Week 4

Beginning Winter 2026, Student Experiences of Teaching (SET) will offer virtual drop-in hours with Cassidy Alvarado, Ed.D., (she/her), Program Manager of Student Experience Initiatives. Instructors, Teaching Assistants, and Evaluation Coordinators can get support navigating Blue (UCLA’s course feedback platform), accessing reports, and more. Instructors and Teaching Assistants Mondays: 3:00-4:00 pm Fridays: 12:00-1:00 pm Evaluation Coordinators and Department Staff Tuesdays: 2:00-3:00 pm Fridays: 9:00-10:00 am

#FacultyStaff #Educational

This talk focuses on increasing student engagement during office hours to support student learning. It includes a discussion of the research supported benefits of attending office hours and practical strategies to encourage students to come to office hours that can be implemented throughout the quarter across disciplines and course types. Presenter: Megan Abraham, Ph.D Candidate in Education #taandpostdocteachingconferenceflashtalk #officehours #supportingstudents Each academic quarter, the UCLA Teaching and Learning Center (TLC) hosts a weekly series of 10+10 Pop-Up sessions on Zoom. These brief, 10-minute presentations focus on specific topics related to course design, teaching, learning, and assessment, and are led by instructional designers and developers from TLC and campus partners. The “+10” refers to an optional 10-minute discussion following each presentation, where participants can ask questions and share insights. These sessions are open to all UCLA instructors—including faculty, lecturers, instructors of record, graduate student instructors, and postdoctoral scholars. Please direct any inquiries to instructorsupport@teaching.ucla.edu.

#GraduateProfessional #FacultyStaff #Educational #Academic

Beginning Winter 2026, Student Experiences of Teaching (SET) will offer virtual drop-in hours with Cassidy Alvarado, Ed.D., (she/her), Program Manager of Student Experience Initiatives. Instructors, Teaching Assistants, and Evaluation Coordinators can get support navigating Blue (UCLA’s course feedback platform), accessing reports, and more. Instructors and Teaching Assistants Mondays: 3:00-4:00 pm Fridays: 12:00-1:00 pm Evaluation Coordinators and Department Staff Tuesdays: 2:00-3:00 pm Fridays: 9:00-10:00 am

#FacultyStaff #Educational

Learn how to apply to develop and teach a course based on YOUR doctoral research through the Collegium of University Teaching Fellows program! Graduate student fellows will receive tuition and fee remission during the quarter when they teach their course, provided they meet all eligibility requirements. Join the Teaching and Learning Center (TLC) for an information session on January 22 or 28 to learn more about program requirements and the application process. Attend either session; the content will be duplicative.

#GraduateProfessional #Educational #Academic

The Bruin Love Station (BLS) is mobile cart that offers free safer-sex supplies, Narcan, fentanyl test strips and opportunities for students to converse with trained peers and professional staff.

#Health

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Blight U.K., 1996 Filmmaker John Smith and composer Jocelyn Pook lived in the East London community whose destruction is documented in Blight. Though widely protested by residents, construction of the M11 Link Road began in 1994, leading to the demolition of hundreds of homes. Smith filmed the destruction and the rise of the new motorway over two years. Fragmented images of torn-down houses intertwine with field recordings and snippets of conversations with residents. The result is a symphony of real and constructed sounds and images that evoke the crumbling sensation of losing one’s ground. DCP, color, 14 min. Director: John Smith. Aquarius Brazil/France, 2016 Clara (Sônia Braga), a widow and grandmother in her early 60s, spends her days swimming blissfully at the beaches of Recife, listening to her beloved records in her ocean-view apartment, and gathering with friends and family. Everything appears idyllic until it becomes clear that she is the last remaining resident in her building. When a persistent grandfather-and-grandson development team approaches her with an offer to buy her apartment, Clara refuses, preventing the planned demolition of the complex. As her once-joyful life becomes increasingly marked by harassment and stress, those closest to her urge her to sell and move on. But Clara is not that kind of person. Poised and fearless, she takes on the fight to protect her home. DCP, color, in Portuguese with English subtitles, 147 min. Director/Screenwriter: Kleber Mendonça Filho. With: Sonia Braga, Maeve Jinkings, Irandhir Santos. —Associate Programmer Nicole Ucedo Part of: (Dis)placement: Fluctuations of Home, Part II

#Arts #MovieFilm

Beginning Winter 2026, Student Experiences of Teaching (SET) will offer virtual drop-in hours with Cassidy Alvarado, Ed.D., (she/her), Program Manager of Student Experience Initiatives. Instructors, Teaching Assistants, and Evaluation Coordinators can get support navigating Blue (UCLA’s course feedback platform), accessing reports, and more. Instructors and Teaching Assistants Mondays: 3:00-4:00 pm Fridays: 12:00-1:00 pm Evaluation Coordinators and Department Staff Tuesdays: 2:00-3:00 pm Fridays: 9:00-10:00 am

#FacultyStaff #Educational

Beginning Winter 2026, Student Experiences of Teaching (SET) will offer virtual drop-in hours with Cassidy Alvarado, Ed.D., (she/her), Program Manager of Student Experience Initiatives. Instructors, Teaching Assistants, and Evaluation Coordinators can get support navigating Blue (UCLA’s course feedback platform), accessing reports, and more. Instructors and Teaching Assistants Mondays: 3:00-4:00 pm Fridays: 12:00-1:00 pm Evaluation Coordinators and Department Staff Tuesdays: 2:00-3:00 pm Fridays: 9:00-10:00 am

#FacultyStaff #Educational

USQ National Qualifier

Educational topics include savings, investing, risk management and taking inventory of where you are and where you want to go in terms of your financial health. Conversation focused on goals and time horizon and risk tolerance to guide you towards financial stability.

CRAA D1A League Match

Presented in partnership with the UCLA School of Education and Information Studies and the UCLA Documentary Film Legal Clinic In-person: Q&A with filmmaker Bao Nguyen, producer Terri Lichstein, line producer Jenni Trang Le, moderated by UCLA Assistant Professor Thuy Vo Dang, Information Studies and Asian American Studies. Introduction by Archive Director May Hong HaDuong. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. The Stringer U.S., 2025 Through unprecedented on-the-ground access, journalists brought the Vietnam War to the living rooms of a global audience. Public outcry and resistance grew as brutal and bloody images reached the homes of millions. One of the most recognizable images taken during the conflict, “The Terror of War,” featured a young, unclothed girl running following a napalm attack. The photograph would become a turning point for the hearts and minds of the world, earning photographer Nick Út a Pulitzer Prize. Decades later, Bao Nguyen’s gripping film documents a possible revelation of the photograph’s long-held secret and the chain reaction that follows. A story of record unravels through forensic tools, first-hand accounts, and an emotional, climactic reunion. Premiering at the 2025 Sundance Film Festival, The Stringer sparked controversy in the photojournalism world, raising questions about the editorial power structures that propelled the stature of some photographers over the obscurity of others. Following the screening, filmmaker Bao Nguyen, producer Terri Lichstein, and line producer Jenni Trang Le will discuss the two-year journey of the making of The Stringer. DCP, color, 100 min. Director: Bao Nguyen, Producers: Terri Lichstein and Fiona Turner. With: Gary Knight and Nguy?n Thành Ngh?. Programmed and note written by Archive Director May Hong HaDuong. Part of: The Stringer

#Arts #MovieFilm

All Family Flicks screenings are free admission. Seating is first come, first served. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. The Secret Life of Pets U.S., 2016 When a devoted terrier and a shaggy mutt battle for supremacy of their owner’s big city apartment, they both end up lost in Manhattan and on the run from a feral band of abandoned pets led by a psychotic bunny. Charming animation and madcap adventure make this an hilarious romp through the secret lives and loyal friendships of our furry companions. DCP, color, 86 min. Director: Chris Renaud. Screenwriters: Cinco Paul, Ken Daurio, Brian Lynch. With: Louis C.K., Eric Stonestreet, Kevin Hart. Recommended for ages 7+ Part of: Family Flicks

#Arts #MovieFilm