Week 8
Tuesday November 18
10 + 10 Pop-Up Series: Streamlining Course Resources: Utilizing Free Library Reserves with Leganto
Tue 11/18 • 10AM - 10:20AM PST RSVP
This session will introduce you to Leganto (the "Course Reading List" tool) in Bruin Learn to request course reserves from UCLA Library. Please join us to learn how the Library can support your class by providing free access to required and recommended course texts to your students. Presenter: Emilie Eshbaugh, Access Services Reserves Lead, UCLA Library. #bruinlearn, #leganto, #coursereadinglist, #freeaccess, #accessibletext Each academic quarter, the UCLA Teaching and Learning Center (TLC) hosts a weekly series of 10+10 Pop-Up sessions on Zoom. These brief, 10-minute presentations focus on specific topics related to course design, teaching, learning, and assessment, and are led by instructional designers and developers from TLC and campus partners. The “+10” refers to an optional 10-minute discussion following each presentation, where participants can ask questions and share insights. These sessions are open to all UCLA instructors—including faculty, lecturers, instructors of record, graduate student instructors, and postdoctoral scholars. Please direct any inquiries to edp@teaching.ucla.edu.
Room Swap Night - Hill (Week 8)
Tue 11/18 • 6PM - 8PM PST
Carnesale Hermosa
An opportunity for residents interested in swapping rooms to meet with other residents who are also interested in moving.
Lynn Hershman Leeson: Private I
Tue 11/18 • 7:30PM PST
Hammer Museum, 10899 Wilshire Blvd, Los Angeles, CA 90024
Pioneering conceptual artist Lynn Hershman Leeson has spent six decades exploring technology, identity, and surveillance with prophetic vision. Long before digital avatars became commonplace, she created groundbreaking works like interactive touch screen installations and the Roberta Breitmore series, inhabiting a fictional alter ego with IRL credentials. Her prescient art warned of technology’s perils while celebrating transformation. From unconventional venues to acclaimed films starring Tilda Swinton, she carved her path as a visionary who foresaw our hyper-connected world. Join Leeson and art historian Margot Norton for an evening of video screenings and insights into a revolutionary career and her new book Private I.
Wednesday November 19
Introduction to Document Accessibility (Hosted by Disabilities and Computing Program)
Wed 11/19 • 11AM - 12PM PST RSVP
This event is hosted by our partner Disabilities and Computing Program This session provides an introduction to creating accessible documents in Google Docs, Microsoft Word, and PDFs. Participants will learn the fundamentals of digital accessibility, including how to use proper heading structure, write effective alt-text for images, create descriptive links, and ensure sufficient color contrast. The training will also demonstrate how to use built-in and automated accessibility checkers to identify and correct common issues. By the end of the session, attendees will have practical tools to make their documents more inclusive and compliant with accessibility standards.
Choosing a Citation Manager: EndNote vs. Zotero
Wed 11/19 • 1PM - 2PM PST RSVP
Using a citation manager adds ease and efficiency to conducting research and writing papers, but what citation manager is the best for you? We’ll describe the pros and cons of EndNote and Zotero to help you decide between them! This workshop will be offered via Zoom. If you're registered, you'll receive the Zoom invitation information the day of the workshop. Instructors: Molly Hemphill, Medical Education Librarian Robert Johnson, Clinical and Research Support Librarian
Assignments and Grading for TAs
Wed 11/19 • 2PM - 3PM PST
Creating Effective Figures and Visual Aids for Conference Presentations and Publications
Wed 11/19 • 4PM - 5PM PST RSVP
This workshop focuses on strategies for designing effective figures and visual materials for conference presentations, publications, and other contexts. The workshop will also introduce different software packages that can be used to create high-quality figures, and offer further resources for learning these programs.
Room Swap Night - UAN (Week 8)
Wed 11/19 • 6PM - 8PM PST
Weyburn Commons Village View
An opportunity for residents interested in swapping rooms to meet with other residents who are also interested in moving.
Interfaith: Hill's Food 4 Thought
Wed 11/19 • 6PM - 8:30PM PST
The Interfaith LLC’s “Food 4 Thought” is a reflective event that invites participants to explore and discuss a variety of topics related to religion and spirituality.
Thursday November 20
Calm in the Chaos: SwD Wellness Network Series
Thu 11/20 • 11AM - 12:30PM PST RSVP
Grab your lunch and join us on zoom to engage in conversation about relationships and family. Lean on community as you navigate parenting and your academic journey.
Bruin Love Station
Thu 11/20 • 12PM - 3PM PST
Intramural Field Southeast Gates
The Bruin Love Station (BLS) is mobile cart that offers free safer-sex supplies, Narcan, fentanyl test strips and opportunities for students to converse with trained peers and professional staff. Students are free to stop by to pick up any of our supplies
Using AI Tools Effectively and Ethically
Thu 11/20 • 1PM - 2PM PST RSVP
Powell 320 (CLICC Classroom C)
UCLA students, faculty and staff are invited to register for this hands-on workshop exploring the ethical and practical uses of generative A.I. tools. Led by UCLA Library staff, this 90 minute workshop will focus on writing effective prompts, evaluating A.I.’s ability to understand and summarize academic writing and explore ways to use A.I. tools to improve research strategies, while keeping issues of plagiarism, intellectual property protection and other impacts of A.I. in mind. Attendees are encouraged to bring their own or borrow a CLICC laptop or Chromebook(opens in a new tab) to follow along with workshop activities. This workshop will be led by Michelle Brasseur and Helen Song.
#Undergraduate #GraduateProfessional #FacultyStaff #Educational #Research
Preparing to Teach: Efficient Grading (Online workshop)
Thu 11/20 • 3PM - 4PM PST RSVP
Worried about your grading load this quarter? Join us for a workshop centered on time-saving strategies for grading many students. Along with a walkthrough of how to leverage tools such as comment libraries, rubrics, and automated grading, we will discuss the differences between assessment and grading, as well as how you can establish feedback loops with your class without having to give detailed comments on every piece of student work. Participants will leave this session prepared to integrate a new strategy or tool into their course and having had the opportunity to troubleshoot and brainstorm with colleagues. This online workshop will be facilitated by the Teaching and Learning Center (TLC). All instructors, including TAs and postdocs, are welcome. The event will be held on Thursday, November 20, 2025, 3pm-4pm. Please register to receive the Zoom link. Please contact edp@teaching.ucla.edu if you have any questions.
Friday November 21
La Chinoise
Fri 11/21 • 7:30PM PST
Billy Wilder Theater at the Hammer Museum
In-person: cartoonist and illustrator Nathan Gelgud. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. La Chinoise France, 1967 A major influence on Nathan Gelgud’s book Reel Politik, Jean-Luc Godard’s La Chinoise follows a group of students who form a Maoist revolutionary group over their summer vacation. No lazy bunch, they start each day with calisthenics and slogans before a crowded schedule of Maoist lectures and discussions they lead themselves. Like the theater workers in Reel Politik, they learn revolution as they go. Boldly designed and obliquely stated, the film itself doubles as a catalog of its own political and aesthetic influences, with a regular stream of propaganda posters, comic books, news photos, book covers and slogans filling the frame like a cinematic syllabus for radical home schooling.—Senior Public Programmer Paul Malcolm DCP, color, in French with English subtitles, 96 min. Director/Screenwriter: Jean-Luc Godard. With: Anne Wiazemsky, Jean-Pierre Léaud, Juliet Berto. Part of: Reel Politik: Seizing the Means of Projection With Nathan Gelgud
Saturday November 22
Atlanta Alumni : UCLA Football Game Watch Party | vs Washington
Sat 11/22
Stats Brewpub • Atlanta GA
Join us as we cheer on the UCLA football team!
Bay Area Bruins: UCLA Football Game Watch Party | vs. Washington
Sat 11/22
Stadium Pub • Walnut Creek CA
Join us as we cheer on the UCLA football team!
Bay Area Bruins: UCLA Football Game Watch Party | vs. Washington
Sat 11/22
Underdogs Cantina • San Francisco CA
Join us as we cheer on the UCLA football team!
Orange County Alumni: UCLA Football Game Watch Party | vs. Washington
Sat 11/22
Sauced BBQ & Spirits • Irvine CA
Join us as we cheer on the UCLA football team!
Washington, D.C. Network: UCLA Football Game Watch Party | vs. Washington
Sat 11/22
Astro Beer Hall • Washington DC
Join us as we cheer on the UCLA football team! Astro Beer Hall is located in downtown Washington, DC, and is located on top of the Metro Center WMATA Metro Rail station, which is served by the Red, Orange, Blue, and Silver Lines.
The Best of Ralph Story's Los Angeles
Sat 11/22 • 7:30PM PST
Billy Wilder Theater at the Hammer Museum
Made possible by the John H. Mitchell Television Programming Endowment In-person: Joe Saltzman, Alison Martino. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Premiering in 1964 on CBS affiliate KNXT (now KCBS), Ralph Story’s Los Angeles (1965–69) remains one of the most fondly remembered series in L.A. television history (and one of the most requested items in the UCLA Film & Television Archive’s collections). Created by Dan Gingold (of KNXT's historic The Big News broadcast), the locally produced Ralph Story’s Los Angeles explored the history, personalities and landmarks of L.A. in one of the first newsmagazine-styled programs on television. Foregrounding the warm, wry personality of newsman and commentator Ralph Story, the local Emmy-winning series earned high television ratings, often outperforming network programs in prime time. In later years, the innovative series inspired an entire genre of popular local TV programs covering the unique landscape of Los Angeles, including Visiting With Huell Howser. Today, the surviving episodes of Ralph Story's Los Angeles represent an invaluable moving image archival record of an evolving L.A. as it stood at mid-century. Join us for a reprise of a specially curated best of Ralph Story’s Los Angeles omnibus, last presented a decade ago to a sold-out crowd at the Archive’s This Is the City symposium. Featuring excerpts and complete episodes documenting such iconic locales as Angels Flight, Clifton’s Cafeteria, Disneyland at night, Sunset Boulevard, the long lost landmarks Hollywood Ranch Market and Beverly Park, and more! With in-person guests Joe Saltzman, producer of Ralph Story’s Los Angeles, and historian Alison Martino of Vintage Los Angeles. Programmed and notes written by John H. Mitchell Television Curator Mark Quigley. Ralph Story’s Los Angeles U.S, 1965–69 DCP, b&w and color, approx. 110 min. KNXT. Executive producer: Dan Gingold. Producer: Joe Saltzman. Director: Jim Johnson. Writer: Jere Witter, Nate Kaplan. Angels Flight segment: Executive producer: Joe Sands. Producer: Dan Gingold. Director: Dan Gingold. Writers: Jere Witter, Nate Kaplan. Preserved by the UCLA Film & Television Archive. Video transfers at DC Video; engineering services by David Crosthwait. Additional transfers at CBS Media Exchange. Special thanks to Paul Button, KCBS. Part of: Archive Television Treasures
Sunday November 23
Westside Bruins: Pre-Thanksgiving Hike
Sun 11/23 • 8:30AM PST
Sullivan Canyon Trailhead • Los Angeles, CA CA
We will be hiking Sullivan Canyon. It's in and out so those who want a shorter hike can turn around early and the rest of us will continue on for a longer hike for a total of up to 8.5 miles round trip. Please also bring water, snacks, and sun protection as you will need.
Born in Flames / Stranger Inside
Sun 11/23 • 7PM PST
Billy Wilder Theater at the Hammer Museum
Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Born in Flames U.S., 1983 This radical, post-punk vision of feminist revolt is set in a dystopian New York a decade after a failed social-democratic revolution. When Adelaide Norris, founder of the Women’s Army, is mysteriously killed, women across race, class and sexual orientation unite to challenge a government bent on repression. Shot guerrilla-style on the streets of 1980s pre-gentrified New York, on a $40,000 budget, over five years, the film is a fierce DIY manifesto and unforgettable entry in the canon of science fiction genre films. It remains a landmark of feminist cinema — visionary and startlingly urgent. DCP, color, 80 min. Director/Screenwriter: Lizzie Borden. With: Jean Satterfield. Preserved by Anthology Film Archives, with restoration funding from the Golden Globe Foundation and The Film Foundation, and supervised and approved by director Lizzie Borden. Stranger Inside U.S., 2001 Cheryl Dunye’s Stranger Inside is a raw, gripping women’s prison drama starring Yolonda Ross as Treasure, a young butch who commits a crime to reunite with her lifer mother, Brownie (Davenia McFadden). By engaging and reshaping women-in-prison film conventions, Dunye centers incarcerated Black lesbians and their family ties rather than crime or punishment. This constitutes “a radical act — to center Black queer women behind bars, on their own terms,” says Dunye. Through its intimate focus and Dunye’s auteurist vision, the film reframes a marginalized community, blending maternal melodrama and genre subversion into a landmark of American independent cinema. DCP, color, 97 min. Director/Screenwriter: Cheryl Dunye. With: Yolonda Ross, Davenia McFadden. —guest programmer Kathleen McHugh Part of: A Place of Rage: Women and Anger on Screen