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Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Long Goodbye U.S., 1973 In the opening shot of Robert Altman and screenwriter Leigh Brackett’s adaptation of Raymond Chandler’s 1953 hardboiled novel, Elliott Gould awakens as Philip Marlowe in 1970s Los Angeles like a gumshoe Rip Van Winkle. And he just rolls with it. Social mobility comes standard issue for the classic private eye and working an old school case of infidelity, theft and murder, Gould’s Marlowe moves confidently from dive bar to Malibu beach house. To this, the filmmakers add an easygoing adaptability to cultural change. This Marlowe’s Los Angeles abounds with nude yoga, political protest and other signs of an ascendent counterculture to which his nonchalant motto is “It’s okay with me.” 35mm, color, 112 min. Director: Robert Altman. Screenwriter: Leigh Brackett. With: Elliott Gould, Nina Van Pallandt, Sterling Hayden. California Split U.S., 1974 Elliott Gould and George Segal’s gamblers meet cute in a poker game, fall in with each other and seduce us into a subcultural world of heavy bettors that feels, in Robert Altman’s loose and open form, like a documentary that a couple of stars happened to have wandered into. When they’re on a roll, they spend their winnings with a pair of sex workers who provide a poignant note to the men’s highflying hustles. It’s almost disappointing when the vaguest story arc creeps in after Segal’s punter hits a cold streak but its (anti)climactic final scene is one of the unsung triumphs of the New Hollywood. DCP, color, 108 min. Director: Robert Altman. Screenwriter: Joseph Walsh. With: George Segal, Elliott Gould, Ann Prentiss. —Senior Public Programmer Paul Malcolm

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Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Thieves Like Us U.S., 1974 Like the camp announcements in M*A*S*H, a stream of radio broadcasts layer context and commentary into Robert Altman’s Depression-era period piece about a trio of small-time bank robbers in the rural south. They’re also an early clue that Altman here is more interested in exploring time, place and character than indulging in action set pieces. Indeed, despite a string of robberies, we don’t enter a bank with the gang until late in the film. In rustic hideouts and safe houses, a tender love story emerges instead between Keith Carradine’s criminal and Shelley Duvall’s ingenue, a chimera of hope in a country left to fate. 35mm, color, 123 min. Director: Robert Altman. Screenwriters: Robert Altman, Joan Tewkesbury, Calder Willingham. With: Keith Carradine, Shelley Duvall, John Schuck. Kansas City U.S., 1996 Robert Altman’s homage to Kansas City, Missouri, of the 1930s, where he was born and raised, brings its innovative jazz scene to rip-roaring life within a story about the improvisations of survival required during the Depression. When her small-time hood husband (Dermot Mulroney) falls into the hands of a vengeful gambler (a wickedly smooth Harry Belafonte), Jennifer Jason Leigh’s brassy manicurist kidnaps the wife (Miranda Richardson) of a prominent politician (Michael Murphy) on the eve of an election to force his intervention. It’s a desperate hustle in a city where some have to make it up as they go along while the wheels of power roll on. 35mm, color, 116 min. Director: Robert Altman. Screenwriters: Robert Altman, Frank Barhydt. With: Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte.

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Are you a newly admitted SwD or a student who has recently: Given birth/became a parent, became a guardian, or caregiver? Join us to learn about the Students with Dependents Program, take a camppus tour, hear from campus/community partners, attend the BPS Mixer, & much more!

#Undergraduate #GraduateProfessional

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

The 52nd Annual TA & Postdoc Teaching Conference 9:30 AM–4:30 PM September 16 | Zoom 9:30 AM–6:45 PM September 17 | Royce Hall and Haines Hall Classrooms The TLC’s annual TA & Postdoc Teaching Conference offers opportunities for novice and experienced instructors to build a community of colleagues and develop their teaching toolkits. This latest iteration of the conference expands offerings for postdoctoral scholars as well as incoming and returning TAs to build the necessary skills to start fall quarter strong. The two days are filled with programs designed specifically for TAs and postdocs with varied levels of teaching experience, along with opportunities to network with fellow graduate students, postdoctoral scholars, and instructors. Participants will gain awareness of campus resources to support teaching development and sit in on flash talks by current UCLA graduate students and postdocs highlighting innovative teaching strategies they’ve used to tackle classroom challenges. An added bonus: attendees will also be enrolled in opportunity drawings and gain extra entries for every session they attend. View the full schedule of offerings on the TLC website. All graduate students regardless of whether they have a current appointment are welcome to join the conference. Please note that this is a two-day event with distinct content on each day. You are welcome to attend the event in full or in part. Register by Thursday, September 11 to attend. For questions or additional information, contact gspse@teaching.ucla.edu.

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#FacultyStaff #Alumni

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

UCLA F-1 visa students, do you want to know more about off-campus employment authorization? Join us on one of our weekly CPT webinars hosted by the Dashew Center staff to learn more!

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Do you have legal immigration questions, and want to get professional answers? The UCLA Legal Services partners with the Dashew Center on a monthly basis to offer free legal services. This is a free consultation with an immigration lawyer hosted via Zoom. No RSVP required. When? Wednesday, September 17. From 10am-12pm PT. Zoom Meeting ID: 98924654582 Passcode: 526311

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These meetups are for people who make websites. Join us every other week, on Wednesday at 11am, to ask any questions you may have about making websites at UCLA.

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The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m. This talk on Carlos Almaraz is led by curatorial assistant Juan Manuel Silverio.

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Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

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Co-presented by UCLA Mindful, the mindfulness education center of UCLA Health. Enjoy Mindful Awareness Meditation in person every Thursday in the Billy Wilder Theater! Every session is also broadcast live right here on the Hammer's website. Whether you participate in person or online, Mindful Awareness Meditation is offered every Thursday at 12:30 PM. Mindful awareness meditation is the moment-by-moment process of actively and openly observing one’s physical, mental, and emotional experiences. Mindfulness has scientific support as a means to reduce stress, improve attention, boost the immune system, reduce emotional reactivity, and promote a general sense of health and well-being. These half-hour weekly sessions are open to people of all levels of experience. Sessions are open to people at all experience levels and are led by Diana Winston, Director of UCLA Mindful, Allyson Pimentel, Co-Director of Mindful USC, and other instructors from UCLA Mindful. Sessions are also simulcast live online at hammer.ucla.edu. Past audio sessions are available on the UCLA Mindful website and on the UCLA Mindful App. Listen to the session from Thursday, January 9.

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#FacultyStaff

Feel free to drop by and chat with RISE Health and Wellbeing Coordinator! Whether you want to discuss campus mental health resources, get connected to CAPS, manage academic stress, or just need someone to talk to, we're here for you.

#Undergraduate #GraduateProfessional #Health #MentalHealth

See the sunset from the Garden at Third Thursdays, our summer twilight series. Meet new friends at the wine bar, then kick back and enjoy live music! Admission for each event is $10. Free admission for ages 13 and under. Picnics are encouraged. Check-in at La Kretz and Hilgard Entrances. We can't wait to see you there!

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Stop by for FREE open mat +Bonus workshops - Boxing: Learn to Punch & Not Be Punched at 3PM and Fililpino Kali: Blunt & Bladed Weapon Combat at 4PM.

#Undergraduate #GraduateProfessional #Health #Recreation

Test your luck and play Bruin Bingo with Programming Board! Whether you are in need our our laundry started pack, or want to win big with some amazing tech, some enjoy bingo and meet someone new!

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Part of: Robert Altman’s America: A Centennial Review

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Stop by for FREE open mat +Bonus workshops - Brazilian Jiu Jitsu: Control. Lock. Choke at 10 AM and Wing Chun: Art of Body Structure & In Fighting at 11 AM.

#Health #Recreation

The Panhellenic Council hosts a formal recruitment process which occurs during the True Bruin Welcome Week (zero week). Recruitment will begin on Saturday, 9/20 and continue through Sunday, Monday 9/28. Potential New Members or PNMs visit each chapter on a specific schedule. In addition, some Panhellenic chapters are eligible to accept new members after formal recruitment. Pre-registration and attending Orientation is required. Students who register will receive information about Orientation and the recruitment process. For more information about joining a Panhellenic Association organization, visit www.uclapanhellenic.com.

#Undergraduate #Leadership

Part of: Robert Altman’s America: A Centennial Review Presented by the UCLA Film & Television Archive Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Player U.S., 1992 Not even the bitterest satire of Hollywood can escape mythologizing its subject to some degree. That’s the nature of the beast. Director Robert Altman and screenwriter Michael Tolkin lean into the dilemma, wrapping their sharp lampoon of corporate Hollywood’s solipsistic obsession with recycled concepts and the bottom line (Out of Africa meets Pretty Woman, anyone?) in a noir-soaked murder mystery straight from an old Hollywood writers room. This deep now into the age of streaming, it’s this blend of eras that makes The Player something more than a time capsule parade of celebrity cameos. For all its scathing insider’s critique, it captures more than most our love-hate relationship with our mythmakers.—Senior Public Programmer Paul Malcolm DCP, color, 124 min. Director: Robert Altman. Screenwriter: Michael Tolkin. With: Tim Robbins, Greta Scacchi, Fred Ward.

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