Session C - 3 weeks

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

Young People in Recovery (YPR) has invited UCLA’s CRP to attend their annual Youth Recovery Expo on August 5-6th at UCLA Carnesale Commons. This event is free of charge for all UCLA CRP students and campus partners! If you’re in Los Angeles this summer and would like to attend, please email recovery@saonet.ucla.edu to receive the free sign up code! We’re proud to announce that three of our very own UCLA CRP students will be featured as panelists on Tuesday morning—come show your support!

#Undergraduate #GraduateProfessional #FacultyStaff

The Henry J. Bruman Summer Chamber Music Festival was founded in 1988 to introduce new audiences to chamber music at informal concerts on the UCLA campus. All concerts are free of charge, and no reservations are required. The penultimate in this year's festival features Southern Notes: From Provence to Florence, comprised of Martin Chalifour (violin), Ambroise Aubrun (violin), Paul Coletti (viola), Kate Hamilton (viola), Charlie Tyler (cello) and Gregory Hamilton (cello). The concert will be held in person in Lani Hall inside the Schoenberg Music Building on the UCLA campus, and also livestreamed on the Center’s YouTube channel. Full details, including program and ensemble biographies, are available on our website. The festival is made possible by the Henry J. Bruman Trust, Professors Wendell E. Jeffrey and Bernice M. Wenzel, by a gift in memory of Raymond E. Johnson, and with the support of the UCLA Center for 17th-& 18th-Century Studies.

#Arts #Music

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

The Counseling and Psychological Services (CAPS) provides convenient online drop-in hours exclusively tailored to meet the needs of UndocuBruins during the Summer quarter! No appointment needed. https://counseling.ucla.edu/services/drop-in

#Undergraduate #GraduateProfessional #Health #MentalHealth

These meetups are for people who make websites. Join us every other week, on Wednesday at 11am, to ask any questions you may have about making websites at UCLA.

#FacultyStaff #Educational #Media

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

The Counseling and Psychological Services (CAPS) provides convenient online drop-in hours exclusively tailored to meet the needs of UndocuBruins during the Summer quarter! No appointment needed. https://counseling.ucla.edu/services/drop-in

#Undergraduate #GraduateProfessional #Health #MentalHealth

This workshop will discuss strategies for applying for the National Science Foundation Graduate Research Fellowship. This highly competitive fellowship provides three years of fellowship funding to successful applicants. The workshop will focus on the intellectual merit and broader impacts criteria for NSF grants, the structure of the research proposal and personal statement, suggestions for writing style, and tips for Fastlane submission.

#GraduateProfessional #Educational #Academic

The Henry J. Bruman Summer Chamber Music Festival was founded in 1988 to introduce new audiences to chamber music at informal concerts on the UCLA campus. All concerts are free of charge, and no reservations are required. The final concert in this year's festival features Mozart and Fauré Piano Quartets, comprised of Zachary Deak (piano), Ambroise Aubrun (violin), Virginie D’Avezac (viola), and Sophie Chauvenet (cello). The concert will be held in person in Lani Hall inside the Schoenberg Music Building on the UCLA campus, and also livestreamed on the Center’s YouTube channel. Full details, including program and ensemble biographies, are available on our website. The festival is made possible by the Henry J. Bruman Trust, Professors Wendell E. Jeffrey and Bernice M. Wenzel, by a gift in memory of Raymond E. Johnson, and with the support of the UCLA Center for 17th-& 18th-Century Studies.

#Arts #Music

The Counseling and Psychological Services (CAPS) provides convenient online drop-in hours exclusively tailored to meet the needs of UndocuBruins during the Summer quarter! No appointment needed. https://counseling.ucla.edu/services/drop-in

#Undergraduate #GraduateProfessional #Health #MentalHealth

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

Nicole McCabe, alto saxophone Karl McComas-Reichl, bass Joshua White, piano Mark Ferber, drums In her growing body of work, rising star Los Angeles alto saxophonist Nicole McCabe infuses her hard-bop roots with influences ranging from electronic music to exploratory improvisation. McCabe’s compositions balance hard-edged grooves with lush harmonies and an expansive melodic sensibility, as she leads her razor-sharp ensemble through thrilling twists and turns.

#Arts #Music

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

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The mindful writing retreat will integrate simple techniques from mindfulness to support the writing process and cultivate an approach to writing that fosters balance, self-care, and well-being. Please bring a current writing project because much of the retreat time will be allocated for writing. All sessions will be conducted remotely via Zoom.

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Part of: The Devil Finds Work: James Baldwin’s Cinema of the Mind Presented by the UCLA Film & Television Archive In-person: Live dramatic reading of an excerpt of "The Devil Finds Work." Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Tales of Manhattan U.S., 1942 A rare Hollywood experiment, this episodic film follows a gentleman’s tailcoat as it passes between owners — a stage actor, a jilted lover, a pianist and a Southern Black community — becoming a vessel for varied chamber pieces. Director Julien Duvivier lends cohesion and grace to the star-studded anthology. James Baldwin praised Ginger Rogers’ performance, describing her face as “something to be placed in a dish and eaten with a spoon, possibly a long one.”—Public Programmer Beandrea July DCP, b&w, 118 min. Director: Julien Duvivier. Screenwriters: Lamar Trotti, Ben Hecht, Nunnally Johnson. With: Charles Boyer, Rita Hayworth, Edward G. Robinson, Paul Robeson, Ethel Waters.

#Arts #MovieFilm

Part of: Archive Television Treasures Presented by the UCLA Film & Television Archive and made possible by the John H. Mitchell Television Programming Endowment Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. In the latter half of the 1960s, actor, producer and director Jack Webb reanimated his retired alter-ego Sergeant Joe Friday to safeguard a City of Los Angeles facing previously unknown dangers wrought by the rapid social change of the flower child era. Premiering on NBC on January 12, 1967, Webb’s Technicolor revival of Dragnet engaged complex issues far removed from the stock burglaries and fedora-wearing felons of the previous incarnations of his popular radio and black-and-white TV series. The build-up to the Summer of Love found Webb repositioning Sgt. Friday as both a law enforcement officer and amateur sociologist — charged with defending the establishment and decoding the youth movement for culture-shocked squares caught in an ever-expanding generation gap. Viewed today, these simultaneously propagandistic and earnest dramas made by future Television Academy Hall of Fame inductee Jack Webb play as highly entertaining, funhouse-mirror time capsules of Los Angeles in the 1960s. Inspired by actual police files, the fact-laced tales also employ a strong dose of grit in the hardboiled traditions of noir. Join us for a trio of psychedelic freak-out Technicolor Dragnet cases — with surprise, mood-setting, time-and-space-bending musical interludes screened between episodes. —John H. Mitchell Television Curator Mark Quigley Dragnet 1967: “The Big LSD” U.S., 1/12/1967 Sgt. Joe Friday and Officer Bill Gannon (Harry Morgan) are horrified to encounter a psychotic youth (Michael Burns) with a bizarrely painted face. Upon investigation, his alarming behavior is revealed to be caused by LSD, a potent new hallucinogenic drug increasingly popular among the teens that gather on the Sunset Strip. As counterculture youths extol the enlightening benefits of LSD, Friday’s gut-wrenching fears about the drug are illuminated in true noir fashion. DCP, b&w, 25 min. NBC. Mark VII Productions in association with Universal Television. Producer: Jack Webb. Director: Jack Webb. Writer: John Randolph. With: Jack Webb, Harry Morgan, Michael Burns. Use of Dragnet 1967 courtesy of NBCUniversal; special thanks to Mark Halperin. Dragnet 1968: “The Big Prophet” U.S., 1/11/1968 Officers Friday (Jack Webb) and Gannon (Harry Morgan) confront Brother William (Liam Sullivan), a self-described guru (seemingly modeled on Timothy Leary) suspected of selling LSD to minors. In a claustrophobic, psychedelic shrine of bead curtains, multi-colored lights and far-out posters, the officers engage the cultish leader in a bitter debate over the virtues and existential perils of mind-altering substances. DCP, b&w, 25 min. NBC. Mark VII Productions in association with Universal Television. Producer: Jack Webb. Director: Jack Webb. Writer: David H. Vowell. With: Jack Webb, Harry Morgan, Liam Sullivan. Use of Dragnet 1968 courtesy of NBCUniversal; special thanks to Mark Halperin. Dragnet 1968: “The Big High” U.S., 11/2/1967 In the most darkly memorable episode of the entire long-running Dragnet franchise, Officers Friday (Jack Webb) and Gannon (Harry Morgan) investigate a young couple (Brenda Scott, Tim Donnelly) suspected of experimenting with marijuana. Dismissing the officers’ concerns as out of touch, a fateful pot party shatters the couple’s world, shaking seasoned cops Gannon and Friday to their hardened cores. DCP, b&w, 25 min. NBC. Mark VII Productions in association with Universal Television. Producer: Jack Webb. Director: Jack Webb. Writer: David H. Vowell. With: Jack Webb, Brenda Scott, Tim Donnelly. Use of Dragnet 1968 courtesy of NBCUniversal; special thanks to Mark Halperin.

#Arts #MovieFilm

Part of: Family Flicks Presented by the UCLA Film & Television Archive and the Hammer Museum In-person: Live reading of an excerpt from “The Devil Finds Work” by actors Justice Smith and Nic Ashe following the screening. All Family Flicks screenings are free admission. Seating is first come, first served. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. The Wild Robot U.S., 2024 Waking up marooned on an island far from any human beings, Roz, an intelligent robot, must learn to survive. While searching for her purpose, Roz befriends the island's animal inhabitants and learns the value of kindness, community and perseverance in facing adversity. Based on the beloved books by Peter Brown. DCP, color, 102 min. Director: Chris Sanders. Screenwriter: Chris Sanders. With: Lupita Nyong'o, Pedro Pascal, Kit Connor. Recommended for ages 8+

#Arts #MovieFilm

Part of: The Devil Finds Work: James Baldwin’s Cinema of the Mind Presented by the UCLA Film & Television Archive In-person: Live dramatic reading of an excerpt of "The Devil Finds Work." Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Exorcist U.S., 1973 “For I have seen the devil by day and by night, and have seen him in you and in me.” —James Baldwin Baldwin’s critique of The Exorcist provides the inspiration for titling The Devil Finds Work; he argued the film disguises human violence as supernatural evil. A cultural touchstone that broke box office records and sparked controversy, The Exorcist endures not for its demons, but for its visceral performances and psychological intensity, which helped paved the way for considering horror genre filmmaking to be serious art.—Public Programmer Beandrea July DCP, color, 122 min. Director: William Friedkin. Screenwriter: William Peter Blatty. With: Ellen Burstyn, Linda Blair, Max von Sydow, Jason Miller.

#Arts #MovieFilm

Join us at the RISE Center for a cozy midday reset filled with art, crafts, journaling, clay, and calm. All materials provided - just bring yourself!

#Undergraduate #Health #MyWellBeing

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Christian Marclay is led by Curatorial Assistant Nyah Ginwright.

#Arts #Art

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

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This workshop will cover strategies for writing personal statements for fellowship applications, residencies, and PhD programs. Among other topics, we will discuss organization, introductions and conclusions, and use of examples. Students from all schools and departments are welcome to attend. The workshop will be offered twice.

#GraduateProfessional #Educational #Academic

Join us for an empowering workshop designed to support formerly incarcerated and system-impacted students navigating the transfer process. Hosted by UCLA Underground Scholars, this session will cover transfer planning, personal insight questions (PIQs), and building a strong support network. Whether you're just starting or finalizing your application, this space is for you.

#Educational #Academic

This workshop will cover strategies for writing personal statements for fellowship applications, residencies, and PhD programs. Among other topics, we will discuss organization, introductions and conclusions, and use of examples. Students from all schools and departments are welcome to attend. The workshop will be offered twice.

#GraduateProfessional #Educational #Academic

Bobby Bradford, cornet, lyrics Vinny Golia, alto and baritone saxophones, bass clarinet Chuck Manning, tenor saxophone William Roper, tuba, euphonium, spoken word, vocals Don Preston, piano, gong Henry Franklin, bass Tina Raymond, drums West Coast jazz legend and treasured elder statesman of the Los Angeles music community, cornetist Bobby Bradford leads a special project paying tribute to baseball hero Jackie Robinson, credited with breaking the sport’s “color line” when he joined the Brooklyn Dodgers in 1947. Bradford’s septet features a who’s who of SoCal musical luminaries in a suite of music that swings and swirls, evoking both the power and poignancy of Robinson’s revolutionary career.

#Arts #Music

Join us at the RISE Center for a cozy midday reset filled with art, crafts, journaling, clay, and calm. All materials provided - just bring yourself!

#Undergraduate #Health #MyWellBeing

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

Part of: The Devil Finds Work: James Baldwin’s Cinema of the Mind Presented by the UCLA Film & Television Archive In-person: Live dramatic reading of an excerpt of "The Devil Finds Work." Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. In the Heat of the Night U.S., 1967 Winner of five Academy Awards including Best Picture, this racially charged noir stars Sidney Poitier as Virgil Tibbs, a Black detective drawn into a murder investigation in a racially hostile Mississippi town. The film made history with “the slap” — a moment of defiance when Tibbs strikes back at a white plantation owner murder suspect. James Baldwin praised Poitier’s dignity, while critiquing the film’s liberal fantasy of white awakening and redemption.—Public Programmer Beandrea July DCP, color, 110 min. Director: Norman Jewison. Screenwriter: Stirling Silliphant. With: Sidney Poitier, Rod Steiger, Warren Oates.

#Arts #MovieFilm

Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. 3 Women U.S., 1977 Robert Altman has said that the idea for 3 Women came to him in a dream with the heavy influence of Ingmar Bergman’s Persona also contributing to what is one of Altman’s most enigmatic works. Water, reflections, split frames and other devices add an atmosphere of European-style ambiguity to an exploration of female identity and solidarity while the film’s distinctly American setting keeps everything solidly grounded. Shelley Duvall, Sissy Spacek and Janice Rule each deliver astonishing performances as women in a California desert town whose lives intersect and lose their fixity under the pressure of patriarchy and consumerism. DCP, color, 124 min. Director: Robert Altman. Screenwriter: Robert Altman. With: Shelley Duvall, Sissy Spacek, Janice Rule. Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean U.S., 1982 Robert Altman directed Ed Graczyk’s play on Broadway (with Cher making her theatrical stage debut) before he and Graczyk adapted it for the big screen. Ingenious art design transforms a Woolworth’s in a small Texas town near the site where Giant was shot into a vortex of memories and revelations when the members of a James Dean fan club gather there for a 20th anniversary reunion. Altman’s fluid choreography between past and present underscore the powerful draw of nostalgia for some and the liberation of escape for others. Among the stellar ensemble cast, Karen Black delivers a particularly complex turn as a trans woman returned to confront the trauma that drove her away. 35mm color, 109 min. Director: Robert Altman. Screenwriter: Ed Graczyk. With: Sandy Dennis, Cher, Karen Black. —Senior Public Programmer Paul Malcolm

#Arts #MovieFilm

Part of: (Dis)placement: Fluctuations of Home Presented by the UCLA Film & Television Archive In-person: Video Q&A with director Ephraim Asili. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Kindah Jamaica/U.S, 2016 Shot in Hudson, New York, and Accompong, Jamaica, Kindah traces ancestral threads across the African diaspora, weaving a meditation on kinship, autonomy and return. Centered on the Kindah Tree — a living symbol of community among Jamaica’s Maroons — Ephraim Asili explores how land, memory and resistance shape evolving definitions of home. Blurring borders between past and present, North and South, Kindah offers a lyrical reflection on displacement, rootedness and the spiritual geography of diasporic belonging. DCP, b&w and color, 12 min. Director: Ephraim Asili. The Inheritance U.S., 2020 After nearly a decade exploring the African diaspora, Ephraim Asili makes his feature debut with this vibrant ensemble film, set almost entirely in a West Philadelphia rowhome where young Black artists and activists form a collective. “‘The Inheritance’ feels like poetry visualized,” writes Lovia Gyarkye in The New York Times. Blending scripted drama with documentary reflection on the 1985 MOVE bombing, the film reimagines home as a political and spiritual inheritance. DCP, color, 100 min. Director/Screenwriter: Ephraim Asili. With: Nozipho McClean, Eric Lockley, Chris Jarell, Julian Rozzell Jr., Debbie Africa. —Public Programmer Beandrea July

#Arts #MovieFilm

Join us at the RISE Center for a cozy midday reset filled with art, crafts, journaling, clay, and calm. All materials provided - just bring yourself!

#Undergraduate #Health #MyWellBeing

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

This training session will demonstrate how to finalize your Bruin Learn gradebook and transfer Bruin Learn grades to MyUCLA. Audience: Faculty, TAs, Staff

#FacultyStaff

See live concerts in the Hammer’s courtyard for free! Enjoy happy hour, late gallery hours, art-making, and more. Doors open at 6:30 p.m. and performances start at 7:30 p.m. Cocktails and food available for purchase all night. This event is free and open to the public. Become a member today for priority entry and a free first drink. Your RSVP helps us to gauge attendance to this event. RSVP does not guarantee entry if the event reaches capacity. Admission is granted on a first-come, first-served basis.

#Arts #Music

Free legal clinic for the UCLA community to come talk to an attorney about immigration related questions. No RSVP needed -- waiting room only, admitted in order of joining.

#Undergraduate #GraduateProfessional #Educational #Academic

These meetups are for people who make websites. Join us every other week, on Wednesday at 11am, to ask any questions you may have about making websites at UCLA.

#FacultyStaff #Educational #Media

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Hanna Hur is led by Curator Erin Christovale.

#Arts #Art

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

Join us for an empowering workshop designed to support formerly incarcerated and system-impacted students navigating the transfer process. Hosted by UCLA Underground Scholars, this session will cover transfer planning, personal insight questions (PIQs), and building a strong support network. Whether you're just starting or finalizing your application, this space is for you.

#Educational #Academic

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

This training session will demonstrate how to finalize your Bruin Learn gradebook and transfer Bruin Learn grades to MyUCLA. Audience: Faculty, TAs, Staff

#FacultyStaff

This workshop will discuss strategies for applying for the National Science Foundation Graduate Research Fellowship with a physical science focus. This highly competitive fellowship provides three years of fellowship funding to successful applicants. The workshop will focus on the intellectual merit and broader impacts criteria for NSF grants, the structure of the research proposal and personal statement, suggestions for writing style, and tips for Fastlane submission.

#GraduateProfessional #Educational #Academic

See the sunset from the Garden at Third Thursdays, our summer twilight series. Meet new friends at the wine bar, then kick back and enjoy live music! Admission for each event is $10. Free admission for ages 13 and under. Picnics are encouraged. Check-in at La Kretz and Hilgard Entrances. We can't wait to see you there!

#Social #Community

Naomi Moon Siegel, trombone Marina Albero, piano Kelsey Mines, bass Christopher Icasiano, drums Trombonist, composer, and bandleader Naomi Moon Siegel weaves together a myriad of musical influences in her dynamic and thoughtful music. Based in Missoula, Montana but long a part of Seattle’s vibrant jazz community, Siegel propels her ensemble through soaring melodies, rich harmonies and lean grooves with a warm, clarion tone and keen musical instincts.

#Arts #Music

Join us at the RISE Center for a cozy midday reset filled with art, crafts, journaling, clay, and calm. All materials provided - just bring yourself!

#Undergraduate #GraduateProfessional #Health #MyWellBeing

Join us at the RISE Center for a cozy midday reset filled with art, crafts, journaling, clay, and calm. All materials provided - just bring yourself!

#Undergraduate #Health #MyWellBeing