigration lawyer hosted via Zoom. No RSVP required. When? Wednesday, September 17. From 10am-12pm PT. Zoom Meeting ID: 98924654582 Passcode: 526311

#Undergraduate #GraduateProfessional #Alumni #Social #Community

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Carlos Almaraz is led by curatorial assistant Juan Manuel Silverio.

#Arts #Art

See the sunset from the Garden at Third Thursdays, our summer twilight series. Meet new friends at the wine bar, then kick back and enjoy live music! Admission for each event is $10. Free admission for ages 13 and under. Picnics are encouraged. Check-in at La Kretz and Hilgard Entrances. We can't wait to see you there!

#Social #Community

Join **[UCLA Bruin Angels Investor Network](https://www.bruinangels.org/)** for Navigating the Lifecycle of a Startup: Panel, Pitches, and Networking. Our panel will feature a finance lawyer, an early-stage investor and a successful entrepreneur. They will discuss the thrills and challenges of evolving a nascent company from initial formation through sale or initial public offering. Following the panel will be a fast-pitch session, showcasing three real pitches competitively selected from Bruin-led startups at various development stages. Stay after for networking with Los Angeles’ lively venture capital and startup community. **Date:** Thursday, September 18, 2025 5:00 - 8:00 p.m. PST **Location:** UCLA Anderson School of Management - Grand Salon in Marion Anderson Hall 110 Westwood Plaza, 5th Level Los Angeles, CA 90095 ### **Panelist Bios - Navigating the Lifecycle 2025** * * * **Mira Chaurushiya, Ph.D. - Managing Director at Westlake Village BioPartners**  Dr. Mira Chaurushiya is a Managing Director at Westlake Village BioPartners. As a biologist who worked in industry research before entering the venture capital industry, she has a long and successful track record in both biological sciences and life-sciences investing. Dr. Chaurushiya is a fellow of the Society of Kauffman Fellows. After a postdoctoral fellowship in physiological chemistry at Genentech, she joined 5AM Ventures as an associate and took on positions of increasing responsibility, culminating as a partner. During her tenure at 5AM Ventures, she invested in and served as director or observer on the boards of multiple organizations, including Precision Nanosystems (acquired by Danaher), Ideaya Biosciences (IDYA), Enliven Therapeutics, Escient Pharmaceuticals, Magnetic Insight, Novome Biotechnologies, Purigen Biosystems, NodThera and TMRW. Dr. Chaurushiya received her Ph.D. in biological sciences from the University of California, San Diego in conjunction with the Salk Institute for Biological Studies, where she was awarded the Martin Kamen Thesis Prize in Biochemistry. She received her bachelor's degree in biology from Carleton College. She serves on the board of Biotech Connection Bay Area, a non-profit that focuses on career development for academic scientists. * * * **Phil Jung - Partner at Sovereign’s Capital** Phil is a Partner at Sovereign’s Capital where he leads the venture capital team investing in Seed and Series A stage technology companies led by faith-driven entrepreneurs across the U.S. and Southeast Asia. Phil was previously the CFO and CPO at Mindoula, a healthtech company that serves populations with complex behavioral health, medical, and social challenges across the continuum of care. Prior, Phil was with the Maryland Venture Fund, Foundation Capital, and TDF Ventures, leading investments in early and growth stage technology companies. Phil began his career at KPMG’s Risk Consulting practice in Silicon Valley and co-founded the Jeremy Lin Foundation, a non-profit whose mission is to serve at-risk youth through education and leadership development in underserved communities. * * * **Dr. Yvonne Chen - Professor of Microbiology, Immunology & Molecular Genetics at UCLA**  Dr. Yvonne Chen is a Professor of Microbiology, Immunology, and Molecular Genetics at UCLA. She is also a faculty, by courtesy, in the Department of Chemical and Biomolecular Engineering. Yvonne is the co-director of the Tumor Immunology program in the Jonsson Comprehensive Cancer Center at UCLA, and a member researcher of the Parker Institute for Cancer Immunotherapy. Dr. Chen received her B.S. in Chemical Engineering from Stanford University and her Ph.D. in Chemical Engineering from the California Institute of Technology. She received postdoctoral training at the Seattle Children’s Research Institute, and in the Department of Systems Biology at Harvard Medical School. Prior to joining UCLA in 2013, she was a Junior Fellow in the Harvard Society of Fellows. The Chen Laboratory applies synthetic biology and biomolecular engineering techniques to the development of novel mammalian-cell systems for clinical use, and Dr. Chen led the first investigator-initiated clinical trial on CAR-T cell therapy at UCLA. The Chen Lab’s work on engineering next-generation T-cell therapies for cancer has been recognized by the NIH Director’s Early Independence Award, the NSF CAREER Award, the Hellman Fellowship, the ACGT Young Investigator Award in Cell and Gene Therapy for Cancer, the Mark Foundation Emerging Leader Award, and the Cancer Research Institute Lloyd J. Old STAR Award. Dr. Chen was also the co-founder of ImmPACT Bio, which is now part of Lyell Immunopharma. * * * **Thomas Moon CFA - Investment Director at UCLA Investment Company** Thomas Moon is an Investment Director at UCLA Investment Company and is responsible for the endowment’s venture capital portfolio. Prior to joining UCLA, Thomas spent 5+ years at Sapphire Ventures as part of the Sapphire Partners team out of the Bay Area and London offices. Thomas played an integral role in sourcing, underwriting, and committing over $150M per year to early stage venture funds across the US, Europe, and Israel. As part of his role at Sapphire, Thomas spent two years in London as the sole Sapphire Partners investment team member playing a lead role in building and managing the firm’s European portfolio. Thomas was also a frequent contributor to #OpenLP, a community platform built to foster transparency and best practices for how GPs, LPs, and entrepreneurs interact. Thomas began his career as part of the investment team at Tufts University Investment Office underwriting a multitude of different investment strategies with a focus on private markets for the university’s endowment. Thomas earned a bachelor’s in economics with honors from Tufts University. Born in New York City, he has also lived and worked in Hong Kong, South Korea, Switzerland, and London. Thomas is a CFA Charterholder. * * *

Co-presented by UCLA Mindful, the mindfulness education center of UCLA Health. Enjoy Mindful Awareness Meditation in person every Thursday in the Billy Wilder Theater! Every session is also broadcast live right here on the Hammer's website. Whether you participate in person or online, Mindful Awareness Meditation is offered every Thursday at 12:30 PM. Mindful awareness meditation is the moment-by-moment process of actively and openly observing one’s physical, mental, and emotional experiences. Mindfulness has scientific support as a means to reduce stress, improve attention, boost the immune system, reduce emotional reactivity, and promote a general sense of health and well-being. These half-hour weekly sessions are open to people of all levels of experience. Sessions are open to people at all experience levels and are led by Diana Winston, Director of UCLA Mindful, Allyson Pimentel, Co-Director of Mindful USC, and other instructors from UCLA Mindful. Sessions are also simulcast live online at hammer.ucla.edu. Past audio sessions are available on the UCLA Mindful website and on the UCLA Mindful App. Listen to the session from Thursday, January 9.

#Health #MentalHealth

Part of: Robert Altman’s America: A Centennial Review

#Arts #MovieFilm

Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Player U.S., 1992 Not even the bitterest satire of Hollywood can escape mythologizing its subject to some degree. That’s the nature of the beast. Director Robert Altman and screenwriter Michael Tolkin lean into the dilemma, wrapping their sharp lampoon of corporate Hollywood’s solipsistic obsession with recycled concepts and the bottom line (Out of Africa meets Pretty Woman, anyone?) in a noir-soaked murder mystery straight from an old Hollywood writers room. This deep now into the age of streaming, it’s this blend of eras that makes The Player something more than a time capsule parade of celebrity cameos. For all its scathing insider’s critique, it captures more than most our love-hate relationship with our mythmakers.—Senior Public Programmer Paul Malcolm DCP, color, 124 min. Director: Robert Altman. Screenwriter: Michael Tolkin. With: Tim Robbins, Greta Scacchi, Fred Ward.

#Arts #MovieFilm

Join our New Bruin Send-off Celebration, where you will meet other incoming students, families and alumni. Send-offs are filled with Bruin pride and the beginning of lifelong friendships and lasting memories. Wherever you are, Send-offs are the perfect way to find your UCLA community before you begin your Bruin journey. Start building your network at the Send-off! For questions in advance of the event, contact the Future Bruin Initiatives at FutureBruin@alumni.ucla.edu. About New Bruin Send-off Celebrations: Hosted by regional, diversity and affinity alumni networks each summer, these celebratory and casual gatherings bring together students, parents and alumni for events ranging from backyard gatherings to picnics in community parks. Each event is unique, but one common theme always emerges: the strength and reach of the UCLA community.

Connect with fellow alumni and supporters while enjoying a selection of drinks and food in a welcoming private home setting. Honorary guests: Pat Petersilia '71, Xavier Flores '04 What to Expect: Wine, soft drinks, and light bites Exciting giveaways Networking with UCLA alumni and friends Ticket price: $75.00 Location: Private home in Ventura County (Address will be shared upon RSVP) Date & Time: Saturday, Sept. 20 from 1:30 - 4:30 p.m.

Welcome to the City! Join us for a delicious food tour across Downtown Los Angeles, hosted by Bruin-owned business, Six Taste Tours. Savor unique bites, discover hidden gems, and form new connections with your local Bruin community! "Welcome to the City" is an event series designed to help alumni new to the area connect with local Bruins. Whether you're a recent graduate or newly relocated, these gatherings offer the perfect opportunity to build relationships within your local UCLA community. Tour Information: Support a Bruin family-owned food tour business! With an engaging, knowledgable, and passionate LA native tour guide, guests will explore LA's oldest public market, Broadway, the Bradbury Building, the Last Bookstore, and more. Guests will visit 5 local eateries for generous tastings that may include a trip around the world with Salvadoran pupusas, Thai grilled chicken, Mexican tacos, and Italian homemade pastas from an osteria featured in the Michelin Guide. Then, we end with dessert. Cost: $80 per person Ticket includes all food tastings and guided walking tour. The amount of tastings on the tour is equivalent to a full meal. Suggested Items to Bring: \- Water since not all stops may have water readily available \- Comfortable walking shoes \- Cash for any desired purchases Meeting Point: In front of Angel's Flight (historic orange railway across from Grand Central Market) 324 S. Hill St., Los Angeles, CA 90013

Part of: Archive Treasures Presented by the UCLA Film & Television Archive In-person: Steven K. Hill, UCLA associate motion picture curator, co-founder of Silent Movie Day. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The UCLA Film & Television Archive is getting the jump on Silent Movie Day(opens in a new tab) this year which officially falls on September 29, but we just can’t wait to show our support for the preservation and exhibition of silent films! It is with great pleasure that we present this special screening in solidarity with theaters around the world celebrating the glorious silent era. The Little American U.S., 1917 This year we celebrate Silent Movie Day with Mary Pickford and Cecil B. DeMille’s war-time classic, The Little American. Written by longtime DeMille collaborator Jeanie Macpherson, Angela (Pickford) finds herself torn between two lovers — one French (Raymond Hatton), one German (Jack Holt) — and follows them to Europe as they fight on opposite sides of the trenches. The UCLA Film & Television Archive photochemically restored The Little American in 1990 from DeMille’s personal 35mm nitrate print and a nitrate negative fragment. In 2019, the Archive partnered with the Mary Pickford Foundation to scan the preservation duplicate picture negative in 4K as the basis for the current digital restoration.—Associate Motion Picture Curator Steven K. Hill DCP, b&w, silent with musical accompaniment, 63 min. Director: Cecil B. DeMille. Screenwriter: Jeanie Macpherson, Clarence J. Harris, Cecil B. DeMille. With: Mary Pickford, Jack Holt, Raymond Hatton.

#Arts #MovieFilm

The UCLA Career Center has partnered with JCPenney to bring the UCLA community up to 45% off select careerwear, shoes and accessories. Event will be held at the JCPenney at the Fox Hills mall. All UCLA undergraduate students, graduate students, postdoctoral scholars, staff, faculty and alumni are welcome. FREE round-trip transportation from campus. Buses will leave from Luskin Turnaround every 30 minutes from 4:30pm - 6:30pm.

#Leadership #Professional

We look forward to seeing you at 9am St. Vincent de Paul's on Sunday, September 28th! Please plan check in at the main campus (420 W. Watkins Rd.) no later than 9 AM. Volunteer parking is at 2120 S. 3rd Dr. Phoenix, AZ Map Link When you arrive, please check in at the front desk kiosk. If you have not volunteered with St. Vincent de Paul before, you will be asked to create a volunteer profile. When you reach the question “Are you here with a group?” select Yes and then choose UCLA Alumni of Arizona Network from the list. Once everyone is checked in, somebody will guide our group to the kitchen! Why Your Service Matters: St. Vincent de Paul prepares 7,000 meals every day that are distributed to our five dining rooms and other nonprofits. Kitchen Crew duties include chopping, slicing, dicing, opening cans, general - assistant chef- duties, set up and clean up. Please note: Individuals and groups with food allergies or religious beliefs and practices that prevent them from handling specific foods should contact volunteer@svdpaz.org with this information in advance of their volunteer shift. Group sizes and volunteer assignments may need to be adjusted to make accommodations. Attire and belongings: For volunteering in person please wear closed-toe shoes with rubber soles, sleeved shirts, knee-length or longer pants/skirts/shorts. Bruin gear is welcome! SVdP will provide items like gloves, plastic apron & hair net. Please refrain from cell phone / headphone use while volunteering. We have limited storage space and recommend bringing as few items as possible. Scheduling Changes: SVdP counts on volunteers to accomplish their mission; volunteers are 95% of their workforce! If you sign-up and are unable to attend, please let achan@alumni.ucla.edu know. If you are not feeling well, please reschedule your volunteer shift. Thank you for helping to keep yourself and those around you safe and healthy! Volunteer Etiquette: Please show respect and compassion for each other and for SVdP guests, staff and property. We hope you have a fantastic experience - let us know how it was. And, have fun! Questions or concerns: Contact SVdP at (602) 261-6886 or volunteer@svdpaz.org. Do you or someone you know need assistance Contact Us. Remember, you can serve in other ways, such as Host a Drive, Donate Furniture, Volunteer from Home and Donate Money. Please visit www.stvincentdepaul.net for more information.

Join the UCLA Alumni Orange County network for a fun evening of conversation and delicious food at Descanso Restaurant, a modern taqueria known for its authentic Mexican flavors. Enjoy a three-course prix fixe meal with curated menu options, including gratuity and taxes—all for just $48! This is the perfect opportunity to network and connect with local alumni. Come enjoy a tasty meal with the company of OC Bruins.

Take 20 minutes in your day to enjoy much-needed relaxation and calm. When registering, please enter "UCLA" under "organization." Monthly meditation is led by Michal Rinkevich (MBA '14) who has been practicing healing arts and meditation since 1995 and teaching since 2006.

Join multi-award-winning British touring theater company Box Tale Soup and discover the magic of puppetry! In this workshop, members of Box Tale Soup will share how they design, build, and bring their unique puppets to life on stage–including their sustainable practice and use of recycled materials, turning waste into art. They’ll explore the creative process from sketches to performance, then share some basic puppetry techniques as you try your hand at making and operating a simple puppet of your own. Whether a complete beginner or a curious theater-lover, you’ll leave with new skills and inspiration.

#Arts #Theatre

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Katsushika Hokusai is led by Luce/Getty curatorial fellow Kelin Michael.

Join our team of educators and help the Garden achieve its mission to inspire environmental and cultural appreciation of plants and their relationships to society. Garden Educators support K-12 education programs. Garden Guides lead public and private tours of the Garden. No experience is necessary, and all training will be provided! October 3, 2025 with two one-hour sessions: 10 am-11 am and 3 pm-4 pm. Email fieldtrips@ucla.edu with questions.

#Undergraduate #Alumni #Leadership #Volunteer

Join UCLA Alumni from the San Diego region for a day of culture, connection, and community as we celebrate Hispanic Heritage Month with a carpool field trip to The Cheech Marin Center for Chicano Art & Culture. Known as “The Cheech,” this groundbreaking museum is the first major institution in the United States dedicated to Chicano art and artists. Founded in partnership with actor and art collector Cheech Marin, the museum showcases over 500 works of Chicano art—from paintings and sculpture to photography and mixed media—that speak to themes of identity, resistance, cultural pride, and innovation. This is a chance to engage deeply with Latinx heritage, artistic brilliance, and the power of representation in the arts. We’ll meet at Superbloom Café in Mission Bay at 8:30 AM to coordinate carpools into volunteer vehicles. The drive to Riverside is approximately 1.5 hours. After exploring the museum, we’ll enjoy a group lunch at the iconic Mission Inn, a stunning historical hotel with rich ties to California’s cultural legacy. Expect a day filled with great conversation, meaningful learning, and Bruin camaraderie. This is more than a museum visit—it’s an invitation to honor heritage, build community, and expand our shared understanding. ???? RSVP now to join the carpool and help us plan logistics. ???? Bring friends, bring questions, and bring your curiosity. Please, please, please RSVP via MeetUp.com so that we can recruit volunteer drivers and get an accurate head count. [https://www.meetup.com/ucla-alumni-san-diego/events/310697806/?utm\_medium=referral&utm\_campaign=announce\_event&utm\_source=link&utm\_version=v2](https://www.meetup.com/ucla-alumni-san-diego/events/310697806/?utm_medium=referral&utm_campaign=announce_event&utm_source=link&utm_version=v2) ???????? ¡Nos vemos pronto! (See you soon)

Exhibition Match

Award-winning theater company Box Tale Soup returns to the Clark Library with a re-mounting of their original adaptation of The Picture of Dorian Gray, complete with a reimagined set and new puppets. This production of Oscar Wilde’s haunting story of evil, debauchery, and scandal features exquisite puppetry and a powerful original soundtrack. Dorian Gray, young and exceptionally beautiful, sinks deep into a frivolous lifestyle of glamorous luxury and selfish abandon, seemingly unchanged by corruption and untouched by age. But behind a thick, locked door, beneath a dark, heavy curtain, Dorian’s portrait tells a different story….

#Arts #Theatre

Award-winning theater company Box Tale Soup returns to the Clark Library with a re-mounting of their original adaptation of The Picture of Dorian Gray, complete with a reimagined set and new puppets. This production of Oscar Wilde’s haunting story of evil, debauchery, and scandal features exquisite puppetry and a powerful original soundtrack. Dorian Gray, young and exceptionally beautiful, sinks deep into a frivolous lifestyle of glamorous luxury and selfish abandon, seemingly unchanged by corruption and untouched by age. But behind a thick, locked door, beneath a dark, heavy curtain, Dorian’s portrait tells a different story….

#Arts #Theatre

Join a Garden Guide for a free tour on October 4, 2025 at 10 am. Explore our living museum featuring collections of plants from around the globe! You’ll hear the stories of selected plants in the Garden and their relevance to human society. All ages are welcome. Tours meet at the La Kretz Garden Pavilion at the northern end of the Garden and are given a grace period of 5 minutes.

#Social #Community

Exhibition curator Essence Harden leads a walk-through of Made in L.A. 2025. Capacity is limited. Visitors will be admitted on a first come, first served basis.

Presented by the UCLA Library and the Jacob Marschak Interdisciplinary Colloquium on Mathematics in the Behavioral Sciences Speaker: Alessandro Vespignani, director of the Network Science Institute and Sternberg Family Distinguished University Professor, Northeastern University Epidemics are prototypical complex systems, driven by invisible pathogens spreading through interconnected networks of humans, transportation infrastructures and environments. Today, the convergence of computational power, AI and data-rich modeling is transforming how we understand and respond to outbreaks. From early situational awareness to scenario exploration and real-time forecasting, we are entering an era where we can finally turn complexity into foresight — and even harness it to stay one step ahead of emerging pathogens.

#Educational #Research

Do you have a story to tell? Join us for a special panel conversation with Bruin authors and learn how they transformed their experiences into published works. From mountain trails, military service and motherhood, these alumni demonstrate that every life path holds the potential for a compelling story. This discussion will explore the journey from idea to print, the challenges and rewards of writing, and the impact of storytelling.

Hollywood Now 2025 is an opportunity to network with alumni from top film and entertainment schools including UCLA, USC, Stanford and others. Join us on Wednesday, October 8 from 7-11 p.m. at E.P. and L.P. for a night of mixing and mingling.

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Lawrence Lek is led by curator Pablo José Ramírez.

Join kabuki scholar Dr. Satoko Shimazaki for an after-hours tour of Rising Sun, Falling Rain: Japanese Woodblock Prints from the Grunwald Center for the Graphic Arts.

Join us as we cheer on the UCLA football team!

Join us as we cheer on the UCLA football team!

RSVP today and join current and former Daily Bruin staffers for the 2025 Daily Bruin Alumni Network (DBAN) Reunion! This year's reunion will feature a day full of activities, including alumni and student panels, a visit to the Daily Bruin newsroom in Kerckhoff Hall and a cocktail reception followed by dinner at the James West Alumni Center. Join us as we reconnect with old friends, reminisce about your time at the Daily Bruin and celebrate the legacy of student journalism. Don't miss out on this opportunity to forge new connections and strengthen the bonds of the DBAN community. Cost: Daytime Activities - Free Evening Cocktail Party & Dinner - $75 Questions? Please contact Robina Riccitiello at robina@rjricci.com or Connie Guglielmo at acmewriter@gmail.com.

Join us as we cheer on the UCLA football team!

Public tours are sold out, but OC Bruins has secured rare access to a private curator’s tour of World of the Terracotta Warriors with Dr. Tianlong Jiao, Chief Curator at Bowers Museum. Gain exclusive insight into groundbreaking archaeological discoveries and uncover hidden details about China’s First Emperor and his legendary army

Aris Quartett makes its Chamber Music at the Clark debut with a program featuring Shostakovich, Beethoven, and the premiere of Los Angeles-based composer Alexander Tovar's String Quartet No. 1. Tickets are limited and go on sale at 12 noon on Tuesday, September 9. Please visit the event website for full details.

#Arts #Music

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! OCTOBER: The Frozen River by Ariel Lawhon **Please email bkronbeck@socal.rr.com to be added to the waitlist for the South Bay Book Club.**

Co-presented with UCLA School of Law. University of Michigan Law School Professor Leah Litman will discuss her provocative new book Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes, which argues that the Court has abandoned legal reasoning in favor of political grievances dressed up in judicial language. With her signature blend of serious legal analysis and irreverent wit, Litman will discuss how major Supreme Court decisions are made. Litman will be in dialogue with UCLA Law Professor Rick Hasen.

Bruin Affiliates October Luncheon with UCLA Professor Dr. David Saltzberg.

On Oct. 15 from 6-8 p.m., UCLA Alumni Affairs and UCLA Government & Community Relations will honor the 2025 Bruin Excellence in Civic Engagement (BECE) cohort with a celebratory reception at James West Alumni. BECE recognizes exceptional UCLA alumni serving in civic leadership positions. These Bruins are making a difference in the civic life of our communities and developing a combination of knowledge, skills, values and motivation to make a difference.

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Utagawa Hiroshige is led by curatorial assistant Jennie Waldow.

Dutch Hall will come alive as 300 alumni across all 18 Big Ten universities, including other Bruins, gather for an unforgettable night of connection. It's a chance to forge new friendships, rekindle old ones, and celebrate not only our shared UCLA spirit, but also the broader camaraderie that unites all 18 campuses. Expect no long speeches or rigid agendas – just a fantastic venue, vibrant alumni energy, and an atmosphere truly worth remembering.

Presented by UCLA Alumni Affairs Join us for [Changemakers 2025](https://alumni.ucla.edu/changemakers-series/), a special half-day event exploring leadership rooted in compassion, accountability, and radical kinship. Hosted in partnership with [Homeboy Industries](https://homeboyindustries.org/our-story/about-homeboy/), the world’s largest gang rehabilitation and re-entry program, this immersive experience will highlight how communities can transform lives through belonging and purpose. Through a guided tour and conversations with Homeboy trainees and senior leaders — including Co-CEO Shirley Torres ’03 — attendees will gain first-hand insight into Homeboy’s holistic approach to healing and re-entry. From Tepito Coffee to award-winning arts programs, Homeboy Industries centers the whole person in its transformational work. Hear from leaders on how they build community and scale social enterprises while centering radical kinship. . Further event details, including the agenda and speakers, please check this event website as the date approaches.

UBAA welcomes alumni to a reception prior to the Black Grad Student Association's Skate Night in Ackerman Grad Ballroom. More details to come.

In-person: Q&A with Associate Professor Josslyn Luckett, NYU Cinema Studies (before "A Crushing Love"). Luckett will sign copies of "Toward a More Perfect Rebellion: Multiracial Media Activism Made in L.A." before the screening beginning at 6:30 p.m. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Agueda Martinez: Our People, Our Country U.S., 1977 This Academy Award–nominated short documentary offers a luminous portrait of 80-year-old Navajo great-grandmother Agueda Martinez, whose life is deeply rooted in the land of New Mexico. Sepia-toned family photos paired with Agueda’s confident voice-over ground the film as we witness intimate footage of her plowing fields, harvesting crops, tending livestock and weaving intricate serape blankets late into the night. Agueda's insightful reflections on herbs, spirituality and ancestry reveal generational knowledge sustained by a profound connection to place and ritual. This quietly powerful work stands as a timeless celebration of steadfast stewardship of sacred land.—Public Programmer Beandrea July DCP, color, 16 min. Director: Esperanza Vasquez. Water Ritual #1: An Urban Rite of Purification U.S., 1979 Created with performer Yolanda Vidato, this short is a pioneering work of Black feminist and experimental filmmaking. Shot in 16mm black-and-white in an area of Watts cleared for the unbuilt I-105 freeway and later abandoned, the film follows Milanda (Vidato) through symbolic, improvisational acts that layer African, Caribbean and urban Los Angeles imagery. Structured as a ritual for filmmaker Barbara McCullough’s “participant-viewers,” it honors Black and Third World women’s beauty and self-possession while also confronting how poverty and systemic neglect shape the landscape. As the film explores themes of resilience and psychic survival, it transforms a site of urban blight into consecrated ground.—Jacqueline Stewart 35mm, color, 6 min. Director: Barbara McCoullough. Restored by the UCLA Film & Television Archive. Funded with a grant from the National Film Preservation Foundation’s Avant-Garde Masters Grant Program funded by The Film Foundation. Wong Sinsaang U.S., 1971 Opening with the hiss of steam machines and the chatter of white customers in his father’s Silver Lake dry cleaning business, this short contrasts stereotype with intimacy, revealing Mr. Wong’s rich inner life. By narrating his own conflicted feelings of admiration and frustration and juxtaposing the grind of the laundromat — where Mr. Wong endures daily humiliations — with serene images of him practicing tai chi and writing poetry, Eddie Wong crafts a bittersweet document of immigrant labor and his father’s search for dignity and prosperity.—guest programmer Josslyn Luckett DCP, b&w, 12 min. Director: Eddie Wong. I Don’t Think I Said Much U.S., 1975 This tender portrait of Japanese American gardener Elmer Uchida blends documentary and fiction, opening with still photographs and disembodied voices before unfolding in slow-motion scenes of his daily work. Archival material, scripted commentary and intimate voice-over enrich the portrait, while UCLA Ethno-Communications filmmaker Jeff Furumura transforms the rhythms of gardening and Suiseki (Japanese rock appreciation) into poetic meditations on dignity and beauty. The result is a film that honors the quiet artistry and depth of a life too often overlooked.—guest programmer Josslyn Luckett DCP, b&w, color, 16 min. Director: Jeff Furumura. The Horse U.S., 1973 In this film based on writer-director Charles Burnett’s unpublished short story, a young Black boy gently comforts a horse fated to be killed on a remote California ranch. As three white men look on and hurl racial slurs at his absent father, tension builds. When the father (played by fellow UCLA Ethno-Communications alum Larry Clark) arrives, Burnett, exercising noticeable restraint, captures a fleeting moment of tenderness before shifting to the grim task at hand. Through the boy’s gaze, we feel the weight of witnessing the dehumanizing labor his father’s generation endured under white employers.—guest programmer Josslyn Luckett 35mm, color, 14 min. Director/Screenwriter: Charles Burnett. Restored by the UCLA Film & Television Archive. Funded in part with a grant from the National Film Preservation Foundation. Sleepwalker U.S., 1971 This quiet, dreamlike study of solitude and the aftermath of political struggle follows an Asian American typist through long bus rides and monotonous office work. Her exhaustion is evident in aching hands and downcast glances. When she skips work for a wandering walk, fleeting moments of play and memory emerge. Shot on 16mm in black-and-white with layered imagery and a striking soundscape, the film draws on director Laura Ho Fineman’s real-life activism

#Arts #MovieFilm

Friendly Match

Join us for a full-day celebration as we bring together alumni, students, faculty, and community members across the many generations of Asian American & Pacific Islander Studies at UCLA! Let’s reconnect, reminisce, and reaffirm our shared commitment to AA&PI Studies, stories, and solidarity at this critical moment. What to Expect: * Hear inspiring conversations from notable alumni and community leaders who have shaped Asian American & Pacific Islander Studies and beyond * Pull up a chair to our guided Talk Story sessions to swap stories and share a moment with folks across generations * Add your mark to a collaborative art mural, celebrating our shared roots and future * Take a walk down memory lane of the Asian American Studies Center’s 56-year long history, honoring teachers, friends, and unique moments of strength and solidarity. * Add your own milestone to the community timeline --- how did Asian American and Pacific Islander Studies change your life? * Bring your energy, ideas, and superpowers to support the center and department * Fuel up with a light breakfast and tasty lunch * Wrap up the day at our Happy Hour Mixer with good drinks and great company! Whether you’re here to reconnect with old friends or make new memories, this is a reunion you won’t want to miss. We can't wait to celebrate our past, present, and future together. Stay tuned for more details, and we hope to see you there!

Bruin Family Socials are events that bring UCLA to neighborhoods around the world. Providing an opportunity for attendees to engage with one another on a regional level, Bruin Family 1 Socials foster connections and relationships within the greater Bruin community. Historically, Bruin Family Socials have taken place over the course of one weekend each year. During spring 2023, these events transitioned to a year-round model that accommodates a variety of activities and locations, ultimately allowing for added flexibility and more opportunities to build community than ever before. We hope you will join us at an event near you!

Bruins, Join the Conejo Valley Bruin Alumni for our Charity Event of the Year at the Walk to End Alzheimer’s® – Conejo Valley. Saturday, October 18, 2025 | The Promenade at Westlake Walk with us, donate, or both — every step brings us closer to a future without Alzheimer’s. Register or Donate Here Go Bruins!

In-person: Associate Professor Josslyn Luckett, NYU Cinema Studies. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Four Women U.S., 1975 Four Women transforms Nina Simone’s ballad into an experimental dance film that explores identity and survival. Dancer Linda Martina Young embodies Aunt Sarah, Saffronia, Sweet Thing and Peaches, shifting costume and movement to reflect each archetype. Filmmaker Julie Dash’s editing mirrors Simone’s vocals, pausing moments of motion before dissolving into the next image. One of the first experimental films by a Black woman filmmaker, it fuses music, dance and cinema into a bold statement of Black feminist artistry.—Public Programmer Beandrea July DCP, b&w, 10 min. Director: Julie Dash. With: Linda Martina Young. Restored by Indie Collect in collaboration with the UCLA Film & Television Archive and Women Make Movies. La Raza: “Celebration” U.S., 1974 “For la raza, we live to celebrate life,” declares host Ricardo Montalbán at the start of this episode, which captures the vibrancy of Mexican American celebrations and cultural traditions. Part of the six-episode McGraw Hill public affairs series La Raza that aired in 1974, it is directed by husband-and-wife UCLA Ethno-Communications alumni Moctesuma Esparza and Esperanza Vasquez. Blending Montalbán’s classic charm with intimate footage of community gatherings and dazzling musical performances, the episode foregrounds the richness of la vida and delivers an affirming portrait of a people too often overlooked or stereotyped on screen.—Public Programmer Beandrea July DCP, color, 53 min. Directors: Moctesuma Esparza, Esperanza Vasquez. With: Ricardo Montalbán. Cruisin’ J Town U.S., 1975 Directed by Duane Kubo, who earned a UCLA bachelor’s degree in astronomy and astrophysics in 1974, this short documentary explores the roots of the popular jazz fusion band Hiroshima in Los Angeles’ pre-redevelopment Little Tokyo. The group members discuss the sociological, political and cultural pulse of the early 1970s while reflecting on influences in Asian American music.—guest programmer Josslyn Luckett DCP, color, 26 min. Director: Duane Kubo. Cycles U.S., 1989 This exuberant experimental drama follows Rasheeda Allen as she anxiously awaits her overdue period. Blending live action with animation, filmmaker Zeinabu irene Davis draws on Caribbean folklore to craft a film language rooted in African American women’s experiences. As Rasheeda cleans her home and performs purification rituals, a layered soundtrack of African and diasporic music, including artists like Miriam Makeba and Clora Bryant, deepens the film’s sensory world. Hailed as “a brilliantly innovative reflection on Black womanhood” by the Los Angeles Times, Davis’ bold imagination shines.—Public Programmer Beandrea July DCP, b&w, 17 min. Director/Screenwriter: Zeinabu irene Davis. Part of: Toward a More Perfect Rebellion: Multiracial Student Activism at UCLA

#Arts #MovieFilm

Celebrate autumn at the Garden's annual Fall Fest! Enjoy an afternoon of live music, food vendors, arts and crafts, and more on October 18 from 12-4pm. Admission is free, no RSVP required.

#Social #Community

Presented by the UCLA Film & Television Archive and made possible by the John H. Mitchell Television Programming Endowment Part of: Archive Television Treasures In-person: Introduction by former Television Archivist Dan Einstein. Q&A with dancer and actor Barrie Chase. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. On October 17, 1958, the supreme talents of Fred Astaire leapt off of small screens across the United States in living color on NBC. Executive produced by Astaire, the innovative An Evening With Fred Astaire represents a creative zenith and technical milestone as one of the earliest television specials utilizing color videotape. Serving as a showcase for the peerless dancing that made Astaire a beloved international star, the critically acclaimed TV special was honored with nine Emmy Awards across artistic and technical categories along with a Peabody Award. Notably, the program paired maestro Astaire with Barrie Chase, an extremely gifted dancer of athleticism and grace whom Astaire would later name as one of his favorite dance partners in his legendary career. In 1987, An Evening With Fred Astaire enjoyed further accolades as the UCLA Film & Television Archive presented the special to new audiences following an arduous restoration process of the original 2 in. color videotape masters. The technically challenging preservation project garnered engineers Ed Reitan and Don Kent, Television Archivist Dan Einstein and the Archive technical Emmy Awards. Virtually unseen since airing on the Disney Channel in 1987, join us for a rare screening of the television landmark An Evening With Fred Astaire and its masterful follow-up Another Evening With Fred Astaire (1959). In between episodes there will be a Q&A with dancer and actor Barrie Chase, co-star of the Fred Astaire specials, moderated by Maya Montañez Smukler, Archive Research and Study Center Officer. Introduction by former UCLA Television Archivist Dan Einstein. Program notes by Mark Quigley, John H. Mitchell Television Curator. An Evening With Fred Astaire U.S., 10/17/1958 In this first of four groundbreaking color specials starring Fred Astaire broadcast by NBC between 1958 and 1968, program executive producer and star Astaire, and his new dance partner Barrie Chase, set the small screen ablaze to unprecedented critical acclaim. Highlights include “Change Partners” with a luminous Astaire and Chase and the jazz stylings of Jonah Jones and his Quartet. DCP, color, 60 min. NBC. Production: Ava Productions, in association with the NBC Television Network. Executive Producer: Fred Astaire. Producer: Bud Yorkin. Director: Bud Yorkin. With: Fred Astaire, Barrie Chase, Jonah Jones Quartet. Preserved by the UCLA Film & Television Archive (Dan Einstein), Don Kent, Ed Reitan Jr. Another Evening With Fred Astaire U.S., 11/4/1959 Also produced and directed by the great Bud Yorkin, this electric follow-up reunited the award-winning creative team from Astaire’s acclaimed first special, including indispensable stars Barrie Chase and the Jonah Jones Quartet. Joining the living color festivities are Astaire’s favorite drummer Alvin Stoller and The Bill Thompson Singers. DCP, color, 60 min. NBC. Production: Ava Productions. Executive Producer: Fred Astaire. Producer: Bud Yorkin. Director: Bud Yorkin. With: Fred Astaire, Barrie Chase, Jonah Jones Quartet. Preserved by the UCLA Film & Television Archive (Dan Einstein), Don Kent, Ed Reitan Jr. UCLA would like to express its sincere gratitude to Mrs. Fred Astaire for the privilege of presenting these two nostalgic Fred Astaire Specials. An Evening With Fred Astaire Copyright © 1958 Mrs. Fred Astaire. Another Evening With Fred Astaire Copyright © 1959 Mrs. Fred Astaire.

#Arts #MovieFilm

Presented by the UCLA Library and the Jacob Marschak Interdisciplinary Colloquium on Mathematics in the Behavioral Sciences Speaker: Colin Allen, Distinguished Professor in the department of philosophy at the University of California, Santa Barbara Drawing on interviews and other work that is being done for a book about the history and philosophy of "mathematical psychology,” Colin Allen will characterize mathematical psychologists as a self-identified community within psychology, united by their approach to mathematical modeling, mentoring lineages and institutional structures such as a journal, and societies on three continents organizing conferences and summer schools. Mathematical psychologists have recently been vocal about the need for psychology to move in a more mathematical direction, inspired partly by the so-called “replication crisis” which many of them believe is actually a “theory crisis.” In this talk, Allen will at the arguments of three prominent mathematical psychologists and argue that while mathematical psychology does not lack small “t” theories, it has been arguably less successful in formulating big “T" Theories that have the kind of scope, generality, and predictive power that led Wigner to write of the unreasonable effectiveness of mathematics in physics. This talk is offered both in person and online. Light refreshments will be served.

#Educational #Research

In-person: Q&A with filmmaker Allison de Fren, filmmakers and programmers Evelyn Kreutzer and Kevin B. Lee, Professor Kriss Ravetto-Biagioli, vice chair of UCLA Cinema and Media Studies, and Professor Amy Villarejo, UCLA School of Theater, Film and Television. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. A selection from the Hearst Metrotone News Collections of early conceptions of automation and “robots” in the home, office and night club will play interspersed throughout the program. Latencies of the Statistical Image Catalunya, 2024 The essay explores the genealogies that link today’s computer vision and artificial intelligence imaging systems to 19th-century scientific research's use of photography. Using the work of Étienne-Jules Marey and Francis Galton as case studies, the essay encourages an analysis of the latencies or cultural mutations manifest in the operative images of both periods.—Roc Albalat DCP, color, 9 min. Director: Roc Albalat. The Twilight Zone: “From Agnes — With Love” U.S., 2/14/1964 A simple task for a computer engineer becomes an all-encompassing problem when emotions get involved in this tale of man vs. technology.—Programming Coordinator Nicole Ucedo DCP, b&w, 25 min. CBS/Cayuga. Producers: William Froug, Rod Serling. Director: Richard Donner. Writer: Bernard C. Schoenfeld. With: Wally Cox, Ralph Taeger, Sue Randall. Fembot in a Red Dress U.S., 2015 Fembot in a Red Dress analyzes the cultural trope of the “lady in red” as it evolved from the genre of film noir to science fiction and from the human to the artificial female in a variety of film and television texts. Through juxtaposed sequences of fembots, “ladies in red,” and a combination of the two, the work attempts to mine the potential of the “critical supercut” not only for laying bare gendered patterns of representation, but also for uncovering subtle variations in meaning across cinematic texts and contexts.—Allison de Fren DCP, color, 13 min. Director: Allison de Fren. Not Exactly a Still Life Switzerland, 2024 Alfred Hitchcock’s Vertigo is a film about the drive to repeat and reproduce lost things, and the failure to do so. What would it mean to repeat the images of this repetitious film with the help of AI — but as disturbing (failed) dreams rather than an exact replica? We begin to imagine a new film within the one we know. AI gives us back the history of cinema — as an uncanny double.—Johannes Binotto DCP, color, 4 min. Director: Johannes Binotto. Toute la data du monde Switzerland, 2025 An experimental short essay film that reimagines Alain Resnais’ iconic 1956 essay film Toute la mémoire du monde (1956) for the AI age. Resnais’ film, on the surface a documentary portrait of the National Library of France, has commonly been understood as a meditation on the crisis of memory, knowledge and ethics after the horrors of World War II. Toute la data du monde takes some of Resnais’ images and questions as inspiration and applies them to this new current crisis of memory, knowledge and archivization in the age of AI. Through surreal, meditative and entirely AI-generated images, it suggests what the libraries of artificial intelligence and data might look like.—Evelyn Kreutzer DCP, b&w, in French with English subtitles, 4 min. Director: Evelyn Kreutzer Afterlives (excerpt) Germany/Belgium/France, 2025 Afterlives is a desktop documentary that critically engages with the historical and digital traces of extremist propaganda, questioning how images of violence circulate, mutate and persist. This excerpt explores how online platforms, including generative AI models, facilitate the disappearance and reappearance of extremist media.—Kevin B. Lee DCP, color, 7 min. Director: Kevin B. Lee. Part of: The Future of Reality: From Locarno to L.A.

#Arts #MovieFilm

In-person: Q&A with filmmaker Adele Tulli, moderated by guest programmer Kevin B. Lee. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Real Italy, 2024 Adele Tulli’s Real is a hypnotic and rhythmic journey via close encounters with AI, the internet and avatars. The observational documentary examines how and what people are using the internet for, as well as newer technologies that are emerging daily. As more communities form online, less human to human interaction is witnessed. This haunting portrait of human engagement with technologies focuses on influencers, children and everyone in between who is learning and adapting to AI and new tech at a rapid rate, from Korea to Italy and the U.S.—Programming Coordinator Nicole Ucedo DCP, color, in Korean, English, Italian and German with English subtitles, 83 min. Director/Screenwriter: Adele Tulli. Part of: The Future of Reality: From Locarno to L.A.

#Arts #MovieFilm

The UC Chicanx Latinx Alumni Association (UC CLAA), Chicanx Latinx Alumni Association of UC Berkeley - Bay Area Chapter, Berkeley Chicanx Latinx Alumni Association (CLAA), Cal Alumni Association (CAA), and University Development and Alumni Relations invite you to the next statewide UC CLAA Summit: From Connection to Coalition: Celebrating Latino Alumni and the Communities We Build This gathering honors the legacy and future of Latino alumni at Berkeley—lifelong students whose stories illuminate the power of connection, joy, and shared purpose. Rooted in the meanings of alumni, community, and coalition, we celebrate how engagement between students, staff, faculty, and alumni becomes unity, and unity becomes movement. Together, we build not just networks, but history. Join your UC alumni community for a day filled with inspiring updates, networking, and thought-provoking discussions on how we can continue to thrive as a community. The UC CLAA is a statewide collective of Latinx alumni from all ten UC campuses whose mission is to support the overall advancement of the UC to better serve the needs of the on-campus and off-campus Chicanx Latinx community including alumni, staff, faculty, and students.

The LA Cancer Challenge is the starting line to Halloween fun and benefits the Hirshberg Foundation for Pancreatic Cancer Research and the UCLA Agi Hirshberg Center for Pancreatic Diseases. The gorgeous 5K course starts in Wilson Plaza, takes you throughout campus and ends with a treat - our LACC Finish Line Donut Wall! Enjoy the Fit Family Expo and colorful Candy Land Kids Zone, knowing your participation helps drive research towards a cure for pancreatic cancer and supports crucial patient services. Call 310-473-5121 or email info@pancreatic.org

Presented by the UCLA Film & Television Archive and the Hammer Museum All Family Flicks screenings are free admission. Seating is first come, first served. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. Willy Wonka and the Chocolate Factory U.S., 1971 A golden ticket found in a chocolate bar leads young Charlie Bucket and four other lucky children on a marvelous adventure through the wondrous world of Willy Wonka’s chocolate factory. Along with chocolate rivers, Oompa-Loompas and a chance to win a lifetime supply of chocolate comes a few life lessons along the way in this musical adaptation of Roald Dahl’s children’s classic. DCP, color, 100 min. Director: Mel Stuart. Screenwriter: Roald Dahl. With: Gene Wilder, Peter Ostrum, Jack Albertson. Recommended for ages 8+ Part of: Family Flicks

#Arts #MovieFilm

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. “Listen Asshole” performed on Russell Simmons Presents Def Poetry, Season 1, Episode 2 (excerpt) U.S., 2001 Michelle Myers and Catzie Vilayphonh — founding members of the Philadelphia-based spoken word duo Yellow Rage — made history in 2001 as the first Asian American women featured on HBO’s Russell Simmons Presents Def Poetry, more commonly known as Def Poetry Jam. Part slam poem, part manifesto, their searing group piece “Listen Asshole” was born of frustration and a desire to “shatter stereotypes of Asian American women as passive, quiet, and demure,” and earned a standing ovation for its unapologetic anger, sharp wit and fierce reclamation of voice. Hosted by rapper Mos Def, the first season of Def Poetry Jam was taped at New York City’s Supper Club. DCP, color, 5 min. Director: With: Michelle Myers, Catzie Vilayphonh. Itty Bitty Titty Committee U.S., 2007 From director Jamie Babbit (But I’m a Cheerleader), Itty Bitty Titty Committee is a sharp, funny and affirming story of Anna (Melonie Diaz), a shy young lesbian whose life transforms when she joins the radical feminist art collective C(i)A — Clits in Action — inspired by the real-life radical feminist art collective Guerrilla Girls. Shot in gritty, guerrilla style on Super 8 and Super 16, this SXSW Jury Prize winner is an edgy, rare depiction of a young woman’s political awakening. The film pulses with a punk soundtrack featuring Sleater-Kinney, Bikini Kill and Le Tigre. As critic B. Ruby Rich wrote, “This posse of revolting dykes delivers a megadose of hope.” DCP, color, 87 min. Director: Jamie Babbit. Screenwriters: Tina Mabry, Abigail Shafran. With: Melonie Diaz, Nicole Vicius, Daniel Sea. —Public Programmer Beandrea July Part of: A Place of Rage: Women and Anger on Screen

#Arts #MovieFilm

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. She’s Beautiful When She’s Angry U.S., 1969 This 1969 Newsreel company short captures a fiery feminist play performed at an abortion rally, in which a beauty contestant is “prepared” by family, school and industry for the roles demanded by a sexist society. Produced during Newsreel’s peak years (1968–1972), it exemplifies the collective’s urgent, unfiltered documentation of protest, liberation movements and grassroots organizing beyond the reach of mainstream media. DCP, b&w, 17 min. Director: Newsreel Collective/Third World Newsreel. Sudden Fear U.S., 1952 A riveting Joan Crawford anchors this masterful blend of romance, suspense and noir. As playwright-turned-heiress Myra Hudson, Crawford turns in a tour-de-force performance, transforming from smitten newlywed to cunning survivor when she discovers her husband’s (Jack Palance) murderous plot. Shot on location in San Francisco, the film builds exquisite tension through shadowy visuals, razor-sharp plotting and Crawford’s electrifying emotional range — her face a shifting canvas of shock, hurt and resolve in this rediscovered classic of Hollywood’s Golden Age. The film received Academy Award nominations for Sheila O’Brien’s costume design, Charles Lang’s cinematography and the performances of both Crawford and Palance. DCP, b&w, 110 min. Director: David Miller. Screenwriters: Lenore Coffee, Robert Smith. With: Joan Crawford, Jack Palance, Gloria Grahame. —Public Programmer Beandrea July Part of: A Place of Rage: Women and Anger on Screen

#Arts #MovieFilm

Join San Diego Bruins for a relaxed morning walk at the scenic Kumeyaay Lake Trail in Mission Trails. This easy, 1.3-mile loop features flat terrain, peaceful lake views, and a welcoming, social atmosphere perfect for all fitness levels. It’s a great opportunity to enjoy the fall weather, connect with local alumni, and explore one of San Diego’s beautiful trails. Families and friends are welcome—just bring water, sun protection, snacks, comfy walking shoes, and your Bruin spirit!

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Portal U.S., 2022 Rodney Evans’ Portal is a visual essay capturing how Evans and friend Homay King navigate lives reshaped by the COVID-19 pandemic. Favoring human connection over isolation, the short pairs quiet images of rest — lying in bed, sleeping on a couch — with scenes of outdoor movement. Poetry, prose and intimate audio recordings from Evans and King narrate the radical changes of 2020, creating a resonant time capsule. Through its meditative visuals and lyrical storytelling, Portal invites viewers to simultaneously process their own pandemic experiences, offering a contemplative space to reflect on resilience, the power of community, and the shared impact of an extraordinary year.—Public Programmer Beandrea July DCP, color, 12 min. Director: Rodney Evans. Screenwriters: Rodney Evans, Homay King. Brother to Brother U.S., 2004 Rodney Evans’ feature debut stands firmly on the shoulders of the 1990s Queer New Wave in its unflinching portrayal of Black queer characters. Winner of the 2004 Sundance Jury Prize, it helped launch Anthony Mackie’s career and featured early roles for Aunjanue Ellis-Taylor and Lance Reddick. Mackie plays Perry, an art student grappling with homophobia and fetishization whose friendship with Bruce Nugent, a Black gay Harlem Renaissance artist and poet, inspires confidence and pride. Over 20 years later, Evans’ moving tribute to intergenerational black queer artistry stands up as a classic in modern American independent cinema.—Public Programmer Beandrea July 35mm, color, 90 min. Director/Screenwriter: Rodney Evans. With: Anthony Mackie, Roger Robinson, Ray Ford, Aunjanue Ellis. Support for the screening is provided by the Robert Gore Rifkind Foundation Queer Screening Endowment and The Andrew J. Kuehn Jr. Foundation. Part of: Legacy Project Screening Series

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Join a Garden Guide for a free tour on November 1, 2025 at 10 am. Explore our living museum featuring collections of plants from around the globe! You’ll hear the stories of selected plants in the Garden and their relevance to human society. All ages are welcome. Tours meet at the La Kretz Garden Pavilion at the northern end of the Garden and are given a grace period of 5 minutes.

#Social #Community

In-person: Q&A with Elena Gorfinkel, author of “BFI Classics: Wanda,” moderated by Archive Research and Study Center Officer Maya Montañez Smukler. Book signing before the screening. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Wanda U.S., 1970 In 1970, Wanda screened at the Venice Film Festival as the sole U.S. entry winning the International Critics Prize. Barbara Loden, actor-turned-filmmaker, directed, produced and co-starred in the independent production, made for an estimated $100,000, in collaboration with Nicholas Proferes serving as cinematographer and editor. The feature was Loden’s directorial debut. Wanda follows Loden in a quiet and captivating portrayal of an apathetic young woman on a journey through a bleak and rural Pennsylvanian landscape. Speaking to the Los Angeles Times in 1971, Loden was clear about her approach to filmmaking: “I’ve got more movies in me, but they will have to be done my way. I’m not interested in entertaining people. I only want to do things that mean something to me, that I can say about a human being on film and then communicate that feeling to others.” In her new book, Elena Gorfinkel draws on archival sources, including scripts, interviews, production records, oral history and previously unseen ephemera, to trace the film’s feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.—Archive Research and Study Center Officer Maya Montañez Smukler 35mm, color, 105 min. Director/Screenwriter: Barbara Loden. With: Michael Higgins, Barbara Loden, Frank Jourdano. Restored by the UCLA Film & Television Archive in cooperation with Televentures Corp. and Parlour Pictures with funding provided by The Film Foundation and GUCCI.

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As Thanksgiving approaches, join our book club in discussing how a Michelin-starred chef and the founder of World Central Kitchen shares his hard-won wisdom, changing the world through the power of food.

In-person: film preservationist and author Ross Lipman. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Notfilm U.S., 2015 10th anniversary screening Writer-director Ross Lipman’s deep dive into the production of literary giant, Irish playwright Samuel Beckett’s only movie, Film (co-directed with Alan Schneider, 1965), was hailed as one of the 10 best films of the year when it was released and stands a decade later as a master class in historical, aesthetic and thematic exposition. Weaving together primary documents, first-person interviews, archival materials and more, Lipman explores how the influences and concerns of a cavalcade of artists, both the celebrated and the obscure (including Beckett, star Buster Keaton, cinematographer Boris Kaufman and publisher Barney Rosset) coalesced — or not — into one of the most enigmatic and evocative cinematic works of the 20th century.—Senior Public Programmer Paul Malcolm DCP, color, 130 min. Director/Screenwriter: Ross Lipman. With: Kevin Brownlow, Leonard Maltin, Judith Douw. Part of: Ross Lipman and The Archival Impermanence Project

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CRAA D1A League Match

In-person: film preservationist and author Ross Lipman, filmmaker Eleanor Antin, actor Christine Berry, violinist Alicia Svigals, pianist Donald Sosin. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Man Without a World U.S., 1991 Los Angeles restoration premiere! Through the persona of a censored, persecuted Soviet-era filmmaker, Yevgeny Antinov, writer-director Eleanor Antin constructs a captivating silent film portrait of Jewish shtetl life in 1920s Poland. Evocative of Guy Maddin, Antin remediates and repurposes period melodrama suffusing Jewish communal life before the Holocaust with mysticism, politics and homespun wisdom swirling in a pot of love, jealousy and murder. Presented with live original music composed and performed by world-renowned klezmer violinist Alicia Svigals and celebrated silent film pianist Donald Sosin, The Man Without a World was largely overlooked on its initial release but, restored in 2020, it is, as Ross Lipman writes, “ripe to at last be truly discovered.”—Senior Public Programmer Paul Malcolm DCP, b&w, silent with live musical accompaniment, 98 min. Director/Screenwriter: Eleanor Antin. With: Pier Marton, Christine Berry, Anna Henriques. Restored by Milestone Films with funding from the Sunrise Foundation for Education and the Arts. This screening was made possible with the essential support of the Sunrise Foundation for Education and the Arts. Part of: Ross Lipman and The Archival Impermanence Project

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In-person: film preservationist and author Ross Lipman, Archive Head of Preservation Jillian Borders. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Four Women U.S., 1975 Set to Nina Simone’s stirring ballad of the same name, Julie Dash’s dance film features Linda Martina Young as strong “Aunt Sarah,” tragic mulatto “Saffronia,” sensuous “Sweet Thing” and militant “Peaches.” Kinetic camerawork and editing, richly colored lighting, and meticulous costume, makeup and hair design work together with Young’s sensitive performance to turn longstanding Black female stereotypes to oblique, critical angles.—Jacqueline Stewart 16mm, color, 7 min. Director: Julie Dash. With: Linda Martina Young. The Juniper Tree Iceland, 1990 While still a graduate film student at UCLA, writer-director Nietzchka Keene used a Fulbright Fellowship to shoot this stunning folk horror story adapted from a Grimm fairytale on location in Iceland. Premiering at the Sundance Film Festival, The Juniper Tree features a pre-Sugarcubes Björk in her film debut as one of a pair of sisters (the other played by Bryndis Petra Bragadóttir) who are cast to the rocky wilds after their mother is accused of witchcraft and burned alive. The harsh but beautiful Icelandic landscape captured in dazzling black and white by cinematographer Randolph Sellars feels, as Ross Lipman writes, “so palpable it almost functions as a character.”—Senior Public Programmer Paul Malcolm 35mm, b&w, 79 min. Director/Screenwriter: Nietzchka Keene. With: Björk, Bryndis Petra Bragadóttir, Valdimar Örn Flygenring. Restored by the Wisconsin Center for Film and Theater Research and The Film Foundation, with funding provided by the George Lucas Family Foundation. Part of: Ross Lipman and The Archival Impermanence Project

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Event to honor the donors that provide Alumni Scholarships and introduce them to the students they will be supporting.

Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn't on our own. We would love to have you join us. All are welcome! NOVEMBER: Poetry Night - bring your own poem or song lyric to share **Please email bkronbeck@socal.rr.com to be added to the waitlist for the South Bay Book Club.**

Presented by the UCLA Library and the Jacob Marschak Interdisciplinary Colloquium on Mathematics in the Behavioral Sciences Speaker: Robin Choudhury, professor of cardiovascular medicine, University of Oxford When Aristotle searched for the first signs of life, he lifted a flap in the shell of a fertilized chick egg and there he saw a beating heart – the self-evident originator of life. The beating heart has fascinated thinkers from Aristotle to Aquinas, Dante, Leonardo da Vinci, Descartes and Pascal. Across time and place, the story of our understanding of the heart has been richly decorated with images that illuminate the dance between art, religion, philosophy and ‘scientific’ thinking. It is a truly interdisciplinary organ. The secret of our fascination lies in its apparent sentience and automatic and responsive beat. The mystery of the self-beating heart was solved by Professor Denis Noble (as a graduate student in London in 1960). A demonstration of early biological computation, he solved the puzzle that had hung over the ages. And yet, even as the heart function is understood, it retains all its fascination as a cultural icon. This is the story of The Beating Heart. This talk is offered both in person and online. Light refreshments will be served.

#Educational #Research

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. A Place of Rage U.S., 1991 This insightful documentary, one of Pratibha Parmar’s early features, delivers candid interviews with activists Angela Davis, June Jordan and Alice Walker where they talk through their experiences with the Civil Rights, Black Power, Feminist and LGBTQ+ movements. As they reassess key figures like Rosa Parks and Fannie Lou Hamer, the film offers essential perspectives from the 1990s culture wars that provide vital historical context for ongoing struggles for justice and equality. DCP, color, 52 min. Director: Pratibha Parmar. With: Angela Davis, June Jordan, Alice Walker. My Name Is Andrea U.S., 2022 Pratibha Parmar’s My Name Is Andrea is a bold hybrid documentary reexamining the life and legacy of radical feminist Andrea Dworkin. Decades before #MeToo, Dworkin challenged sexism and rape culture with fearless urgency, shaped by values learned in the Civil Rights Movement. Blending rare archival footage with performances of Dworkin’s salient writing by Ashley Judd, Soko, Amandla Stenberg, Andrea Riseborough and Christine Lahti, Parmar crafts a rousing portrait of a brilliant yet misunderstood public intellectual whose searing call for justice still resonates powerfully today. DCP, color, 91 min. Director/Screenwriter: Pratibha Parmar. With: Ashley Judd, Soko, Amandla Stenberg. —Public Programmer Beandrea July Part of: A Place of Rage: Women and Anger on Screen

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Grupo Folklórico de UCLA Alumni Association will have a benefit to support the current Grupo Folklórico de UCLA student group. We will be raising funds to provide for the construction of a portable wooden stage to be used for practices and performances. We will have dance performances by Danza Azteca de West LA and alumni members. We will also dance to the stylings of the 605 All-Stars band. There will be a wide variety of Mexican food and aguas frescas. Our event theme is, “Día de los Muertos” and we hope to see you there as we honor our founding professor Emilio Pulido and alumni who are no longer with us.

Join UCLA's Pilipino Alumni Association for our annual Parol Workshop and Holiday Party! Guests will enjoy a cultural presentation on the Parol, a colorful star-shaped lantern traditionally hung in homes and streets throughout the Philippines during the holidays. All are welcome to make their very own parols to take home and spread the holiday cheer. Stay for our holiday party, which includes traditional Pilipino lunch and a performance from UCLA's Tinig Choral. Tinig, which means “voice” in Tagalog, is a student-initiated, student-run, a capella choir.

Presented by the UCLA Film & Television Archive and the Hammer Museum n-person: chef and restaurateur Alice Waters. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Scent of Green Papaya France, 1993 Writer-director Tr?n Anh Hùng won the Caméra d’Or at Cannes for his debut feature, The Scent of Green Papaya, a luminous portrait of the sensuous world as experienced by Mùi, a young servant girl to a troubled, middle-class family, in 1950s Saigon. Taking up her duties as a child, Mùi marvels at the small wonders that suffuse the open-air home — raindrops glistening on leaves, the hum of insects, the scent of papaya in the courtyard. Preparing and sharing meals becomes central to her attunement with the rhythms of nature and family life, as well as Hùng’s larger meditation on memory, desire and the grace of the everyday.—Senior Public Programmer Paul Malcolm 35mm, color, in Vietnamese with English subtitles, 104 min. Director/Screenwriter: Tr?n Anh Hùng. With: Tran Nu Yen Khe, Man San Lu, Thi Loc Truong. Print courtesy of the Yale Film Archive. Part of: Food and Film

#Arts #MovieFilm

CRAA D1A League Match

Presented by the UCLA Film & Television Archive and the Hammer Museum All Family Flicks screenings are free admission. Seating is first come, first served. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. The Phantom Tollbooth U.S., 1970 A mysterious tollbooth and a toy car transport young Milo to a magical, topsy-turvy world where letters are at war with numbers. Accompanied by the “watchdog” Tock, Milo embarks on a fantastical adventure to reunite the Kingdom of Wisdom in this live action/animated film based on the children’s book by Norton Juster. 35mm, color, 90 min. Directors: Chuck Jones, Abe Levitow. Screenwriters: Chuck Jones, Sam Rosen. With: Butch Patrick. Recommended for ages 8+ Part of: Family Flicks

#Arts #MovieFilm

In-person: Professor Kathleen McHugh, UCLA School of Theater, Film and Television, will give a brief talk before the screening. Q&A to follow screening. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. I May Destroy You U.K., 2020 Michaela Coel’s I May Destroy You is a radical, genre-defying exploration of trauma, consent and creative survival in the post-#MeToo era. Professor Kathleen McHugh’s latest research on women and anger explores the topic through the series, which, McHugh argues, channels Coel’s anger as both trauma response and creative force. The result: a bold, complex portrait of survival, consent and artistic self-possession. Inspired by Coel’s own experience of assault, the series follows Arabella, a rising writer whose rape during a night out shatters her sense of reality. In Episode 1, Arabella vanishes into the night, only to wake with no memory and a wound on her forehead. Episode 9 explores how her growing online presence alienates those closest to her. The finale imagines alternate confrontations with her rapist before Arabella ultimately reclaims her narrative. Formally daring and emotionally fearless, Coel’s series resists tidy resolutions, instead offering a bold meditation on self-preservation and the messy, nonlinear work of healing. Professor McHugh will give a brief talk, followed by a screening and on-stage conversation. Episode 1: “Eyes Eyes Eyes Eyes” Digital video, color, 30 min. Max. Director: Sam Miller. Screenwriters: Michaela Coel, Sherie Myers, Stephanie Yamson. With: Michaela Coel, Weruche Opia, Paapa Essiedu, Marouane Zotti, Stephen Wight. Episode 9: “Social Media Is a Great Way to Connect” Digital video, color, 32 min. Max. Director: Sam Miller. Screenwriters: Michaela Coel, Sherie Myers, Stephanie Yamson. With: Michaela Coel, Weruche Opia, Paapa Essiedu, Stephen Wight. Episode 12: “Ego Death” Digital video, color, 34 min. Max. Directors: Michaela Coel, Sam Miller. Screenwriters: Michaela Coel, Sherie Myers, Stephanie Yamson. With: Michaela Coel, Weruche Opia, Paapa Essiedu, Lewis Reeves. —guest programmer Kathleen McHugh and Public Programmer Beandrea July Part of: A Place of Rage: Women and Anger on Screen

#Arts #MovieFilm

In-person: cartoonist and illustrator Nathan Gelgud. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. La Chinoise France, 1967 A major influence on Nathan Gelgud’s book Reel Politik, Jean-Luc Godard’s La Chinoise follows a group of students who form a Maoist revolutionary group over their summer vacation. No lazy bunch, they start each day with calisthenics and slogans before a crowded schedule of Maoist lectures and discussions they lead themselves. Like the theater workers in Reel Politik, they learn revolution as they go. Boldly designed and obliquely stated, the film itself doubles as a catalog of its own political and aesthetic influences, with a regular stream of propaganda posters, comic books, news photos, book covers and slogans filling the frame like a cinematic syllabus for radical home schooling.—Senior Public Programmer Paul Malcolm DCP, color, in French with English subtitles, 96 min. Director/Screenwriter: Jean-Luc Godard. With: Anne Wiazemsky, Jean-Pierre Léaud, Juliet Berto. Part of: Reel Politik: Seizing the Means of Projection With Nathan Gelgud

#Arts #MovieFilm

Made possible by the John H. Mitchell Television Programming Endowment In-person: Joe Saltzman, Alison Martino. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Premiering in 1964 on CBS affiliate KNXT (now KCBS), Ralph Story’s Los Angeles (1965–69) remains one of the most fondly remembered series in L.A. television history (and one of the most requested items in the UCLA Film & Television Archive’s collections). Created by Dan Gingold (of KNXT's historic The Big News broadcast), the locally produced Ralph Story’s Los Angeles explored the history, personalities and landmarks of L.A. in one of the first newsmagazine-styled programs on television. Foregrounding the warm, wry personality of newsman and commentator Ralph Story, the local Emmy-winning series earned high television ratings, often outperforming network programs in prime time. In later years, the innovative series inspired an entire genre of popular local TV programs covering the unique landscape of Los Angeles, including Visiting With Huell Howser. Today, the surviving episodes of Ralph Story's Los Angeles represent an invaluable moving image archival record of an evolving L.A. as it stood at mid-century. Join us for a reprise of a specially curated best of Ralph Story’s Los Angeles omnibus, last presented a decade ago to a sold-out crowd at the Archive’s This Is the City symposium. Featuring excerpts and complete episodes documenting such iconic locales as Angels Flight, Clifton’s Cafeteria, Disneyland at night, Sunset Boulevard, the long lost landmarks Hollywood Ranch Market and Beverly Park, and more! With in-person guests Joe Saltzman, producer of Ralph Story’s Los Angeles, and historian Alison Martino of Vintage Los Angeles. Programmed and notes written by John H. Mitchell Television Curator Mark Quigley. Ralph Story’s Los Angeles U.S, 1965–69 DCP, b&w and color, approx. 110 min. KNXT. Executive producer: Dan Gingold. Producer: Joe Saltzman. Director: Jim Johnson. Writer: Jere Witter, Nate Kaplan. Angels Flight segment: Executive producer: Joe Sands. Producer: Dan Gingold. Director: Dan Gingold. Writers: Jere Witter, Nate Kaplan. Preserved by the UCLA Film & Television Archive. Video transfers at DC Video; engineering services by David Crosthwait. Additional transfers at CBS Media Exchange. Special thanks to Paul Button, KCBS. Part of: Archive Television Treasures

#Arts #MovieFilm

CRAA D1A League Match

Friendly Match

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Born in Flames U.S., 1983 This radical, post-punk vision of feminist revolt is set in a dystopian New York a decade after a failed social-democratic revolution. When Adelaide Norris, founder of the Women’s Army, is mysteriously killed, women across race, class and sexual orientation unite to challenge a government bent on repression. Shot guerrilla-style on the streets of 1980s pre-gentrified New York, on a $40,000 budget, over five years, the film is a fierce DIY manifesto and unforgettable entry in the canon of science fiction genre films. It remains a landmark of feminist cinema — visionary and startlingly urgent. DCP, color, 80 min. Director/Screenwriter: Lizzie Borden. With: Jean Satterfield. Preserved by Anthology Film Archives, with restoration funding from the Golden Globe Foundation and The Film Foundation, and supervised and approved by director Lizzie Borden. Stranger Inside U.S., 2001 Cheryl Dunye’s Stranger Inside is a raw, gripping women’s prison drama starring Yolonda Ross as Treasure, a young butch who commits a crime to reunite with her lifer mother, Brownie (Davenia McFadden). By engaging and reshaping women-in-prison film conventions, Dunye centers incarcerated Black lesbians and their family ties rather than crime or punishment. This constitutes “a radical act — to center Black queer women behind bars, on their own terms,” says Dunye. Through its intimate focus and Dunye’s auteurist vision, the film reframes a marginalized community, blending maternal melodrama and genre subversion into a landmark of American independent cinema. DCP, color, 97 min. Director/Screenwriter: Cheryl Dunye. With: Yolonda Ross, Davenia McFadden. —guest programmer Kathleen McHugh Part of: A Place of Rage: Women and Anger on Screen

#Arts #MovieFilm

We will be hiking Sullivan Canyon. It's in and out so those who want a shorter hike can turn around early and the rest of us will continue on for a longer hike for a total of up to 8.5 miles round trip. Please also bring water, snacks, and sun protection as you will need.

Friendly Match

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Eyes on Ukraine U.S./Ukraine, 2025 In commemoration of AIDS Awareness Month (and World AIDS Day, December 1), the UCLA Film & Television Archive presents the official world premiere of Eyes on Ukraine, a powerful documentary that explores the intersection of two crises — war and the HIV epidemic. Directed by Mo Stoebe and executive produced by Richard Gere, the film follows HIV-positive Ukrainian activist Yana Panfilova as she joins “Through Positive Eyes,” a global photo-storytelling project co-directed by award-winning South African photographer Gideon Mendel and the UCLA Art & Global Health Center. Part of an engrossing visual anthology that connects the power of community, art and activism in the face of a global pandemic, Eyes on Ukraine depicts the harrowing and inspiring daily struggle of young people living with HIV. Arriving at a time when the global health community is confronting historic cuts to research and support, Eyes on Ukraine looks to the resilience of a new generation, navigating survival and community through art and activism. Preceding the film will be a short presentation looking back at the history of “Through Positive Eyes,” an initiative of MAKE ART/STOP AIDS. A post-screening panel will focus on the quickly changing landscape of HIV/AIDS funding, featuring UCLA faculty and a representative group of international “Through Positive Eyes” “artivists.” DCP, color, 37 min. Director: Mo Stoebe. Executive Producer: Richard Gere. Producers: David Gere, Katja Kulenkampff. With: Yana Panfilova, Liza Shevchuck, Yehor Pasko.

#Arts #MovieFilm

In-person: Associate Professor Kathleen McHugh, UCLA School of Theater, Film and Television. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Chasing the Moon U.S., 1991 Chasing the Moon, directed by Dawn Suggs, is a lyrical, introspective work following a Black lesbian as she navigates the lingering impact of an attack that leaves her uneasy in public spaces. Created in the 1990s when Suggs was part of the directing program at the UCLA School of Theater, Film and Television and Third World Newsreel’s production program, the film weaves together a rare and resonant portrait of the personal and political.—Public Programmer Beandrea July DCP, b&w, 4 min. Director/Screenwriter: Dawn Suggs. Our Father, the Devil U.S., 2021 Babetida Sadjo gives a riveting performance as Marie, a Guinean refugee and head chef at a French retirement home whose life is upended by the arrival of Father Patrick, a priest tied to a harrowing past. This taut, elegant revenge thriller stands up as one of the most engrossing depictions of the aftermath of trauma, even as it surrenders to the allure of supposed payback. Writer-director Ellie Foumbi’s assured direction builds sophisticated tension, crafting a gripping psychological drama and a profound meditation on true healing.—guest programmer Kathleen McHugh DCP, color, 108 min. Director/Screenwriter: Ellie Foumbi. With: Babetida Sadjo, Souleymane Sy Savané, Jennifer Tchiakpe. Part of: A Place of Rage: Women and Anger on Screen

#Arts #MovieFilm

Join a Garden Guide for a free tour on December 6, 2025 at 10 am. Explore our living museum featuring collections of plants from around the globe! You’ll hear the stories of selected plants in the Garden and their relevance to human society. All ages are welcome. Tours meet at the La Kretz Garden Pavilion at the northern end of the Garden and are given a grace period of 5 minutes.

#Undergraduate #FacultyStaff #Alumni #Social #Community