Session D - 3 weeks

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Friendly Match

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Eyes on Ukraine U.S./Ukraine, 2025 In commemoration of AIDS Awareness Month (and World AIDS Day, December 1), the UCLA Film & Television Archive presents the official world premiere of Eyes on Ukraine, a powerful documentary that explores the intersection of two crises — war and the HIV epidemic. Directed by Mo Stoebe and executive produced by Richard Gere, the film follows HIV-positive Ukrainian activist Yana Panfilova as she joins “Through Positive Eyes,” a global photo-storytelling project co-directed by award-winning South African photographer Gideon Mendel and the UCLA Art & Global Health Center. Part of an engrossing visual anthology that connects the power of community, art and activism in the face of a global pandemic, Eyes on Ukraine depicts the harrowing and inspiring daily struggle of young people living with HIV. Arriving at a time when the global health community is confronting historic cuts to research and support, Eyes on Ukraine looks to the resilience of a new generation, navigating survival and community through art and activism. Preceding the film will be a short presentation looking back at the history of “Through Positive Eyes,” an initiative of MAKE ART/STOP AIDS. A post-screening panel will focus on the quickly changing landscape of HIV/AIDS funding, featuring UCLA faculty and a representative group of international “Through Positive Eyes” “artivists.” DCP, color, 37 min. Director: Mo Stoebe. Executive Producer: Richard Gere. Producers: David Gere, Katja Kulenkampff. With: Yana Panfilova, Liza Shevchuck, Yehor Pasko.

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Join a Garden Guide for a free tour on December 6, 2025 at 10 am. Explore our living museum featuring collections of plants from around the globe! You’ll hear the stories of selected plants in the Garden and their relevance to human society. All ages are welcome. Tours meet at the La Kretz Garden Pavilion at the northern end of the Garden and are given a grace period of 5 minutes.

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In-person: Associate Professor Kathleen McHugh, UCLA School of Theater, Film and Television. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Chasing the Moon U.S., 1991 Chasing the Moon, directed by Dawn Suggs, is a lyrical, introspective work following a Black lesbian as she navigates the lingering impact of an attack that leaves her uneasy in public spaces. Created in the 1990s when Suggs was part of the directing program at the UCLA School of Theater, Film and Television and Third World Newsreel’s production program, the film weaves together a rare and resonant portrait of the personal and political.—Public Programmer Beandrea July DCP, b&w, 4 min. Director/Screenwriter: Dawn Suggs. Our Father, the Devil U.S., 2021 Babetida Sadjo gives a riveting performance as Marie, a Guinean refugee and head chef at a French retirement home whose life is upended by the arrival of Father Patrick, a priest tied to a harrowing past. This taut, elegant revenge thriller stands up as one of the most engrossing depictions of the aftermath of trauma, even as it surrenders to the allure of supposed payback. Writer-director Ellie Foumbi’s assured direction builds sophisticated tension, crafting a gripping psychological drama and a profound meditation on true healing.—guest programmer Kathleen McHugh DCP, color, 108 min. Director/Screenwriter: Ellie Foumbi. With: Babetida Sadjo, Souleymane Sy Savané, Jennifer Tchiakpe. Part of: A Place of Rage: Women and Anger on Screen

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In-person: cartoonist and illustrator Nathan Gelgud. Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. Putney Swope U.S., 1969 Anarchic trickster of American cinema, Robert Downey Sr. is another pillar in the canon of radicalized movie theater workers in Nathan Gelgud’s book Reel Politik, and Putney Swope stands at the zenith of Downey’s devilish, bomb-throwing career. After the corporate board of a Madison Avenue ad firm accidentally votes its only Black member to be chairman, Putney Swope (Arnold Johnson) transforms the company’s image-making apparatus into a machine for revolution and profit. Soon, a parade of CEOs and activists alike are beating a path to his door to pay respects (and cash) to get their piece of the action. 35mm, color and b&w, 85 min. Director/Screenwriter: Robert Downey Sr. With: Arnold Johnson, Stan Gottlieb, Allen Garfield. Hi, Mom! U.S., 1970 Raw and raucous, Brian De Palma’s early career dark comedy with Robert De Niro fuses underground aesthetics and Hitchcock homage on the streets and in the tenements of New York. De Niro reprises his character Jon Rubin from De Palma’s Greetings, now struggling to make a living, first with a voyeuristic pitch to a porn producer then as an actor in a political theater troupe looking to cash in on radical chic. Revolution is in the air and everyone seems in on the hustle as De Palma veers wildly from broad comedy to sexual farce to documentary-style realism and outright shock, deftly capturing the tumult of the times. 35mm, color and b&w, 87 min. Director/Screenwriter: Brian De Palma. With: Robert De Niro, Jennifer Salt, Allen Garfield. —Senior Public Programmer Paul Malcolm Part of: Reel Politik: Seizing the Means of Projection With Nathan Gelgud

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Presented by the UCLA Film & Television Archive and the Hammer Museum All Family Flicks screenings are free admission. Seating is first come, first served. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. The Wiz U.S., 1978 Director Sidney Lumet’s dazzlingly inventive adaptation of the hit Broadway musical transplants L. Frank Baum’s fantastical world from somewhere over the rainbow to somewhere over the Brooklyn Bridge. Diana Ross, as Dorothy, heads the all-Black cast featuring Michael Jackson as The Scarecrow, Nipsey Russell as The Tin Man, Ted Ross as The Lion and Richard Pryor as The Wiz. DCP, color, 134 min. Director: Sidney Lumet. Screenwriter: Joel Schumacher. With: Diana Ross, Michael Jackson, Richard Pryor. Recommended for ages 7+ Part of: Family Flicks

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